The rivers of our memory
The work of the artist Rember Yahuarcani is a visual itinerary through the myths and stories of the beings that populate the physical and spiritual world of Amazonia. The myths are the rivers where the memory of the ancestors navigates and it is there, where Rember has sought the words and images th...
- Autores:
-
Yahuarcani, Rember
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2014
- Institución:
- Universidad Nacional de Colombia
- Repositorio:
- Universidad Nacional de Colombia
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unal.edu.co:unal/51134
- Acceso en línea:
- https://repositorio.unal.edu.co/handle/unal/51134
http://bdigital.unal.edu.co/45206/
- Palabra clave:
- Pueblo uitoto
Amazonía peruana
arte indígena contemporáneo
pintura
mitología
Witoto
Peruvian Amazonia
indigenous contemporary art
painting
mythology
- Rights
- openAccess
- License
- Atribución-NoComercial 4.0 Internacional
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Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Yahuarcani, Rember18ff3628-9d73-4706-9ac9-38bea58c7e583002019-06-29T11:26:53Z2019-06-29T11:26:53Z2014-09-30https://repositorio.unal.edu.co/handle/unal/51134http://bdigital.unal.edu.co/45206/The work of the artist Rember Yahuarcani is a visual itinerary through the myths and stories of the beings that populate the physical and spiritual world of Amazonia. The myths are the rivers where the memory of the ancestors navigates and it is there, where Rember has sought the words and images that have guided his creative work. He learned by the side of his father, Santiago Yahuarcani, while at the same time he heard the stories narrated by his grandmother Martha López. Since 2003, he began to exhibit his pictorial work in galleries, but still stereotyped as “indigenous art”. Since 2007, Yahuarcani has strived to “open up spaces” to present his work, no longer with the label “indigenous painting”, but as pieces of contemporary art, truly rooted in indigenous history and tradition, but with an evolution, style and identity of their own.La obra del artista Rember Yahuarcani es un recorrido visual por los mitos e historias de los seres que pueblan el universo físico y espiritual de la Amazonia. Los mitos son los ríos donde navega la memoria de los ancestros y es allí donde Rember ha buscado las palabras e imágenes que han guiado su obra creativa. Su aprendizaje se inició al lado de su padre Santiago Yahuarcani, al mismo tiempo que escuchaba las historias narradas por su abuela Martha López. Desde el 2003 comenzó a exhibir sus obras en galerías, pero todavía encasilladas en el concepto de “arte indígena”. Desde el 2007, Yahuarcani ha buscado “forzar espacios” para presentar sus obras ya no con la etiqueta de “pintura indígena”, sino como piezas de arte contemporáneo, enraizadas ciertamente en la historia y tradición indígena, pero con una evolución, estilo e identidad propias.application/pdfspaUniversidad Nacional de Colombiahttp://revistas.unal.edu.co/index.php/imanimundo/article/view/45796Universidad Nacional de Colombia Revistas electrónicas UN Mundo AmazonicoMundo AmazonicoMundo Amazonico; Vol. 5 (2014); 197-209 Mundo Amazónico; Vol. 5 (2014); 197-209 Mundo Amazónico; Vol. 5 (2014); 197-209 2145-5082 2145-5074Yahuarcani, Rember (2014) The rivers of our memory. Mundo Amazonico; Vol. 5 (2014); 197-209 Mundo Amazónico; Vol. 5 (2014); 197-209 Mundo Amazónico; Vol. 5 (2014); 197-209 2145-5082 2145-5074 .The rivers of our memoryArtículo de revistainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/ARTPueblo uitotoAmazonía peruanaarte indígena contemporáneopinturamitologíaWitotoPeruvian Amazoniaindigenous contemporary artpaintingmythologyORIGINAL45796-228485-1-PB.pdfapplication/pdf446221https://repositorio.unal.edu.co/bitstream/unal/51134/1/45796-228485-1-PB.pdf68c1e1dac0e1516f28075e439be145f4MD51THUMBNAIL45796-228485-1-PB.pdf.jpg45796-228485-1-PB.pdf.jpgGenerated Thumbnailimage/jpeg5565https://repositorio.unal.edu.co/bitstream/unal/51134/2/45796-228485-1-PB.pdf.jpg1577e0c82b8714bbb37fff2e4633ba7cMD52unal/51134oai:repositorio.unal.edu.co:unal/511342022-12-23 23:02:58.77Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co |
dc.title.spa.fl_str_mv |
The rivers of our memory |
title |
The rivers of our memory |
spellingShingle |
