“serious art”: colombian art and the historical european vanguard in 1922

The article analizes the reception of European avantgardeart in Colombia through the analysis of the discussionsaroused by the exposition of Modern FrenchPainting, seen in Bogota and Medellin in 1922. RafaelTavera, Roberto Pizano and Gustavo Santos were themain voices in the debate. Their criticisms...

Full description

Autores:: Suárez, Sylvia Juliana

Tipo de recurso:: Article of journal

Fecha de publicación:: 2008

Institución:: Universidad Nacional de Colombia

Repositorio:: Universidad Nacional de Colombia

Idioma:: spa

id	UNACIONAL2_8a086246aeb38bfb5d4be23f395b8af4
oai_identifier_str	oai:repositorio.unal.edu.co:unal/50598
network_acronym_str	UNACIONAL2
network_name_str	Universidad Nacional de Colombia
repository_id_str
spelling	Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Suárez, Sylvia Julianafcb6fcb6-d7e3-4eb1-8b81-8c14f17e201b3002019-06-29T10:31:41Z2019-06-29T10:31:41Z2008https://repositorio.unal.edu.co/handle/unal/50598http://bdigital.unal.edu.co/44596/The article analizes the reception of European avantgardeart in Colombia through the analysis of the discussionsaroused by the exposition of Modern FrenchPainting, seen in Bogota and Medellin in 1922. RafaelTavera, Roberto Pizano and Gustavo Santos were themain voices in the debate. Their criticisms are studied inorder to shed light on some aspects pertaining the cultural,artistic and institutional contexts that characterizedthe conservative position assumed by national artistsagainst to the European avant-garde at the beginningof the twentieth century.En “Arte serio”: El arte colombiano frente a la vanguardiahistórica europea en 1922 se estudian los procesos derecepción de la vanguardia europea en el medio colombianoa través del análisis de la crítica publicada en tornoa la Exposición de Pintura Moderna Francesa, realizada en1922. Las principales figuras del debate fueron RafaelTavera, Roberto Pizano y Gustavo Santos, cuya crítica sedesglosa con el fin de comprender los contextos culturales,artísticos e institucionales que signaron la refractariaposición del arte nacional con respecto a la vanguardiahistórica europea en los albores del siglo XX.application/pdfspaEnsayos: Historia y teoría del artehttp://revistas.unal.edu.co/index.php/ensayo/article/view/45846Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arteEnsayos: Historia y teoría del arteEnsayos: Historia y Teoría del Arte; núm. 14 (2008); 64-91 Ensayos: Historia y teoría del arte; núm. 14 (2008); 64-91 1692-3502Suárez, Sylvia Juliana (2008) “serious art”: colombian art and the historical european vanguard in 1922. Ensayos: Historia y Teoría del Arte; núm. 14 (2008); 64-91 Ensayos: Historia y teoría del arte; núm. 14 (2008); 64-91 1692-3502 .“serious art”: colombian art and the historical european vanguard in 1922Artículo de revistainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/ARTSylvia Suárezarte colombiano modernopintura de vanguardiaColombia y vanguardiaSylvia SuárezColombian Modern ArtVanguard PaintingAvant-garde in ColombiaORIGINAL45846-222461-1-SM.pdfapplication/pdf733622https://repositorio.unal.edu.co/bitstream/unal/50598/1/45846-222461-1-SM.pdf09664c2f0fa23bb15d541c9dfef676c8MD51THUMBNAIL45846-222461-1-SM.pdf.jpg45846-222461-1-SM.pdf.jpgGenerated Thumbnailimage/jpeg4873https://repositorio.unal.edu.co/bitstream/unal/50598/2/45846-222461-1-SM.pdf.jpg5dd25280002382d628ec3cee1baa41d6MD52unal/50598oai:repositorio.unal.edu.co:unal/505982023-12-16 23:05:12.232Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co
dc.title.spa.fl_str_mv	“serious art”: colombian art and the historical european vanguard in 1922
title	“serious art”: colombian art and the historical european vanguard in 1922
spellingShingle	“serious art”: colombian art and the historical european vanguard in 1922 Sylvia Suárez arte colombiano moderno pintura de vanguardia Colombia y vanguardia Sylvia Suárez Colombian Modern Art Vanguard Painting Avant-garde in Colombia
title_short	“serious art”: colombian art and the historical european vanguard in 1922
title_full	“serious art”: colombian art and the historical european vanguard in 1922
title_fullStr	“serious art”: colombian art and the historical european vanguard in 1922
