The simmulation of reality. a critic of the reality show
Reality shows are one of the most successful television genres in the last few years. The exploration that this article will make around this genre consists of three parts. First, the tension that realities cause between representation as a traditional aesthetic style and simulation as an emergent a...
- Autores:
-
Ordóñez Díaz, Leonardo
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2005
- Institución:
- Universidad Nacional de Colombia
- Repositorio:
- Universidad Nacional de Colombia
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unal.edu.co:unal/50751
- Acceso en línea:
- https://repositorio.unal.edu.co/handle/unal/50751
http://bdigital.unal.edu.co/44752/
- Palabra clave:
- reality show
televisión
entretenimiento
simulación
reality show
television
entertainment
simulation
- Rights
- openAccess
- License
- Atribución-NoComercial 4.0 Internacional
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Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Ordóñez Díaz, Leonardo003efad5-3433-4728-875a-50827ec6cf063002019-06-29T10:44:43Z2019-06-29T10:44:43Z2005https://repositorio.unal.edu.co/handle/unal/50751http://bdigital.unal.edu.co/44752/Reality shows are one of the most successful television genres in the last few years. The exploration that this article will make around this genre consists of three parts. First, the tension that realities cause between representation as a traditional aesthetic style and simulation as an emergent aesthetic style will be examined. Second, the way realities participate in the construction of the world as image will be described. Finally, the article will explain the role that realities play in the contemporary aesthetic economy, and offer a socio-psychological explanation of its seductive power. The article approaches the study of reality shows by taking a critical perspective to the entertainment industry.El reality show es el formato televisivo más exitoso de los últimos años. Este artículo efectúa una exploración en torno a dicho formato articulada en tres partes. Primero, se estudiará la tensión que los realities generan entre la representación como esquema estético tradicional y la simulación como esquema estético emergente; luego, se detallará la manera en que los realities participan en la producción del mundo como imagen; finalmente, se explicará el papel que los realities cumplen en el marco de la economía estética contemporánea y se ofrecerá una explicación sociopsicológica de su poder de seducción. El artículo en su conjunto aborda el estudio del reality a través del lente amplio de una crítica de la industria del entretenimiento.application/pdfspaIEPRI, Universidad Nacional de Colombiahttp://revistas.unal.edu.co/index.php/anpol/article/view/46641Universidad Nacional de Colombia Revistas electrónicas UN Análisis PolíticoAnálisis PolíticoAnálisis Político; Vol. 18, núm. 54 (2005); 49-62 0121-4705Ordóñez Díaz, Leonardo (2005) The simmulation of reality. a critic of the reality show. Análisis Político; Vol. 18, núm. 54 (2005); 49-62 0121-4705 .The simmulation of reality. a critic of the reality showArtículo de revistainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/ARTreality showtelevisiónentretenimientosimulaciónreality showtelevisionentertainmentsimulationORIGINAL46641-226341-1-SM.pdfapplication/pdf75749https://repositorio.unal.edu.co/bitstream/unal/50751/1/46641-226341-1-SM.pdfc467da0e22dcd1309d5418bc3ff213b6MD51THUMBNAIL46641-226341-1-SM.pdf.jpg46641-226341-1-SM.pdf.jpgGenerated Thumbnailimage/jpeg6455https://repositorio.unal.edu.co/bitstream/unal/50751/2/46641-226341-1-SM.pdf.jpg331cde8b08ab97d098a088ead595cd39MD52unal/50751oai:repositorio.unal.edu.co:unal/507512023-12-16 23:05:47.384Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co |
dc.title.spa.fl_str_mv |
The simmulation of reality. a critic of the reality show |
title |
The simmulation of reality. a critic of the reality show |
spellingShingle |
The simmulation of reality. a critic of the reality show reality show televisión entretenimiento simulación reality show television entertainment simulation |
title_short |
The simmulation of reality. a critic of the reality show |
title_full |
The simmulation of reality. a critic of the reality show |
title_fullStr |
The simmulation of reality. a critic of the reality show |
title_full_unstemmed |
The simmulation of reality. a critic of the reality show |
title_sort |
The simmulation of reality. a critic of the reality show |
dc.creator.fl_str_mv |
Ordóñez Díaz, Leonardo |
dc.contributor.author.spa.fl_str_mv |
Ordóñez Díaz, Leonardo |
dc.subject.proposal.spa.fl_str_mv |
reality show televisión entretenimiento simulación reality show television entertainment simulation |
topic |
reality show televisión entretenimiento simulación reality show television entertainment simulation |
description |
Reality shows are one of the most successful television genres in the last few years. The exploration that this article will make around this genre consists of three parts. First, the tension that realities cause between representation as a traditional aesthetic style and simulation as an emergent aesthetic style will be examined. Second, the way realities participate in the construction of the world as image will be described. Finally, the article will explain the role that realities play in the contemporary aesthetic economy, and offer a socio-psychological explanation of its seductive power. The article approaches the study of reality shows by taking a critical perspective to the entertainment industry. |
publishDate |
2005 |
dc.date.issued.spa.fl_str_mv |
2005 |
dc.date.accessioned.spa.fl_str_mv |
2019-06-29T10:44:43Z |
dc.date.available.spa.fl_str_mv |
2019-06-29T10:44:43Z |
dc.type.spa.fl_str_mv |
Artículo de revista |
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http://purl.org/coar/resource_type/c_2df8fbb1 |
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info:eu-repo/semantics/article |
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publishedVersion |
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https://repositorio.unal.edu.co/handle/unal/50751 |
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https://repositorio.unal.edu.co/handle/unal/50751 http://bdigital.unal.edu.co/44752/ |
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spa |
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http://revistas.unal.edu.co/index.php/anpol/article/view/46641 |
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Universidad Nacional de Colombia Revistas electrónicas UN Análisis Político Análisis Político |
dc.relation.ispartofseries.none.fl_str_mv |
Análisis Político; Vol. 18, núm. 54 (2005); 49-62 0121-4705 |
dc.relation.references.spa.fl_str_mv |
Ordóñez Díaz, Leonardo (2005) The simmulation of reality. a critic of the reality show. Análisis Político; Vol. 18, núm. 54 (2005); 49-62 0121-4705 . |
dc.rights.spa.fl_str_mv |
Derechos reservados - Universidad Nacional de Colombia |
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http://purl.org/coar/access_right/c_abf2 |
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Atribución-NoComercial 4.0 Internacional |
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info:eu-repo/semantics/openAccess |
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Atribución-NoComercial 4.0 Internacional Derechos reservados - Universidad Nacional de Colombia http://creativecommons.org/licenses/by-nc/4.0/ http://purl.org/coar/access_right/c_abf2 |
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IEPRI, Universidad Nacional de Colombia |
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Universidad Nacional de Colombia |
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