Indians and indigenistic art i0n latin-america in the early 20th century
The subjects of Indians and the indigenous, two similarbut different approaches, were dealt-with during thesecond half of the 19th century by some Mexican andPeruvian painters, sculptors, and architects. Theyfounded an attitude which prolonged itself as an artisticrenewal into the 20th century thank...
- Autores:
-
Medina, Alvaro
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2005
- Institución:
- Universidad Nacional de Colombia
- Repositorio:
- Universidad Nacional de Colombia
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unal.edu.co:unal/49957
- Acceso en línea:
- https://repositorio.unal.edu.co/handle/unal/49957
http://bdigital.unal.edu.co/43485/
- Palabra clave:
- Álvaro Medina
arte indoamericano
arte indigenista
arte latinoamericano
indigenismo.
Álvaro Medina
Indo-American art
indigenistic art
Latin-American art
indigenism.
- Rights
- openAccess
- License
- Atribución-NoComercial 4.0 Internacional
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Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Medina, Alvaroea813138-b2e0-4a55-84e0-e392dd5c13a63002019-06-29T09:33:26Z2019-06-29T09:33:26Z2005https://repositorio.unal.edu.co/handle/unal/49957http://bdigital.unal.edu.co/43485/The subjects of Indians and the indigenous, two similarbut different approaches, were dealt-with during thesecond half of the 19th century by some Mexican andPeruvian painters, sculptors, and architects. Theyfounded an attitude which prolonged itself as an artisticrenewal into the 20th century thanks to the work ofmany artists. The first was José Guadalupe Posada, whotreated a variety of subjects from the point of view ofthe indigenous and was followed by a member of thenext generation: José Sabogal, a collaborator in JoséCarlos Mariátegui’s Amauta and the earliest Latin-American indigenistic painter, whose preferred subjectwere Indians themselves.Los temas del indio y de lo indio, dos aproximaciones parecidas pero diferentes, fueron trajinados en la segunda mitad del siglo XIX por algunos pintores, escultores y arquitectos de México y Perú. Con ellos se cimentó una actitud que, en el paso de una centuria a la otra,continuaron numerosos artistas con resultados renovadores. El primero de ellos fue José Guadalupe Posada, quien trabajó asuntos muy variados desde lo indio, seguido en la generación siguiente por José Sabogal, colaborador de José Carlos Mariátegui en Amauta y primer pintor indigenista latinoamericano, quien prefirió centrarse en el indio.application/pdfspaRevista Ensayos: Historia y teoría del artehttp://revistas.unal.edu.co/index.php/ensayo/article/view/45832Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arteEnsayos: Historia y teoría del arteEnsayos: Historia y Teoría del Arte; núm. 10 (2005); 143-177 Revista Ensayos: Historia y teoría del arte; núm. 10 (2005); 143-177Medina, Alvaro (2005) Indians and indigenistic art i0n latin-america in the early 20th century. Ensayos: Historia y Teoría del Arte; núm. 10 (2005); 143-177 Revista Ensayos: Historia y teoría del arte; núm. 10 (2005); 143-177 .Indians and indigenistic art i0n latin-america in the early 20th centuryArtículo de revistainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/ARTÁlvaro Medinaarte indoamericanoarte indigenistaarte latinoamericanoindigenismo.Álvaro MedinaIndo-American artindigenistic artLatin-American artindigenism.ORIGINAL45832-222435-1-SM.pdfapplication/pdf3305666https://repositorio.unal.edu.co/bitstream/unal/49957/1/45832-222435-1-SM.pdf8b3524759fc6c631f7e7269ef45291bfMD51THUMBNAIL45832-222435-1-SM.pdf.jpg45832-222435-1-SM.pdf.jpgGenerated Thumbnailimage/jpeg4528https://repositorio.unal.edu.co/bitstream/unal/49957/2/45832-222435-1-SM.pdf.jpg47117136d854243040a31abcb2be2deeMD52unal/49957oai:repositorio.unal.edu.co:unal/499572023-12-12 23:07:16.281Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co |
| dc.title.spa.fl_str_mv |
Indians and indigenistic art i0n latin-america in the early 20th century |
| title |
Indians and indigenistic art i0n latin-america in the early 20th century |
| spellingShingle |
Indians and indigenistic art i0n latin-america in the early 20th century Álvaro Medina arte indoamericano arte indigenista arte latinoamericano indigenismo. Álvaro Medina Indo-American art indigenistic art Latin-American art indigenism. |
| title_short |
Indians and indigenistic art i0n latin-america in the early 20th century |
| title_full |
Indians and indigenistic art i0n latin-america in the early 20th century |
| title_fullStr |
Indians and indigenistic art i0n latin-america in the early 20th century |
| title_full_unstemmed |
Indians and indigenistic art i0n latin-america in the early 20th century |
| title_sort |
Indians and indigenistic art i0n latin-america in the early 20th century |
| dc.creator.fl_str_mv |
Medina, Alvaro |
| dc.contributor.author.spa.fl_str_mv |
Medina, Alvaro |
| dc.subject.proposal.spa.fl_str_mv |
Álvaro Medina arte indoamericano arte indigenista arte latinoamericano indigenismo. Álvaro Medina Indo-American art indigenistic art Latin-American art indigenism. |
| topic |
Álvaro Medina arte indoamericano arte indigenista arte latinoamericano indigenismo. Álvaro Medina Indo-American art indigenistic art Latin-American art indigenism. |
| description |
The subjects of Indians and the indigenous, two similarbut different approaches, were dealt-with during thesecond half of the 19th century by some Mexican andPeruvian painters, sculptors, and architects. Theyfounded an attitude which prolonged itself as an artisticrenewal into the 20th century thanks to the work ofmany artists. The first was José Guadalupe Posada, whotreated a variety of subjects from the point of view ofthe indigenous and was followed by a member of thenext generation: José Sabogal, a collaborator in JoséCarlos Mariátegui’s Amauta and the earliest Latin-American indigenistic painter, whose preferred subjectwere Indians themselves. |
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2005 |
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2005 |
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2019-06-29T09:33:26Z |
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2019-06-29T09:33:26Z |
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Artículo de revista |
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http://purl.org/coar/resource_type/c_2df8fbb1 |
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Text |
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http://purl.org/redcol/resource_type/ART |
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http://bdigital.unal.edu.co/43485/ |
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spa |
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http://revistas.unal.edu.co/index.php/ensayo/article/view/45832 |
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Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arte Ensayos: Historia y teoría del arte |
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Ensayos: Historia y Teoría del Arte; núm. 10 (2005); 143-177 Revista Ensayos: Historia y teoría del arte; núm. 10 (2005); 143-177 |
| dc.relation.references.spa.fl_str_mv |
Medina, Alvaro (2005) Indians and indigenistic art i0n latin-america in the early 20th century. Ensayos: Historia y Teoría del Arte; núm. 10 (2005); 143-177 Revista Ensayos: Historia y teoría del arte; núm. 10 (2005); 143-177 . |
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