I want to return to the muyuna, the whirlpool of my origins
In his paintings of fishes and fishermen, Pablo Taricuarima portrays the daily triumphs and resignations of his mother, father, brothers and uncles, a family of the Cocama people whose life comes and flows with the colors of Amazonian rivers. In his spatial interventions, he transports fishing techn...
- Autores:
-
Taricuarima, Pablo
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2014
- Institución:
- Universidad Nacional de Colombia
- Repositorio:
- Universidad Nacional de Colombia
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unal.edu.co:unal/51141
- Acceso en línea:
- https://repositorio.unal.edu.co/handle/unal/51141
http://bdigital.unal.edu.co/45213/
- Palabra clave:
- pueblo cocama
Amazonia peruana
arte contemporáneo indígena
tejido
pesca
Cocama People. Peruvian Amazonia
indigenous contemporary art
weaving
fishing
- Rights
- openAccess
- License
- Atribución-NoComercial 4.0 Internacional
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Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Taricuarima, Pablod5fbe7b0-8ab7-4582-ae1a-9f6285c53d2c3002019-06-29T11:27:35Z2019-06-29T11:27:35Z2014-09-30https://repositorio.unal.edu.co/handle/unal/51141http://bdigital.unal.edu.co/45213/In his paintings of fishes and fishermen, Pablo Taricuarima portrays the daily triumphs and resignations of his mother, father, brothers and uncles, a family of the Cocama people whose life comes and flows with the colors of Amazonian rivers. In his spatial interventions, he transports fishing technologies to the city and covers with nets, nests, shells and traps the squares and other few empty spaces left between the building and the cement.En sus pinturas de pescados y pescadores, Pablo Taricuarima, retrata los triunfos y las resignaciones cotidianas de su madre, padre, hermanos y tíos, una familia del pueblo cocama cuya vida proviene y fluye con los colores de los ríos amazónicos. En sus intervenciones espaciales, transporta las tecnologías de la pesca a la ciudad y cubre con redes, nidos, caracoles y trampas las plazas y los pocos espacios vacíos disponibles entre los edificios y el cemento.application/pdfspaUniversidad Nacional de Colombiahttp://revistas.unal.edu.co/index.php/imanimundo/article/view/45806Universidad Nacional de Colombia Revistas electrónicas UN Mundo AmazonicoMundo AmazonicoMundo Amazonico; Vol. 5 (2014); 261-266 Mundo Amazónico; Vol. 5 (2014); 261-266 Mundo Amazónico; Vol. 5 (2014); 261-266 2145-5082 2145-5074Taricuarima, Pablo (2014) I want to return to the muyuna, the whirlpool of my origins. Mundo Amazonico; Vol. 5 (2014); 261-266 Mundo Amazónico; Vol. 5 (2014); 261-266 Mundo Amazónico; Vol. 5 (2014); 261-266 2145-5082 2145-5074 .I want to return to the muyuna, the whirlpool of my originsArtículo de revistainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/ARTpueblo cocamaAmazonia peruanaarte contemporáneo indígenatejidopescaCocama People. Peruvian Amazoniaindigenous contemporary artweavingfishingORIGINAL45806-228496-2-PB.pdfapplication/pdf200400https://repositorio.unal.edu.co/bitstream/unal/51141/1/45806-228496-2-PB.pdfbf9f485ba9e95312681ca486c035baa0MD51THUMBNAIL45806-228496-2-PB.pdf.jpg45806-228496-2-PB.pdf.jpgGenerated Thumbnailimage/jpeg4951https://repositorio.unal.edu.co/bitstream/unal/51141/2/45806-228496-2-PB.pdf.jpg42b80118e55920866997d9805da5bd1eMD52unal/51141oai:repositorio.unal.edu.co:unal/511412023-12-18 23:05:45.391Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co |
dc.title.spa.fl_str_mv |
I want to return to the muyuna, the whirlpool of my origins |
title |
I want to return to the muyuna, the whirlpool of my origins |
spellingShingle |
I want to return to the muyuna, the whirlpool of my origins pueblo cocama Amazonia peruana arte contemporáneo indígena tejido pesca Cocama People. Peruvian Amazonia indigenous contemporary art weaving fishing |
