The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody
Abstract: This thesis contributes to the understanding of the connection between the tonal consonance phenomenon and the rules associated to the construction of musical pieces. It begins from the tonal consonance properties of sounds and ends with the emergence of macroscopic phenomena. The systems...
- Autores:
-
Useche Ramírez, Jorge Eduardo
- Tipo de recurso:
- Doctoral thesis
- Fecha de publicación:
- 2019
- Institución:
- Universidad Nacional de Colombia
- Repositorio:
- Universidad Nacional de Colombia
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unal.edu.co:unal/77001
- Acceso en línea:
- https://repositorio.unal.edu.co/handle/unal/77001
http://bdigital.unal.edu.co/74145/
- Palabra clave:
- Consonance
Marimba de chonta
Melody
Musical interval
Entropy
Sec-co recitative
Tuning
Afinación
Consonancia
Entropía
Intervalo musical
Marimba de chonta
Melodía
Recitativo secco
- Rights
- openAccess
- License
- Atribución-NoComercial 4.0 Internacional
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Universidad Nacional de Colombia |
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|
dc.title.spa.fl_str_mv |
The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody |
title |
The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody |
spellingShingle |
The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody Consonance Marimba de chonta Melody Musical interval Entropy Sec-co recitative Tuning Afinación Consonancia Entropía Intervalo musical Marimba de chonta Melodía Recitativo secco |
title_short |
The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody |
title_full |
The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody |
title_fullStr |
The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody |
title_full_unstemmed |
The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody |
title_sort |
The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody |
dc.creator.fl_str_mv |
Useche Ramírez, Jorge Eduardo |
dc.contributor.author.spa.fl_str_mv |
Useche Ramírez, Jorge Eduardo |
dc.contributor.spa.fl_str_mv |
Hurtado Heredia, Rafael Germán |
dc.subject.proposal.spa.fl_str_mv |
Consonance Marimba de chonta Melody Musical interval Entropy Sec-co recitative Tuning Afinación Consonancia Entropía Intervalo musical Marimba de chonta Melodía Recitativo secco |
topic |
Consonance Marimba de chonta Melody Musical interval Entropy Sec-co recitative Tuning Afinación Consonancia Entropía Intervalo musical Marimba de chonta Melodía Recitativo secco |
description |
Abstract: This thesis contributes to the understanding of the connection between the tonal consonance phenomenon and the rules associated to the construction of musical pieces. It begins from the tonal consonance properties of sounds and ends with the emergence of macroscopic phenomena. The systems studied are: the marimba de chonta music, melodic lines of Western music, and secco recitatives of operas. At the microscopic level, we show how tonal consonance connects the timbre of marimba de chonta with traditional tunings and musical practices. At this level, we also extended the traditional concept of interval size, and we used chords as the unit of analysis for the harmony of secco recitatives. On the macroscopic level, we found that the new representation of intervals, together with an entropy extremalization principle, is suitable for approximately reproducing the selection of intervals in melodic lines. Besides, a conserved macroscopic quantity emerges, which is empirically related to the mean dissonance of a melodic line, hence connecting psychoacoustics with complexity. |
publishDate |
2019 |
dc.date.issued.spa.fl_str_mv |
2019-08-29 |
dc.date.accessioned.spa.fl_str_mv |
2020-03-30T06:35:26Z |
dc.date.available.spa.fl_str_mv |
2020-03-30T06:35:26Z |
dc.type.spa.fl_str_mv |
Trabajo de grado - Doctorado |
dc.type.driver.spa.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
dc.type.version.spa.fl_str_mv |
info:eu-repo/semantics/acceptedVersion |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_db06 |
dc.type.content.spa.fl_str_mv |
Text |
dc.type.redcol.spa.fl_str_mv |
http://purl.org/redcol/resource_type/TD |
format |
http://purl.org/coar/resource_type/c_db06 |
status_str |
acceptedVersion |
dc.identifier.uri.none.fl_str_mv |
https://repositorio.unal.edu.co/handle/unal/77001 |
dc.identifier.eprints.spa.fl_str_mv |
http://bdigital.unal.edu.co/74145/ |
url |
https://repositorio.unal.edu.co/handle/unal/77001 http://bdigital.unal.edu.co/74145/ |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.relation.ispartof.spa.fl_str_mv |
Universidad Nacional de Colombia Sede Bogotá Facultad de Ciencias Departamento de Física Departamento de Física |
dc.relation.haspart.spa.fl_str_mv |
53 Física / Physics 78 Música / Music |
dc.relation.references.spa.fl_str_mv |
