I have painted about how the beings can transform themselves

The paintings of Enrique Casanto, ashaninka from the Orchid clan, make you see double because they show that everything that exists has its double. Everything is at the same time human and not-human, including himself and all those of the Casanto clan, descending from the great Orchid warrior of the...

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Autores:
Casanto, Enrique
Tipo de recurso:
Article of journal
Fecha de publicación:
2014
Institución:
Universidad Nacional de Colombia
Repositorio:
Universidad Nacional de Colombia
Idioma:
spa
OAI Identifier:
oai:repositorio.unal.edu.co:unal/51138
Acceso en línea:
https://repositorio.unal.edu.co/handle/unal/51138
http://bdigital.unal.edu.co/45210/
Palabra clave:
Ashaninka
Amazonía peruana
arte contemporáneo indígena
chamanismo amazónico
Ashaninka
Peruvian Amazonia
indigenous contemporary art
Amazonian shamanism
Rights
openAccess
License
Atribución-NoComercial 4.0 Internacional
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spelling Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Casanto, Enrique9016d0f8-da7e-4892-aad1-c8ecca2ed6c63002019-06-29T11:27:17Z2019-06-29T11:27:17Z2014-09-30https://repositorio.unal.edu.co/handle/unal/51138http://bdigital.unal.edu.co/45210/The paintings of Enrique Casanto, ashaninka from the Orchid clan, make you see double because they show that everything that exists has its double. Everything is at the same time human and not-human, including himself and all those of the Casanto clan, descending from the great Orchid warrior of the past who used the strategies of a flower quietly resting on a branch to defeat his enemies. Being so much like an orchid, he ended up transforming in to such a plant. His art shows the passage from one shape to the other as it takes place in cosmology and shamanism.Las pinturas de Enrique Casanto, ashaninka del clan de la Orquidea, hacen ver en doble porque muestran que todo lo que existe tiene su duplo. Todo ser es a la vez humano y no-humano, inclusive él mismo y todos los de su clan Casanto, descendientes del gran guerrero Orquídea del pasado que usaba las estrategias de una flor inmóvil en el tronco para vencer a sus enemigos y, de tanto asemejarse a una orquídea, terminó convirtiéndose en dicha flor. Su arte muestra el pasaje de una forma corporal a la otra que acontece en la cosmología y las prácticas curativas chamánicas.application/pdfspaUniversidad Nacional de Colombiahttp://revistas.unal.edu.co/index.php/imanimundo/article/view/45803Universidad Nacional de Colombia Revistas electrónicas UN Mundo AmazonicoMundo AmazonicoMundo Amazonico; Vol. 5 (2014); 237-243 Mundo Amazónico; Vol. 5 (2014); 237-243 Mundo Amazónico; Vol. 5 (2014); 237-243 2145-5082 2145-5074Casanto, Enrique (2014) I have painted about how the beings can transform themselves. Mundo Amazonico; Vol. 5 (2014); 237-243 Mundo Amazónico; Vol. 5 (2014); 237-243 Mundo Amazónico; Vol. 5 (2014); 237-243 2145-5082 2145-5074 .I have painted about how the beings can transform themselvesArtículo de revistainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/ARTAshaninkaAmazonía peruanaarte contemporáneo indígenachamanismo amazónicoAshaninkaPeruvian Amazoniaindigenous contemporary artAmazonian shamanismORIGINAL45803-228492-2-PB.pdfapplication/pdf318231https://repositorio.unal.edu.co/bitstream/unal/51138/1/45803-228492-2-PB.pdf4d54e8f07ddf5c1727736ccf1364665bMD51THUMBNAIL45803-228492-2-PB.pdf.jpg45803-228492-2-PB.pdf.jpgGenerated Thumbnailimage/jpeg5352https://repositorio.unal.edu.co/bitstream/unal/51138/2/45803-228492-2-PB.pdf.jpg08344c159fa9b55e5d56b57298906861MD52unal/51138oai:repositorio.unal.edu.co:unal/511382022-12-23 23:02:59.195Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co
dc.title.spa.fl_str_mv I have painted about how the beings can transform themselves
title I have painted about how the beings can transform themselves
spellingShingle I have painted about how the beings can transform themselves
Ashaninka
Amazonía peruana
