Art and industrial exhibits and national exhibits as forerunners of the colombian national artists’ salon

The first Colombian Artists’ Salon (1931) is commonlyconsidered as the only antecedent to the official NationalArtists’ Salon founded in 1940. Nevertheless, annualnational exhibitions where held between 1904 and 1931,that should be considered as forerunners. The inquiryinto the general conditions th...

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Autores:: Rey-Márquez, Juan Ricardo

Tipo de recurso:: Article of journal

Fecha de publicación:: 2006

Institución:: Universidad Nacional de Colombia

Repositorio:: Universidad Nacional de Colombia

Idioma:: spa

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spelling	Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Rey-Márquez, Juan Ricardo0aa14371-ec19-45b2-9014-498cca42f15b3002019-06-29T09:53:22Z2019-06-29T09:53:22Z2006https://repositorio.unal.edu.co/handle/unal/50190http://bdigital.unal.edu.co/44167/The first Colombian Artists’ Salon (1931) is commonlyconsidered as the only antecedent to the official NationalArtists’ Salon founded in 1940. Nevertheless, annualnational exhibitions where held between 1904 and 1931,that should be considered as forerunners. The inquiryinto the general conditions that embodied those exhibits,in contrast with the institutional definition of an artsalon (provided by the 18th century French Academy),allows the author to provide new antecedents for theNational Salon and a better understanding of Colombianart during the first decades of the 20th century.El Primer Salón de Artistas Colombianos de 1931 es tomado como el único antecedente del Salón Nacional de Artistas fundado en 1940. Sin embargo, entre 1904 y 1931 se realizaron exposiciones nacionales anuales que deben ser consideradas como antecedentes. La indagación de las condiciones generales que propiciaron tales exposiciones, en contraste con la definición institucional de salón originada en Francia en el siglo XVIII, permite establecer los antecedentes del Salón Nacionaly, de paso, comprender mejor el arte colombiano de lasprimeras décadas del siglo XX.application/pdfspaEnsayos: Historia y teoría del artehttp://revistas.unal.edu.co/index.php/ensayo/article/view/44988Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arteEnsayos: Historia y teoría del arteEnsayos: Historia y Teoría del Arte; núm. 11 (2006); 67-87 Ensayos: Historia y teoría del arte; núm. 11 (2006); 67-87 1692-3502Rey-Márquez, Juan Ricardo (2006) Art and industrial exhibits and national exhibits as forerunners of the colombian national artists’ salon. Ensayos: Historia y Teoría del Arte; núm. 11 (2006); 67-87 Ensayos: Historia y teoría del arte; núm. 11 (2006); 67-87 1692-3502 .Art and industrial exhibits and national exhibits as forerunners of the colombian national artists’ salonArtículo de revistainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/ARTJuan Ricardo ReySalón NacionalArte colombianoExposiciones Nacionales de ArteExhibiciones artísticas del siglo XX.Juan Ricardo ReyNational SalonColombian ArtNational Art Exhibit20th Century ExhibitionsORIGINAL44988-215673-1-SM.pdfapplication/pdf586881https://repositorio.unal.edu.co/bitstream/unal/50190/1/44988-215673-1-SM.pdfafa545b445eaf1ef0633b7112fc39bebMD51THUMBNAIL44988-215673-1-SM.pdf.jpg44988-215673-1-SM.pdf.jpgGenerated Thumbnailimage/jpeg4691https://repositorio.unal.edu.co/bitstream/unal/50190/2/44988-215673-1-SM.pdf.jpg7005e45792c8197fc96bddc66129d427MD52unal/50190oai:repositorio.unal.edu.co:unal/501902023-12-14 23:05:42.549Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co
dc.title.spa.fl_str_mv	Art and industrial exhibits and national exhibits as forerunners of the colombian national artists’ salon
title	Art and industrial exhibits and national exhibits as forerunners of the colombian national artists’ salon
