The belvedere torso’s influence as an accidental fragment in art, from the renaissance to the xixth century

The discovery of the Belvedere Torso in the early XVthcentury changed the philosophical notions about theconception of the work of art. The Torso was consideredan incomplete piece, albeit perfect, and helped to madeawareness about the ideas of a finished, a fragmentaryor a ruined work of art. From t...

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Autores:
Uribe Hanabergh, Verónica
Tipo de recurso:
Article of journal
Fecha de publicación:
2012
Institución:
Universidad Nacional de Colombia
Repositorio:
Universidad Nacional de Colombia
Idioma:
spa
OAI Identifier:
oai:repositorio.unal.edu.co:unal/50283
Acceso en línea:
https://repositorio.unal.edu.co/handle/unal/50283
http://bdigital.unal.edu.co/44260/
Palabra clave:
Torso del Belvedere
non finito
obra de arte
fragmentario
ruina.
Belvedere Torso
non finito
work of art
fragmentary
ruin.
Rights
openAccess
License
Atribución-NoComercial 4.0 Internacional
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spelling Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Uribe Hanabergh, Verónica7b8fadaa-63fb-4bb1-bc76-170edf09900a3002019-06-29T10:00:44Z2019-06-29T10:00:44Z2012https://repositorio.unal.edu.co/handle/unal/50283http://bdigital.unal.edu.co/44260/The discovery of the Belvedere Torso in the early XVthcentury changed the philosophical notions about theconception of the work of art. The Torso was consideredan incomplete piece, albeit perfect, and helped to madeawareness about the ideas of a finished, a fragmentaryor a ruined work of art. From the Renaissance to theXIXth century, artists found themselves inspired by theTorso, not just by its formal aspects, but also because itactivated imagination and because of the power conferredto the observer as an active participant in the receptionof the work of art.El descubrimiento del Torso del Belvedere a principios delsiglo xv, afectó las nociones filosóficas sobre la concepciónde la obra de arte. El Torso se consideró una piezaescultórica incompleta pero perfecta y esto despertó laconsciencia sobre lo terminado, lo fragmentario y loarruinado en el arte. Desde el Renacimiento hasta elsiglo xix, muchos artistas encontraron inspiración enesta pieza, no solo formalmente sino tambien porqueactivaba la imaginación y por el poder que se le otorgóal espectador como particpante activo en la recepciónde la obra de arte.application/pdfspaEnsayos: Historia y teoría del artehttp://revistas.unal.edu.co/index.php/ensayo/article/view/46173Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arteEnsayos: Historia y teoría del arteEnsayos: Historia y Teoría del Arte; núm. 23 (2012); 74-99 Ensayos: Historia y teoría del arte; núm. 23 (2012); 74-99 1692-3502Uribe Hanabergh, Verónica (2012) The belvedere torso’s influence as an accidental fragment in art, from the renaissance to the xixth century. Ensayos: Historia y Teoría del Arte; núm. 23 (2012); 74-99 Ensayos: Historia y teoría del arte; núm. 23 (2012); 74-99 1692-3502 .The belvedere torso’s influence as an accidental fragment in art, from the renaissance to the xixth centuryArtículo de revistainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/ARTTorso del Belvederenon finitoobra de artefragmentarioruina.Belvedere Torsonon finitowork of artfragmentaryruin.ORIGINAL46173-224270-1-SM.pdfapplication/pdf793109https://repositorio.unal.edu.co/bitstream/unal/50283/1/46173-224270-1-SM.pdf2da8cb353aee434af081f2c4cc437918MD51THUMBNAIL46173-224270-1-SM.pdf.jpg46173-224270-1-SM.pdf.jpgGenerated Thumbnailimage/jpeg4635https://repositorio.unal.edu.co/bitstream/unal/50283/2/46173-224270-1-SM.pdf.jpgfef03c80e6241464960758518859efa7MD52unal/50283oai:repositorio.unal.edu.co:unal/502832022-12-19 23:05:01.285Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co
dc.title.spa.fl_str_mv The belvedere torso’s influence as an accidental fragment in art, from the renaissance to the xixth century
title The belvedere torso’s influence as an accidental fragment in art, from the renaissance to the xixth century
spellingShingle The belvedere torso’s influence as an accidental fragment in art, from the renaissance to the xixth century
Torso del Belvedere
non finito
obra de arte
fragmentario
ruina.