The rivers of our memory Pueblo uitoto Amazonía peruana arte indígena contemporáneo pintura mitología Witoto Peruvian Amazonia indigenous contemporary art painting mythology |
title_short |
The rivers of our memory |
title_full |
The rivers of our memory |
title_fullStr |
The rivers of our memory |
title_full_unstemmed |
The rivers of our memory |
title_sort |
The rivers of our memory |
dc.creator.fl_str_mv |
Yahuarcani, Rember |
dc.contributor.author.spa.fl_str_mv |
Yahuarcani, Rember |
dc.subject.proposal.spa.fl_str_mv |
Pueblo uitoto Amazonía peruana arte indígena contemporáneo pintura mitología Witoto Peruvian Amazonia indigenous contemporary art painting mythology |
topic |
Pueblo uitoto Amazonía peruana arte indígena contemporáneo pintura mitología Witoto Peruvian Amazonia indigenous contemporary art painting mythology |
description |
The work of the artist Rember Yahuarcani is a visual itinerary through the myths and stories of the beings that populate the physical and spiritual world of Amazonia. The myths are the rivers where the memory of the ancestors navigates and it is there, where Rember has sought the words and images that have guided his creative work. He learned by the side of his father, Santiago Yahuarcani, while at the same time he heard the stories narrated by his grandmother Martha López. Since 2003, he began to exhibit his pictorial work in galleries, but still stereotyped as “indigenous art”. Since 2007, Yahuarcani has strived to “open up spaces” to present his work, no longer with the label “indigenous painting”, but as pieces of contemporary art, truly rooted in indigenous history and tradition, but with an evolution, style and identity of their own. |
publishDate |
2014 |
dc.date.issued.spa.fl_str_mv |
2014-09-30 |
dc.date.accessioned.spa.fl_str_mv |
2019-06-29T11:26:53Z |
dc.date.available.spa.fl_str_mv |
2019-06-29T11:26:53Z |
dc.type.spa.fl_str_mv |
Artículo de revista |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.driver.spa.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.version.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
dc.type.coarversion.spa.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.content.spa.fl_str_mv |
Text |
dc.type.redcol.spa.fl_str_mv |
http://purl.org/redcol/resource_type/ART |
format |
http://purl.org/coar/resource_type/c_6501 |
status_str |
publishedVersion |
dc.identifier.uri.none.fl_str_mv |
https://repositorio.unal.edu.co/handle/unal/51134 |
dc.identifier.eprints.spa.fl_str_mv |
http://bdigital.unal.edu.co/45206/ |
url |
https://repositorio.unal.edu.co/handle/unal/51134 http://bdigital.unal.edu.co/45206/ |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.relation.spa.fl_str_mv |
http://revistas.unal.edu.co/index.php/imanimundo/article/view/45796 |
dc.relation.ispartof.spa.fl_str_mv |
Universidad Nacional de Colombia Revistas electrónicas UN Mundo Amazonico Mundo Amazonico |
dc.relation.ispartofseries.none.fl_str_mv |
Mundo Amazonico; Vol. 5 (2014); 197-209 Mundo Amazónico; Vol. 5 (2014); 197-209 Mundo Amazónico; Vol. 5 (2014); 197-209 2145-5082 2145-5074 |
dc.relation.references.spa.fl_str_mv |
Yahuarcani, Rember (2014) The rivers of our memory. Mundo Amazonico; Vol. 5 (2014); 197-209 Mundo Amazónico; Vol. 5 (2014); 197-209 Mundo Amazónico; Vol. 5 (2014); 197-209 2145-5082 2145-5074 . |
dc.rights.spa.fl_str_mv |
Derechos reservados - Universidad Nacional de Colombia |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.license.spa.fl_str_mv |
Atribución-NoComercial 4.0 Internacional |
dc.rights.uri.spa.fl_str_mv |
http://creativecommons.org/licenses/by-nc/4.0/ |
dc.rights.accessrights.spa.fl_str_mv |
info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Atribución-NoComercial 4.0 Internacional Derechos reservados - Universidad Nacional de Colombia http://creativecommons.org/licenses/by-nc/4.0/ http://purl.org/coar/access_right/c_abf2 |
eu_rights_str_mv |
openAccess |
dc.format.mimetype.spa.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
Universidad Nacional de Colombia |
institution |
Universidad Nacional de Colombia |
bitstream.url.fl_str_mv |
https://repositorio.unal.edu.co/bitstream/unal/51134/1/45796-228485-1-PB.pdf https://repositorio.unal.edu.co/bitstream/unal/51134/2/45796-228485-1-PB.pdf.jpg |
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