I keep turning the sound into being
From a mischievous child to a painter of sounds, Santiago Yahuarcani´s testimony is moving because of its sense of humor and its unusual route. His solitary childhood experiments with some mushrooms he found on the way to his mother´s garden served him, years later, as a source of inspiration to cre...
- Autores:
-
Yahuarcani, Santiago
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2014
- Institución:
- Universidad Nacional de Colombia
- Repositorio:
- Universidad Nacional de Colombia
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unal.edu.co:unal/51137
- Acceso en línea:
- https://repositorio.unal.edu.co/handle/unal/51137
http://bdigital.unal.edu.co/45209/
- Palabra clave:
- uitoto
Amazonía peruana
arte indígena contemporáneo
pintura
mitología
Uitoto
Peruvian Amazonia
indigenous contemporary art
painting
mythology
- Rights
- openAccess
- License
- Atribución-NoComercial 4.0 Internacional
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Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Yahuarcani, Santiago25898977-8ba8-4e07-b85e-cbbf8fbabb2c3002019-06-29T11:27:11Z2019-06-29T11:27:11Z2014-09-30https://repositorio.unal.edu.co/handle/unal/51137http://bdigital.unal.edu.co/45209/From a mischievous child to a painter of sounds, Santiago Yahuarcani´s testimony is moving because of its sense of humor and its unusual route. His solitary childhood experiments with some mushrooms he found on the way to his mother´s garden served him, years later, as a source of inspiration to create new figures and make a living for his own children by selling his art. Born to a Uitoto mother and a Cocama father, Santiago followed, not knowingly, the steps of Fídoma, the hero of the Aymenu clan oral history who brought color to all the being of the forest. Santiago, also brought color to its sounds.De niño travieso a pintor de sonidos, el testimonio de Santiago Yahuarcani conmueve por su sentido del humor y su inusitado recorrido. Sus experimentos infantiles solitarios con unos hongos que encontraba en el camino a la chacra de su madre, le sirvieron, años más tarde, de fuente de inspiración para crear nuevas figuras y sustentar a sus propios hijos con la venta de su arte. Nacido con madre uitoto y padre cocama, Santiago siguió, sin saberlo, los pasos de Fídoma, el héroe de la historia oral del clan Aymenu que coloreó todos los seres de la selva. Santiago, coloreó inclusive, sus sonidos.application/pdfspaUniversidad Nacional de Colombiahttp://revistas.unal.edu.co/index.php/imanimundo/article/view/45802Universidad Nacional de Colombia Revistas electrónicas UN Mundo AmazonicoMundo AmazonicoMundo Amazonico; Vol. 5 (2014); 227-235 Mundo Amazónico; Vol. 5 (2014); 227-235 Mundo Amazónico; Vol. 5 (2014); 227-235 2145-5082 2145-5074Yahuarcani, Santiago (2014) I keep turning the sound into being. Mundo Amazonico; Vol. 5 (2014); 227-235 Mundo Amazónico; Vol. 5 (2014); 227-235 Mundo Amazónico; Vol. 5 (2014); 227-235 2145-5082 2145-5074 .I keep turning the sound into beingArtículo de revistainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/ARTuitotoAmazonía peruanaarte indígena contemporáneopinturamitologíaUitotoPeruvian Amazoniaindigenous contemporary artpaintingmythologyORIGINAL45802-228490-2-PB.pdfapplication/pdf269580https://repositorio.unal.edu.co/bitstream/unal/51137/1/45802-228490-2-PB.pdf24fd18a50e17d586ffb0cd2573408176MD51THUMBNAIL45802-228490-2-PB.pdf.jpg45802-228490-2-PB.pdf.jpgGenerated Thumbnailimage/jpeg5222https://repositorio.unal.edu.co/bitstream/unal/51137/2/45802-228490-2-PB.pdf.jpg267b3cd436f5afe54ce2b4b957b0236eMD52unal/51137oai:repositorio.unal.edu.co:unal/511372023-12-18 23:05:45.102Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co |
| dc.title.spa.fl_str_mv |
I keep turning the sound into being |
| title |
I keep turning the sound into being |
| spellingShingle |
I keep turning the sound into being uitoto Amazonía peruana arte indígena contemporáneo pintura mitología Uitoto Peruvian Amazonia indigenous contemporary art painting mythology |
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I keep turning the sound into being |
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I keep turning the sound into being |
| title_fullStr |
I keep turning the sound into being |
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I keep turning the sound into being |
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I keep turning the sound into being |
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Yahuarcani, Santiago |
| dc.contributor.author.spa.fl_str_mv |
Yahuarcani, Santiago |
| dc.subject.proposal.spa.fl_str_mv |
uitoto Amazonía peruana arte indígena contemporáneo pintura mitología Uitoto Peruvian Amazonia indigenous contemporary art painting mythology |
| topic |
uitoto Amazonía peruana arte indígena contemporáneo pintura mitología Uitoto Peruvian Amazonia indigenous contemporary art painting mythology |
| description |
From a mischievous child to a painter of sounds, Santiago Yahuarcani´s testimony is moving because of its sense of humor and its unusual route. His solitary childhood experiments with some mushrooms he found on the way to his mother´s garden served him, years later, as a source of inspiration to create new figures and make a living for his own children by selling his art. Born to a Uitoto mother and a Cocama father, Santiago followed, not knowingly, the steps of Fídoma, the hero of the Aymenu clan oral history who brought color to all the being of the forest. Santiago, also brought color to its sounds. |
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2014 |
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2014-09-30 |
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2019-06-29T11:27:11Z |
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2019-06-29T11:27:11Z |
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spa |
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spa |
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http://revistas.unal.edu.co/index.php/imanimundo/article/view/45802 |
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Universidad Nacional de Colombia Revistas electrónicas UN Mundo Amazonico Mundo Amazonico |
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Mundo Amazonico; Vol. 5 (2014); 227-235 Mundo Amazónico; Vol. 5 (2014); 227-235 Mundo Amazónico; Vol. 5 (2014); 227-235 2145-5082 2145-5074 |
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Yahuarcani, Santiago (2014) I keep turning the sound into being. Mundo Amazonico; Vol. 5 (2014); 227-235 Mundo Amazónico; Vol. 5 (2014); 227-235 Mundo Amazónico; Vol. 5 (2014); 227-235 2145-5082 2145-5074 . |
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Derechos reservados - Universidad Nacional de Colombia |
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Atribución-NoComercial 4.0 Internacional |
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