title_full_unstemmed	“serious art”: colombian art and the historical european vanguard in 1922
title_sort	“serious art”: colombian art and the historical european vanguard in 1922
dc.creator.fl_str_mv	Suárez, Sylvia Juliana
dc.contributor.author.spa.fl_str_mv	Suárez, Sylvia Juliana
dc.subject.proposal.spa.fl_str_mv	Sylvia Suárez arte colombiano moderno pintura de vanguardia Colombia y vanguardia Sylvia Suárez Colombian Modern Art Vanguard Painting Avant-garde in Colombia
topic	Sylvia Suárez arte colombiano moderno pintura de vanguardia Colombia y vanguardia Sylvia Suárez Colombian Modern Art Vanguard Painting Avant-garde in Colombia
description	The article analizes the reception of European avantgardeart in Colombia through the analysis of the discussionsaroused by the exposition of Modern FrenchPainting, seen in Bogota and Medellin in 1922. RafaelTavera, Roberto Pizano and Gustavo Santos were themain voices in the debate. Their criticisms are studied inorder to shed light on some aspects pertaining the cultural,artistic and institutional contexts that characterizedthe conservative position assumed by national artistsagainst to the European avant-garde at the beginningof the twentieth century.
publishDate	2008
dc.date.issued.spa.fl_str_mv	2008
dc.date.accessioned.spa.fl_str_mv	2019-06-29T10:31:41Z
dc.date.available.spa.fl_str_mv	2019-06-29T10:31:41Z
dc.type.spa.fl_str_mv	Artículo de revista
dc.type.coar.fl_str_mv	http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.driver.spa.fl_str_mv	info:eu-repo/semantics/article
dc.type.version.spa.fl_str_mv	info:eu-repo/semantics/publishedVersion
dc.type.coar.spa.fl_str_mv	http://purl.org/coar/resource_type/c_6501
dc.type.coarversion.spa.fl_str_mv	http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.content.spa.fl_str_mv	Text
dc.type.redcol.spa.fl_str_mv	http://purl.org/redcol/resource_type/ART
format	http://purl.org/coar/resource_type/c_6501
status_str	publishedVersion
dc.identifier.uri.none.fl_str_mv	https://repositorio.unal.edu.co/handle/unal/50598
dc.identifier.eprints.spa.fl_str_mv	http://bdigital.unal.edu.co/44596/
url	https://repositorio.unal.edu.co/handle/unal/50598 http://bdigital.unal.edu.co/44596/
dc.language.iso.spa.fl_str_mv	spa
language	spa
dc.relation.spa.fl_str_mv	http://revistas.unal.edu.co/index.php/ensayo/article/view/45846
dc.relation.ispartof.spa.fl_str_mv	Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arte Ensayos: Historia y teoría del arte
dc.relation.ispartofseries.none.fl_str_mv	Ensayos: Historia y Teoría del Arte; núm. 14 (2008); 64-91 Ensayos: Historia y teoría del arte; núm. 14 (2008); 64-91 1692-3502
dc.relation.references.spa.fl_str_mv	Suárez, Sylvia Juliana (2008) “serious art”: colombian art and the historical european vanguard in 1922. Ensayos: Historia y Teoría del Arte; núm. 14 (2008); 64-91 Ensayos: Historia y teoría del arte; núm. 14 (2008); 64-91 1692-3502 .
dc.rights.spa.fl_str_mv	Derechos reservados - Universidad Nacional de Colombia
dc.rights.coar.fl_str_mv	http://purl.org/coar/access_right/c_abf2
dc.rights.license.spa.fl_str_mv	Atribución-NoComercial 4.0 Internacional
dc.rights.uri.spa.fl_str_mv	http://creativecommons.org/licenses/by-nc/4.0/
dc.rights.accessrights.spa.fl_str_mv	info:eu-repo/semantics/openAccess
rights_invalid_str_mv	Atribución-NoComercial 4.0 Internacional Derechos reservados - Universidad Nacional de Colombia http://creativecommons.org/licenses/by-nc/4.0/ http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv	openAccess
dc.format.mimetype.spa.fl_str_mv	application/pdf
dc.publisher.spa.fl_str_mv	Ensayos: Historia y teoría del arte
institution	Universidad Nacional de Colombia
bitstream.url.fl_str_mv	https://repositorio.unal.edu.co/bitstream/unal/50598/1/45846-222461-1-SM.pdf https://repositorio.unal.edu.co/bitstream/unal/50598/2/45846-222461-1-SM.pdf.jpg
bitstream.checksum.fl_str_mv	09664c2f0fa23bb15d541c9dfef676c8 5dd25280002382d628ec3cee1baa41d6
bitstream.checksumAlgorithm.fl_str_mv	MD5 MD5
repository.name.fl_str_mv	Repositorio Institucional Universidad Nacional de Colombia
repository.mail.fl_str_mv	repositorio_nal@unal.edu.co
_version_	1806886219854905344

“serious art”: colombian art and the historical european vanguard in 1922

Publicaciones similares