Useche Ramírez, Jorge Eduardo (2019) The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody. Doctorado thesis, Universidad Nacional de Colombia - Sede Bogotá. |
dc.rights.spa.fl_str_mv |
Derechos reservados - Universidad Nacional de Colombia |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.license.spa.fl_str_mv |
Atribución-NoComercial 4.0 Internacional |
dc.rights.uri.spa.fl_str_mv |
http://creativecommons.org/licenses/by-nc/4.0/ |
dc.rights.accessrights.spa.fl_str_mv |
info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Atribución-NoComercial 4.0 Internacional Derechos reservados - Universidad Nacional de Colombia http://creativecommons.org/licenses/by-nc/4.0/ http://purl.org/coar/access_right/c_abf2 |
eu_rights_str_mv |
openAccess |
dc.format.mimetype.spa.fl_str_mv |
application/pdf |
institution |
Universidad Nacional de Colombia |
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spelling |
Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Hurtado Heredia, Rafael GermánUseche Ramírez, Jorge Eduardo8c00317b-7773-4568-af9f-ffcedcd78c693002020-03-30T06:35:26Z2020-03-30T06:35:26Z2019-08-29https://repositorio.unal.edu.co/handle/unal/77001http://bdigital.unal.edu.co/74145/Abstract: This thesis contributes to the understanding of the connection between the tonal consonance phenomenon and the rules associated to the construction of musical pieces. It begins from the tonal consonance properties of sounds and ends with the emergence of macroscopic phenomena. The systems studied are: the marimba de chonta music, melodic lines of Western music, and secco recitatives of operas. At the microscopic level, we show how tonal consonance connects the timbre of marimba de chonta with traditional tunings and musical practices. At this level, we also extended the traditional concept of interval size, and we used chords as the unit of analysis for the harmony of secco recitatives. On the macroscopic level, we found that the new representation of intervals, together with an entropy extremalization principle, is suitable for approximately reproducing the selection of intervals in melodic lines. Besides, a conserved macroscopic quantity emerges, which is empirically related to the mean dissonance of a melodic line, hence connecting psychoacoustics with complexity.Esta tesis contribuye al entendimiento de la conección entre el fenómeno de la consonan-cia tonal y las reglas asociadas a la construcción de piezas musicales. Ésta comienza desde las propiedades de consonancia de los sonidos y termina con la emergencia de fenómenos macroscópicos. Los sistemas estudiados son: música de marimba de chonta, líneas melódicas de música occidental, y recitativos seccos de óperas. En el nivel microscópico, mostramos cómo la consonancia tonal conecta el timbre de la marimba de chonta con las afinaciones y prácticas musicales tradicionales. En éste nivel, también extendemos el concepto tradi-cional de tamaño interválico, y usamos acordes como unidad de análisis para la armonía de recitativos seccos. En el nivel macroscópico, encontramos que la nueva representación de intervalos, junto con un principio de extremalización de la entropía, es apropiada para reproducir aproximadamente la selección de intervalos en líneas melódicas. Además, una cantidad macroscópica conservada emerge, la cual está empíricamente relacionada con la disonancia promedio de una línea melódica, por tanto conectando psicoacústica con complejidad.Doctoradoapplication/pdfspaUniversidad Nacional de Colombia Sede Bogotá Facultad de Ciencias Departamento de FísicaDepartamento de Física53 Física / Physics78 Música / MusicUseche Ramírez, Jorge Eduardo (2019) The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody. Doctorado thesis, Universidad Nacional de Colombia - Sede Bogotá.The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melodyTrabajo de grado - Doctoradoinfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/acceptedVersionhttp://purl.org/coar/resource_type/c_db06Texthttp://purl.org/redcol/resource_type/TDConsonanceMarimba de chontaMelodyMusical intervalEntropySec-co recitativeTuningAfinaciónConsonanciaEntropíaIntervalo musicalMarimba de chontaMelodíaRecitativo seccoORIGINALJorge.Useche.2019.3.pdfapplication/pdf23368765https://repositorio.unal.edu.co/bitstream/unal/77001/1/Jorge.Useche.2019.3.pdf34bd27c2f35d360b5ff788158f0cb7a9MD51Audio Files 1.rarapplication/octet-stream8565435https://repositorio.unal.edu.co/bitstream/unal/77001/2/Audio%20Files%201.rar3d80d7b3dfd98b06ff80181f267452b7MD52Audio Files 2.rarapplication/octet-stream3853950https://repositorio.unal.edu.co/bitstream/unal/77001/3/Audio%20Files%202.rardf877bb59dcaaae973028ed97a8fa1c4MD53THUMBNAILJorge.Useche.2019.3.pdf.jpgJorge.Useche.2019.3.pdf.jpgGenerated Thumbnailimage/jpeg4175https://repositorio.unal.edu.co/bitstream/unal/77001/4/Jorge.Useche.2019.3.pdf.jpg33faeb3d44fef07d8089b9ffe1e2367fMD54unal/77001oai:repositorio.unal.edu.co:unal/770012023-07-16 23:04:10.736Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co |