Dance and power in bolivar’s colombia
Far from being a frivolous and banal activity, dance isa powerful political weapon in times of war and peace.Trying to prove this assertion, we discuss specificallythe use of dance in the period from the beginning of theindependence process in New Granada and Venezuelain 1810, to the end of the Colo...
- Autores:
-
Sans, Juan Francisco
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2012
- Institución:
- Universidad Nacional de Colombia
- Repositorio:
- Universidad Nacional de Colombia
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unal.edu.co:unal/50278
- Acceso en línea:
- https://repositorio.unal.edu.co/handle/unal/50278
http://bdigital.unal.edu.co/44255/
- Palabra clave:
- Baile
música
Simón Bolívar
Guerra de Independencia
Dance
music
Simon Bolívar
Independence War
- Rights
- openAccess
- License
- Atribución-NoComercial 4.0 Internacional
| Summary: | Far from being a frivolous and banal activity, dance isa powerful political weapon in times of war and peace.Trying to prove this assertion, we discuss specificallythe use of dance in the period from the beginning of theindependence process in New Granada and Venezuelain 1810, to the end of the Colombian project with thedeath of Simon Bolivar in 1830. To do that, we referto the theories of political economy of music of JacquesAttali and the imposed musical events concept of VéroniqueHébrard. |
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