title_short |
I want to return to the muyuna, the whirlpool of my origins |
title_full |
I want to return to the muyuna, the whirlpool of my origins |
title_fullStr |
I want to return to the muyuna, the whirlpool of my origins |
title_full_unstemmed |
I want to return to the muyuna, the whirlpool of my origins |
title_sort |
I want to return to the muyuna, the whirlpool of my origins |
dc.creator.fl_str_mv |
Taricuarima, Pablo |
dc.contributor.author.spa.fl_str_mv |
Taricuarima, Pablo |
dc.subject.proposal.spa.fl_str_mv |
pueblo cocama Amazonia peruana arte contemporáneo indígena tejido pesca Cocama People. Peruvian Amazonia indigenous contemporary art weaving fishing |
topic |
pueblo cocama Amazonia peruana arte contemporáneo indígena tejido pesca Cocama People. Peruvian Amazonia indigenous contemporary art weaving fishing |
description |
In his paintings of fishes and fishermen, Pablo Taricuarima portrays the daily triumphs and resignations of his mother, father, brothers and uncles, a family of the Cocama people whose life comes and flows with the colors of Amazonian rivers. In his spatial interventions, he transports fishing technologies to the city and covers with nets, nests, shells and traps the squares and other few empty spaces left between the building and the cement. |
publishDate |
2014 |
dc.date.issued.spa.fl_str_mv |
2014-09-30 |
dc.date.accessioned.spa.fl_str_mv |
2019-06-29T11:27:35Z |
dc.date.available.spa.fl_str_mv |
2019-06-29T11:27:35Z |
dc.type.spa.fl_str_mv |
Artículo de revista |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.driver.spa.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.version.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
dc.type.coarversion.spa.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.content.spa.fl_str_mv |
Text |
dc.type.redcol.spa.fl_str_mv |
http://purl.org/redcol/resource_type/ART |
format |
http://purl.org/coar/resource_type/c_6501 |
status_str |
publishedVersion |
dc.identifier.uri.none.fl_str_mv |
https://repositorio.unal.edu.co/handle/unal/51141 |
dc.identifier.eprints.spa.fl_str_mv |
http://bdigital.unal.edu.co/45213/ |
url |
https://repositorio.unal.edu.co/handle/unal/51141 http://bdigital.unal.edu.co/45213/ |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.relation.spa.fl_str_mv |
http://revistas.unal.edu.co/index.php/imanimundo/article/view/45806 |
dc.relation.ispartof.spa.fl_str_mv |
Universidad Nacional de Colombia Revistas electrónicas UN Mundo Amazonico Mundo Amazonico |
dc.relation.ispartofseries.none.fl_str_mv |
Mundo Amazonico; Vol. 5 (2014); 261-266 Mundo Amazónico; Vol. 5 (2014); 261-266 Mundo Amazónico; Vol. 5 (2014); 261-266 2145-5082 2145-5074 |
dc.relation.references.spa.fl_str_mv |
Taricuarima, Pablo (2014) I want to return to the muyuna, the whirlpool of my origins. Mundo Amazonico; Vol. 5 (2014); 261-266 Mundo Amazónico; Vol. 5 (2014); 261-266 Mundo Amazónico; Vol. 5 (2014); 261-266 2145-5082 2145-5074 . |
dc.rights.spa.fl_str_mv |
Derechos reservados - Universidad Nacional de Colombia |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.license.spa.fl_str_mv |
Atribución-NoComercial 4.0 Internacional |
dc.rights.uri.spa.fl_str_mv |
http://creativecommons.org/licenses/by-nc/4.0/ |
dc.rights.accessrights.spa.fl_str_mv |
info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Atribución-NoComercial 4.0 Internacional Derechos reservados - Universidad Nacional de Colombia http://creativecommons.org/licenses/by-nc/4.0/ http://purl.org/coar/access_right/c_abf2 |
eu_rights_str_mv |
openAccess |
dc.format.mimetype.spa.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
Universidad Nacional de Colombia |
institution |
Universidad Nacional de Colombia |
bitstream.url.fl_str_mv |
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