spellingShingle	Art and industrial exhibits and national exhibits as forerunners of the colombian national artists’ salon Juan Ricardo Rey Salón Nacional Arte colombiano Exposiciones Nacionales de Arte Exhibiciones artísticas del siglo XX. Juan Ricardo Rey National Salon Colombian Art National Art Exhibit 20th Century Exhibitions
title_short	Art and industrial exhibits and national exhibits as forerunners of the colombian national artists’ salon
title_full	Art and industrial exhibits and national exhibits as forerunners of the colombian national artists’ salon
title_fullStr	Art and industrial exhibits and national exhibits as forerunners of the colombian national artists’ salon
title_full_unstemmed	Art and industrial exhibits and national exhibits as forerunners of the colombian national artists’ salon
title_sort	Art and industrial exhibits and national exhibits as forerunners of the colombian national artists’ salon
dc.creator.fl_str_mv	Rey-Márquez, Juan Ricardo
dc.contributor.author.spa.fl_str_mv	Rey-Márquez, Juan Ricardo
dc.subject.proposal.spa.fl_str_mv	Juan Ricardo Rey Salón Nacional Arte colombiano Exposiciones Nacionales de Arte Exhibiciones artísticas del siglo XX. Juan Ricardo Rey National Salon Colombian Art National Art Exhibit 20th Century Exhibitions
topic	Juan Ricardo Rey Salón Nacional Arte colombiano Exposiciones Nacionales de Arte Exhibiciones artísticas del siglo XX. Juan Ricardo Rey National Salon Colombian Art National Art Exhibit 20th Century Exhibitions
description	The first Colombian Artists’ Salon (1931) is commonlyconsidered as the only antecedent to the official NationalArtists’ Salon founded in 1940. Nevertheless, annualnational exhibitions where held between 1904 and 1931,that should be considered as forerunners. The inquiryinto the general conditions that embodied those exhibits,in contrast with the institutional definition of an artsalon (provided by the 18th century French Academy),allows the author to provide new antecedents for theNational Salon and a better understanding of Colombianart during the first decades of the 20th century.
publishDate	2006
dc.date.issued.spa.fl_str_mv	2006
dc.date.accessioned.spa.fl_str_mv	2019-06-29T09:53:22Z
dc.date.available.spa.fl_str_mv	2019-06-29T09:53:22Z
dc.type.spa.fl_str_mv	Artículo de revista
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dc.type.redcol.spa.fl_str_mv	http://purl.org/redcol/resource_type/ART
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dc.identifier.eprints.spa.fl_str_mv	http://bdigital.unal.edu.co/44167/
url	https://repositorio.unal.edu.co/handle/unal/50190 http://bdigital.unal.edu.co/44167/
dc.language.iso.spa.fl_str_mv	spa
language	spa
dc.relation.spa.fl_str_mv	http://revistas.unal.edu.co/index.php/ensayo/article/view/44988
dc.relation.ispartof.spa.fl_str_mv	Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arte Ensayos: Historia y teoría del arte
dc.relation.ispartofseries.none.fl_str_mv	Ensayos: Historia y Teoría del Arte; núm. 11 (2006); 67-87 Ensayos: Historia y teoría del arte; núm. 11 (2006); 67-87 1692-3502
dc.relation.references.spa.fl_str_mv	Rey-Márquez, Juan Ricardo (2006) Art and industrial exhibits and national exhibits as forerunners of the colombian national artists’ salon. Ensayos: Historia y Teoría del Arte; núm. 11 (2006); 67-87 Ensayos: Historia y teoría del arte; núm. 11 (2006); 67-87 1692-3502 .
dc.rights.spa.fl_str_mv	Derechos reservados - Universidad Nacional de Colombia
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dc.publisher.spa.fl_str_mv	Ensayos: Historia y teoría del arte
institution	Universidad Nacional de Colombia
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Art and industrial exhibits and national exhibits as forerunners of the colombian national artists’ salon

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