Belvedere Torso
non finito
work of art
fragmentary
ruin.
title_short The belvedere torso’s influence as an accidental fragment in art, from the renaissance to the xixth century
title_full The belvedere torso’s influence as an accidental fragment in art, from the renaissance to the xixth century
title_fullStr The belvedere torso’s influence as an accidental fragment in art, from the renaissance to the xixth century
title_full_unstemmed The belvedere torso’s influence as an accidental fragment in art, from the renaissance to the xixth century
title_sort The belvedere torso’s influence as an accidental fragment in art, from the renaissance to the xixth century
dc.creator.fl_str_mv Uribe Hanabergh, Verónica
dc.contributor.author.spa.fl_str_mv Uribe Hanabergh, Verónica
dc.subject.proposal.spa.fl_str_mv Torso del Belvedere
non finito
obra de arte
fragmentario
ruina.
Belvedere Torso
non finito
work of art
fragmentary
ruin.
topic Torso del Belvedere
non finito
obra de arte
fragmentario
ruina.
Belvedere Torso
non finito
work of art
fragmentary
ruin.
description The discovery of the Belvedere Torso in the early XVthcentury changed the philosophical notions about theconception of the work of art. The Torso was consideredan incomplete piece, albeit perfect, and helped to madeawareness about the ideas of a finished, a fragmentaryor a ruined work of art. From the Renaissance to theXIXth century, artists found themselves inspired by theTorso, not just by its formal aspects, but also because itactivated imagination and because of the power conferredto the observer as an active participant in the receptionof the work of art.
publishDate 2012
dc.date.issued.spa.fl_str_mv 2012
dc.date.accessioned.spa.fl_str_mv 2019-06-29T10:00:44Z
dc.date.available.spa.fl_str_mv 2019-06-29T10:00:44Z
dc.type.spa.fl_str_mv Artículo de revista
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dc.type.driver.spa.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.none.fl_str_mv https://repositorio.unal.edu.co/handle/unal/50283
dc.identifier.eprints.spa.fl_str_mv http://bdigital.unal.edu.co/44260/
url https://repositorio.unal.edu.co/handle/unal/50283
http://bdigital.unal.edu.co/44260/
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.spa.fl_str_mv http://revistas.unal.edu.co/index.php/ensayo/article/view/46173
dc.relation.ispartof.spa.fl_str_mv Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arte
Ensayos: Historia y teoría del arte
dc.relation.ispartofseries.none.fl_str_mv Ensayos: Historia y Teoría del Arte; núm. 23 (2012); 74-99 Ensayos: Historia y teoría del arte; núm. 23 (2012); 74-99 1692-3502
dc.relation.references.spa.fl_str_mv Uribe Hanabergh, Verónica (2012) The belvedere torso’s influence as an accidental fragment in art, from the renaissance to the xixth century. Ensayos: Historia y Teoría del Arte; núm. 23 (2012); 74-99 Ensayos: Historia y teoría del arte; núm. 23 (2012); 74-99 1692-3502 .
dc.rights.spa.fl_str_mv Derechos reservados - Universidad Nacional de Colombia
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.license.spa.fl_str_mv Atribución-NoComercial 4.0 Internacional
dc.rights.uri.spa.fl_str_mv http://creativecommons.org/licenses/by-nc/4.0/
dc.rights.accessrights.spa.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv Atribución-NoComercial 4.0 Internacional
Derechos reservados - Universidad Nacional de Colombia
http://creativecommons.org/licenses/by-nc/4.0/
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.mimetype.spa.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Ensayos: Historia y teoría del arte
institution Universidad Nacional de Colombia
bitstream.url.fl_str_mv https://repositorio.unal.edu.co/bitstream/unal/50283/1/46173-224270-1-SM.pdf
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repository.name.fl_str_mv Repositorio Institucional Universidad Nacional de Colombia
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