Notation and transcription for the berimbau employed in capoeira
This paper discusses the importance of musical notationand transcription systems for the Brazilian berimbauwithin the context of Capoeira, a musical tradition towhich it is profoundly bound but that is undeniablybeing influenced by new media. In order to analyzeexisting notation and transcription sy...
- Autores:
-
Díaz Meneses, Juan Diego
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2007
- Institución:
- Universidad Nacional de Colombia
- Repositorio:
- Universidad Nacional de Colombia
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unal.edu.co:unal/50597
- Acceso en línea:
- https://repositorio.unal.edu.co/handle/unal/50597
http://bdigital.unal.edu.co/44595/
- Palabra clave:
- Juan Diego Díaz Meneses
berimbau
notación y transcripción de capoeira
Juan Diego Díaz Meneses
berimbau
notation and transcription of capoeira.
- Rights
- openAccess
- License
- Atribución-NoComercial 4.0 Internacional
| id |
UNACIONAL2_b9c1fda61a47be796445680653dc58c6 |
|---|---|
| oai_identifier_str |
oai:repositorio.unal.edu.co:unal/50597 |
| network_acronym_str |
UNACIONAL2 |
| network_name_str |
Universidad Nacional de Colombia |
| repository_id_str |
|
| spelling |
Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Díaz Meneses, Juan Diegoc62ebf0b-ea84-4370-9e25-144a9c3d11893002019-06-29T10:31:36Z2019-06-29T10:31:36Z2007https://repositorio.unal.edu.co/handle/unal/50597http://bdigital.unal.edu.co/44595/This paper discusses the importance of musical notationand transcription systems for the Brazilian berimbauwithin the context of Capoeira, a musical tradition towhich it is profoundly bound but that is undeniablybeing influenced by new media. In order to analyzeexisting notation and transcription systems, this paperproposes categories of creators or users of such systemsalong a continuum of Capoeira insiders and amp; outsiders. Itplaces special emphasis on the role of the outsider inthe creation and use of these methods depending onhis/her immersion in Capoeira and his/her training inother written musical traditions.En este artículo se discute la importancia que han tomadolos sistemas de escritura musical para el berimbau hoyen día. Se proponen varias categorías para el análisis deesos métodos de escritura, según la visión de los insidersy outsiders de Capoeira, tradición musical a la cual estáíntimamente ligado. Se analiza con particular énfasis elpapel del outsider en la creación y uso de estos métodos,según su grado de inmersión en Capoeira y de entrenamientoen otras tradiciones musicales escritas.application/pdfspaEnsayos: Historia y teoría del artehttp://revistas.unal.edu.co/index.php/ensayo/article/view/45841Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arteEnsayos: Historia y teoría del arteEnsayos: Historia y Teoría del Arte; núm. 13 (2007); 157-178 Ensayos: Historia y teoría del arte; núm. 13 (2007); 157-178 1692-3502Díaz Meneses, Juan Diego (2007) Notation and transcription for the berimbau employed in capoeira. Ensayos: Historia y Teoría del Arte; núm. 13 (2007); 157-178 Ensayos: Historia y teoría del arte; núm. 13 (2007); 157-178 1692-3502 .Notation and transcription for the berimbau employed in capoeiraArtículo de revistainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/ARTJuan Diego Díaz Menesesberimbaunotación y transcripción de capoeiraJuan Diego Díaz Menesesberimbaunotation and transcription of capoeira.ORIGINAL45841-222451-1-SM.pdfapplication/pdf369922https://repositorio.unal.edu.co/bitstream/unal/50597/1/45841-222451-1-SM.pdff84782058802f0ca75220082d19863c0MD51THUMBNAIL45841-222451-1-SM.pdf.jpg45841-222451-1-SM.pdf.jpgGenerated Thumbnailimage/jpeg4213https://repositorio.unal.edu.co/bitstream/unal/50597/2/45841-222451-1-SM.pdf.jpg9ad52c2334cc57583c195e975d4b9e95MD52unal/50597oai:repositorio.unal.edu.co:unal/505972022-12-20 23:07:11.744Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co |
| dc.title.spa.fl_str_mv |
Notation and transcription for the berimbau employed in capoeira |
| title |
Notation and transcription for the berimbau employed in capoeira |
| spellingShingle |
Notation and transcription for the berimbau employed in capoeira Juan Diego Díaz Meneses berimbau notación y transcripción de capoeira Juan Diego Díaz Meneses berimbau notation and transcription of capoeira. |
| title_short |
Notation and transcription for the berimbau employed in capoeira |
| title_full |
Notation and transcription for the berimbau employed in capoeira |
