The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody

Abstract: This thesis contributes to the understanding of the connection between the tonal consonance phenomenon and the rules associated to the construction of musical pieces. It begins from the tonal consonance properties of sounds and ends with the emergence of macroscopic phenomena. The systems...

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Autores:
Useche Ramírez, Jorge Eduardo
Tipo de recurso:
Doctoral thesis
Fecha de publicación:
2019
Institución:
Universidad Nacional de Colombia
Repositorio:
Universidad Nacional de Colombia
Idioma:
spa
OAI Identifier:
oai:repositorio.unal.edu.co:unal/77001
Acceso en línea:
https://repositorio.unal.edu.co/handle/unal/77001
http://bdigital.unal.edu.co/74145/
Palabra clave:
Consonance
Marimba de chonta
Melody
Musical interval
Entropy
Sec-co recitative
Tuning
Afinación
Consonancia
Entropía
Intervalo musical
Marimba de chonta
Melodía
Recitativo secco
Rights
openAccess
License
Atribución-NoComercial 4.0 Internacional
id UNACIONAL2_839bbf3d01b3bb8cd163cda094a6ea75
oai_identifier_str oai:repositorio.unal.edu.co:unal/77001
network_acronym_str UNACIONAL2
network_name_str Universidad Nacional de Colombia
repository_id_str
dc.title.spa.fl_str_mv The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody
title The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody
spellingShingle The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody
Consonance
Marimba de chonta
Melody
Musical interval
Entropy
Sec-co recitative
Tuning
Afinación
Consonancia
Entropía
Intervalo musical
Marimba de chonta
Melodía
Recitativo secco
title_short The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody
title_full The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody
title_fullStr The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody
title_full_unstemmed The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody
title_sort The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody
dc.creator.fl_str_mv Useche Ramírez, Jorge Eduardo
dc.contributor.author.spa.fl_str_mv Useche Ramírez, Jorge Eduardo
dc.contributor.spa.fl_str_mv Hurtado Heredia, Rafael Germán
dc.subject.proposal.spa.fl_str_mv Consonance
Marimba de chonta
Melody
Musical interval
Entropy
Sec-co recitative
Tuning
Afinación
Consonancia
Entropía
Intervalo musical
Marimba de chonta
Melodía
Recitativo secco
topic Consonance
Marimba de chonta
Melody
Musical interval
Entropy
Sec-co recitative
Tuning
Afinación
Consonancia
Entropía
Intervalo musical
Marimba de chonta
Melodía
Recitativo secco
description Abstract: This thesis contributes to the understanding of the connection between the tonal consonance phenomenon and the rules associated to the construction of musical pieces. It begins from the tonal consonance properties of sounds and ends with the emergence of macroscopic phenomena. The systems studied are: the marimba de chonta music, melodic lines of Western music, and secco recitatives of operas. At the microscopic level, we show how tonal consonance connects the timbre of marimba de chonta with traditional tunings and musical practices. At this level, we also extended the traditional concept of interval size, and we used chords as the unit of analysis for the harmony of secco recitatives. On the macroscopic level, we found that the new representation of intervals, together with an entropy extremalization principle, is suitable for approximately reproducing the selection of intervals in melodic lines. Besides, a conserved macroscopic quantity emerges, which is empirically related to the mean dissonance of a melodic line, hence connecting psychoacoustics with complexity.
publishDate 2019
dc.date.issued.spa.fl_str_mv 2019-08-29
dc.date.accessioned.spa.fl_str_mv 2020-03-30T06:35:26Z
dc.date.available.spa.fl_str_mv 2020-03-30T06:35:26Z
dc.type.spa.fl_str_mv Trabajo de grado - Doctorado
dc.type.driver.spa.fl_str_mv info:eu-repo/semantics/doctoralThesis
dc.type.version.spa.fl_str_mv info:eu-repo/semantics/acceptedVersion
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dc.identifier.uri.none.fl_str_mv https://repositorio.unal.edu.co/handle/unal/77001
dc.identifier.eprints.spa.fl_str_mv http://bdigital.unal.edu.co/74145/
url https://repositorio.unal.edu.co/handle/unal/77001
http://bdigital.unal.edu.co/74145/
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.ispartof.spa.fl_str_mv Universidad Nacional de Colombia Sede Bogotá Facultad de Ciencias Departamento de Física
Departamento de Física
dc.relation.haspart.spa.fl_str_mv 53 Física / Physics
78 Música / Music
dc.relation.references.spa.fl_str_mv Useche Ramírez, Jorge Eduardo (2019) The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody. Doctorado thesis, Universidad Nacional de Colombia - Sede Bogotá.