arte contemporáneo indígena
chamanismo amazónico
Ashaninka
Peruvian Amazonia
indigenous contemporary art
Amazonian shamanism
title_short I have painted about how the beings can transform themselves
title_full I have painted about how the beings can transform themselves
title_fullStr I have painted about how the beings can transform themselves
title_full_unstemmed I have painted about how the beings can transform themselves
title_sort I have painted about how the beings can transform themselves
dc.creator.fl_str_mv Casanto, Enrique
dc.contributor.author.spa.fl_str_mv Casanto, Enrique
dc.subject.proposal.spa.fl_str_mv Ashaninka
Amazonía peruana
arte contemporáneo indígena
chamanismo amazónico
Ashaninka
Peruvian Amazonia
indigenous contemporary art
Amazonian shamanism
topic Ashaninka
Amazonía peruana
arte contemporáneo indígena
chamanismo amazónico
Ashaninka
Peruvian Amazonia
indigenous contemporary art
Amazonian shamanism
description The paintings of Enrique Casanto, ashaninka from the Orchid clan, make you see double because they show that everything that exists has its double. Everything is at the same time human and not-human, including himself and all those of the Casanto clan, descending from the great Orchid warrior of the past who used the strategies of a flower quietly resting on a branch to defeat his enemies. Being so much like an orchid, he ended up transforming in to such a plant. His art shows the passage from one shape to the other as it takes place in cosmology and shamanism.
publishDate 2014
dc.date.issued.spa.fl_str_mv 2014-09-30
dc.date.accessioned.spa.fl_str_mv 2019-06-29T11:27:17Z
dc.date.available.spa.fl_str_mv 2019-06-29T11:27:17Z
dc.type.spa.fl_str_mv Artículo de revista
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.driver.spa.fl_str_mv info:eu-repo/semantics/article
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dc.type.content.spa.fl_str_mv Text
dc.type.redcol.spa.fl_str_mv http://purl.org/redcol/resource_type/ART
format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.uri.none.fl_str_mv https://repositorio.unal.edu.co/handle/unal/51138
dc.identifier.eprints.spa.fl_str_mv http://bdigital.unal.edu.co/45210/
url https://repositorio.unal.edu.co/handle/unal/51138
http://bdigital.unal.edu.co/45210/
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.spa.fl_str_mv http://revistas.unal.edu.co/index.php/imanimundo/article/view/45803
dc.relation.ispartof.spa.fl_str_mv Universidad Nacional de Colombia Revistas electrónicas UN Mundo Amazonico
Mundo Amazonico
dc.relation.ispartofseries.none.fl_str_mv Mundo Amazonico; Vol. 5 (2014); 237-243 Mundo Amazónico; Vol. 5 (2014); 237-243 Mundo Amazónico; Vol. 5 (2014); 237-243 2145-5082 2145-5074
dc.relation.references.spa.fl_str_mv Casanto, Enrique (2014) I have painted about how the beings can transform themselves. Mundo Amazonico; Vol. 5 (2014); 237-243 Mundo Amazónico; Vol. 5 (2014); 237-243 Mundo Amazónico; Vol. 5 (2014); 237-243 2145-5082 2145-5074 .
dc.rights.spa.fl_str_mv Derechos reservados - Universidad Nacional de Colombia
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.license.spa.fl_str_mv Atribución-NoComercial 4.0 Internacional
dc.rights.uri.spa.fl_str_mv http://creativecommons.org/licenses/by-nc/4.0/
dc.rights.accessrights.spa.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv Atribución-NoComercial 4.0 Internacional
Derechos reservados - Universidad Nacional de Colombia
http://creativecommons.org/licenses/by-nc/4.0/
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.mimetype.spa.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Universidad Nacional de Colombia
institution Universidad Nacional de Colombia
bitstream.url.fl_str_mv https://repositorio.unal.edu.co/bitstream/unal/51138/1/45803-228492-2-PB.pdf
https://repositorio.unal.edu.co/bitstream/unal/51138/2/45803-228492-2-PB.pdf.jpg
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repository.name.fl_str_mv Repositorio Institucional Universidad Nacional de Colombia
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