| title_fullStr |
Notation and transcription for the berimbau employed in capoeira |
| title_full_unstemmed |
Notation and transcription for the berimbau employed in capoeira |
| title_sort |
Notation and transcription for the berimbau employed in capoeira |
| dc.creator.fl_str_mv |
Díaz Meneses, Juan Diego |
| dc.contributor.author.spa.fl_str_mv |
Díaz Meneses, Juan Diego |
| dc.subject.proposal.spa.fl_str_mv |
Juan Diego Díaz Meneses berimbau notación y transcripción de capoeira Juan Diego Díaz Meneses berimbau notation and transcription of capoeira. |
| topic |
Juan Diego Díaz Meneses berimbau notación y transcripción de capoeira Juan Diego Díaz Meneses berimbau notation and transcription of capoeira. |
| description |
This paper discusses the importance of musical notationand transcription systems for the Brazilian berimbauwithin the context of Capoeira, a musical tradition towhich it is profoundly bound but that is undeniablybeing influenced by new media. In order to analyzeexisting notation and transcription systems, this paperproposes categories of creators or users of such systemsalong a continuum of Capoeira insiders and amp; outsiders. Itplaces special emphasis on the role of the outsider inthe creation and use of these methods depending onhis/her immersion in Capoeira and his/her training inother written musical traditions. |
| publishDate |
2007 |
| dc.date.issued.spa.fl_str_mv |
2007 |
| dc.date.accessioned.spa.fl_str_mv |
2019-06-29T10:31:36Z |
| dc.date.available.spa.fl_str_mv |
2019-06-29T10:31:36Z |
| dc.type.spa.fl_str_mv |
Artículo de revista |
| dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
| dc.type.driver.spa.fl_str_mv |
info:eu-repo/semantics/article |
| dc.type.version.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
| dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
| dc.type.coarversion.spa.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
| dc.type.content.spa.fl_str_mv |
Text |
| dc.type.redcol.spa.fl_str_mv |
http://purl.org/redcol/resource_type/ART |
| format |
http://purl.org/coar/resource_type/c_6501 |
| status_str |
publishedVersion |
| dc.identifier.uri.none.fl_str_mv |
https://repositorio.unal.edu.co/handle/unal/50597 |
| dc.identifier.eprints.spa.fl_str_mv |
http://bdigital.unal.edu.co/44595/ |
| url |
https://repositorio.unal.edu.co/handle/unal/50597 http://bdigital.unal.edu.co/44595/ |
| dc.language.iso.spa.fl_str_mv |
spa |
| language |
spa |
| dc.relation.spa.fl_str_mv |
http://revistas.unal.edu.co/index.php/ensayo/article/view/45841 |
| dc.relation.ispartof.spa.fl_str_mv |
Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arte Ensayos: Historia y teoría del arte |
| dc.relation.ispartofseries.none.fl_str_mv |
Ensayos: Historia y Teoría del Arte; núm. 13 (2007); 157-178 Ensayos: Historia y teoría del arte; núm. 13 (2007); 157-178 1692-3502 |
| dc.relation.references.spa.fl_str_mv |
Díaz Meneses, Juan Diego (2007) Notation and transcription for the berimbau employed in capoeira. Ensayos: Historia y Teoría del Arte; núm. 13 (2007); 157-178 Ensayos: Historia y teoría del arte; núm. 13 (2007); 157-178 1692-3502 . |
| dc.rights.spa.fl_str_mv |
Derechos reservados - Universidad Nacional de Colombia |
| dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
| dc.rights.license.spa.fl_str_mv |
Atribución-NoComercial 4.0 Internacional |
| dc.rights.uri.spa.fl_str_mv |
http://creativecommons.org/licenses/by-nc/4.0/ |
| dc.rights.accessrights.spa.fl_str_mv |
info:eu-repo/semantics/openAccess |
| rights_invalid_str_mv |
Atribución-NoComercial 4.0 Internacional Derechos reservados - Universidad Nacional de Colombia http://creativecommons.org/licenses/by-nc/4.0/ http://purl.org/coar/access_right/c_abf2 |
| eu_rights_str_mv |
openAccess |
| dc.format.mimetype.spa.fl_str_mv |
application/pdf |
| dc.publisher.spa.fl_str_mv |
Ensayos: Historia y teoría del arte |
| institution |
Universidad Nacional de Colombia |
| bitstream.url.fl_str_mv |
https://repositorio.unal.edu.co/bitstream/unal/50597/1/45841-222451-1-SM.pdf https://repositorio.unal.edu.co/bitstream/unal/50597/2/45841-222451-1-SM.pdf.jpg |
| bitstream.checksum.fl_str_mv |
f84782058802f0ca75220082d19863c0 9ad52c2334cc57583c195e975d4b9e95 |
| bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 |
| repository.name.fl_str_mv |
Repositorio Institucional Universidad Nacional de Colombia |
| repository.mail.fl_str_mv |
repositorio_nal@unal.edu.co |
| _version_ |
1806886319064875008 |