dc.rights.spa.fl_str_mv Derechos reservados - Universidad Nacional de Colombia
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.license.spa.fl_str_mv Atribución-NoComercial 4.0 Internacional
dc.rights.uri.spa.fl_str_mv http://creativecommons.org/licenses/by-nc/4.0/
dc.rights.accessrights.spa.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv Atribución-NoComercial 4.0 Internacional
Derechos reservados - Universidad Nacional de Colombia
http://creativecommons.org/licenses/by-nc/4.0/
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
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institution Universidad Nacional de Colombia
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spelling Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Hurtado Heredia, Rafael GermánUseche Ramírez, Jorge Eduardo8c00317b-7773-4568-af9f-ffcedcd78c693002020-03-30T06:35:26Z2020-03-30T06:35:26Z2019-08-29https://repositorio.unal.edu.co/handle/unal/77001http://bdigital.unal.edu.co/74145/Abstract: This thesis contributes to the understanding of the connection between the tonal consonance phenomenon and the rules associated to the construction of musical pieces. It begins from the tonal consonance properties of sounds and ends with the emergence of macroscopic phenomena. The systems studied are: the marimba de chonta music, melodic lines of Western music, and secco recitatives of operas. At the microscopic level, we show how tonal consonance connects the timbre of marimba de chonta with traditional tunings and musical practices. At this level, we also extended the traditional concept of interval size, and we used chords as the unit of analysis for the harmony of secco recitatives. On the macroscopic level, we found that the new representation of intervals, together with an entropy extremalization principle, is suitable for approximately reproducing the selection of intervals in melodic lines. Besides, a conserved macroscopic quantity emerges, which is empirically related to the mean dissonance of a melodic line, hence connecting psychoacoustics with complexity.Esta tesis contribuye al entendimiento de la conección entre el fenómeno de la consonan-cia tonal y las reglas asociadas a la construcción de piezas musicales. Ésta comienza desde las propiedades de consonancia de los sonidos y termina con la emergencia de fenómenos macroscópicos. Los sistemas estudiados son: música de marimba de chonta, líneas melódicas de música occidental, y recitativos seccos de óperas. En el nivel microscópico, mostramos cómo la consonancia tonal conecta el timbre de la marimba de chonta con las afinaciones y prácticas musicales tradicionales. En éste nivel, también extendemos el concepto tradi-cional de tamaño interválico, y usamos acordes como unidad de análisis para la armonía de recitativos seccos. En el nivel macroscópico, encontramos que la nueva representación de intervalos, junto con un principio de extremalización de la entropía, es apropiada para reproducir aproximadamente la selección de intervalos en líneas melódicas. Además, una cantidad macroscópica conservada emerge, la cual está empíricamente relacionada con la disonancia promedio de una línea melódica, por tanto conectando psicoacústica con complejidad.Doctoradoapplication/pdfspaUniversidad Nacional de Colombia Sede Bogotá Facultad de Ciencias Departamento de FísicaDepartamento de Física53 Física / Physics78 Música / MusicUseche Ramírez, Jorge Eduardo (2019) The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melody. Doctorado thesis, Universidad Nacional de Colombia - Sede Bogotá.The complex use of tonal consonance in music: microscopic and macroscopic rules in harmony and melodyTrabajo de grado - Doctoradoinfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/acceptedVersionhttp://purl.org/coar/resource_type/c_db06Texthttp://purl.org/redcol/resource_type/TDConsonanceMarimba de chontaMelodyMusical intervalEntropySec-co recitativeTuningAfinaciónConsonanciaEntropíaIntervalo musicalMarimba de chontaMelodíaRecitativo seccoORIGINALJorge.Useche.2019.3.pdfapplication/pdf23368765https://repositorio.unal.edu.co/bitstream/unal/77001/1/Jorge.Useche.2019.3.pdf34bd27c2f35d360b5ff788158f0cb7a9MD51Audio Files 1.rarapplication/octet-stream8565435https://repositorio.unal.edu.co/bitstream/unal/77001/2/Audio%20Files%201.rar3d80d7b3dfd98b06ff80181f267452b7MD52Audio Files 2.rarapplication/octet-stream3853950https://repositorio.unal.edu.co/bitstream/unal/77001/3/Audio%20Files%202.rardf877bb59dcaaae973028ed97a8fa1c4MD53THUMBNAILJorge.Useche.2019.3.pdf.jpgJorge.Useche.2019.3.pdf.jpgGenerated Thumbnailimage/jpeg4175https://repositorio.unal.edu.co/bitstream/unal/77001/4/Jorge.Useche.2019.3.pdf.jpg33faeb3d44fef07d8089b9ffe1e2367fMD54unal/77001oai:repositorio.unal.edu.co:unal/770012023-07-16 23:04:10.736Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co