My painting aims to arrive to the texture of the stone, of a tree, or of the water
Kindi Llajtu has been working with the footprints he finds along and the ones he himself produces and leaves behind as he intervenes upon space, bodies and surfaces. Recovering the traces of the Inga people to which he belongs, their ancient objects, foods, feasts, so as to bring them a new vivacity...
- Autores:
-
Llajtu, Kindi
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2014
- Institución:
- Universidad Nacional de Colombia
- Repositorio:
- Universidad Nacional de Colombia
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unal.edu.co:unal/51139
- Acceso en línea:
- https://repositorio.unal.edu.co/handle/unal/51139
http://bdigital.unal.edu.co/45211/
- Palabra clave:
- Inga
Sibundoy colombiano
arte indígena contemporáneo
tejido
Inga
Colombian Sibundoy
indigenous contemporary art
weaving
- Rights
- openAccess
- License
- Atribución-NoComercial 4.0 Internacional
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Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Llajtu, Kindi647b00e2-d574-479c-b111-aea50b4bc5c23002019-06-29T11:27:23Z2019-06-29T11:27:23Z2014-09-30https://repositorio.unal.edu.co/handle/unal/51139http://bdigital.unal.edu.co/45211/Kindi Llajtu has been working with the footprints he finds along and the ones he himself produces and leaves behind as he intervenes upon space, bodies and surfaces. Recovering the traces of the Inga people to which he belongs, their ancient objects, foods, feasts, so as to bring them a new vivacity or make them vanish in a new manner, is a means of generating and playing with the textures of memory that cover and uncover everything; making textures as evidences of time´s flow and its ghosts, polishing, weaving and transforming it all.Kindi Llajtu viene trabajando con las huellas que encuentra y las que él mismo produce y deja atrás por medio de intervenciones en el espacio, los cuerpos y las superficies. Recuperar los rastros del pueblo Inga al que pertenece, sus antiguos objetos, sus comidas, sus fiestas, para darles nueva vivacidad o hacerlos desvanecer de una nueva manera, tiene por finalidad generar y jugar con las texturas del recuerdo que cubre y descubre todo; hacer texturas que evidencian el paso del tiempo y sus fantasmas que lo van puliendo, tejiendo y transformando todo.application/pdfspaUniversidad Nacional de Colombiahttp://revistas.unal.edu.co/index.php/imanimundo/article/view/45804Universidad Nacional de Colombia Revistas electrónicas UN Mundo AmazonicoMundo AmazonicoMundo Amazonico; Vol. 5 (2014); 245-251 Mundo Amazónico; Vol. 5 (2014); 245-251 Mundo Amazónico; Vol. 5 (2014); 245-251 2145-5082 2145-5074Llajtu, Kindi (2014) My painting aims to arrive to the texture of the stone, of a tree, or of the water. Mundo Amazonico; Vol. 5 (2014); 245-251 Mundo Amazónico; Vol. 5 (2014); 245-251 Mundo Amazónico; Vol. 5 (2014); 245-251 2145-5082 2145-5074 .My painting aims to arrive to the texture of the stone, of a tree, or of the waterArtículo de revistainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/ARTIngaSibundoy colombianoarte indígena contemporáneotejidoIngaColombian Sibundoyindigenous contemporary artweavingORIGINAL45804-228494-2-PB.pdfapplication/pdf233317https://repositorio.unal.edu.co/bitstream/unal/51139/1/45804-228494-2-PB.pdf6760ccbb34586c9b470ba7329f411982MD51THUMBNAIL45804-228494-2-PB.pdf.jpg45804-228494-2-PB.pdf.jpgGenerated Thumbnailimage/jpeg5298https://repositorio.unal.edu.co/bitstream/unal/51139/2/45804-228494-2-PB.pdf.jpg066f9d08ca5ae5c8e16ff2aef6f38e74MD52unal/51139oai:repositorio.unal.edu.co:unal/511392023-12-18 23:05:45.273Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co |
dc.title.spa.fl_str_mv |
My painting aims to arrive to the texture of the stone, of a tree, or of the water |
title |
My painting aims to arrive to the texture of the stone, of a tree, or of the water |
spellingShingle |
My painting aims to arrive to the texture of the stone, of a tree, or of the water Inga Sibundoy colombiano arte indígena contemporáneo tejido Inga Colombian Sibundoy indigenous contemporary art weaving |
title_short |
My painting aims to arrive to the texture of the stone, of a tree, or of the water |
title_full |
My painting aims to arrive to the texture of the stone, of a tree, or of the water |
title_fullStr |
My painting aims to arrive to the texture of the stone, of a tree, or of the water |
title_full_unstemmed |
My painting aims to arrive to the texture of the stone, of a tree, or of the water |
title_sort |
My painting aims to arrive to the texture of the stone, of a tree, or of the water |
dc.creator.fl_str_mv |
Llajtu, Kindi |
dc.contributor.author.spa.fl_str_mv |
Llajtu, Kindi |
dc.subject.proposal.spa.fl_str_mv |
Inga Sibundoy colombiano arte indígena contemporáneo tejido Inga Colombian Sibundoy indigenous contemporary art weaving |
topic |
Inga Sibundoy colombiano arte indígena contemporáneo tejido Inga Colombian Sibundoy indigenous contemporary art weaving |
description |
Kindi Llajtu has been working with the footprints he finds along and the ones he himself produces and leaves behind as he intervenes upon space, bodies and surfaces. Recovering the traces of the Inga people to which he belongs, their ancient objects, foods, feasts, so as to bring them a new vivacity or make them vanish in a new manner, is a means of generating and playing with the textures of memory that cover and uncover everything; making textures as evidences of time´s flow and its ghosts, polishing, weaving and transforming it all. |
publishDate |
2014 |
dc.date.issued.spa.fl_str_mv |
2014-09-30 |
dc.date.accessioned.spa.fl_str_mv |
2019-06-29T11:27:23Z |
dc.date.available.spa.fl_str_mv |
2019-06-29T11:27:23Z |
dc.type.spa.fl_str_mv |
Artículo de revista |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.driver.spa.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.version.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
dc.type.coarversion.spa.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.content.spa.fl_str_mv |
Text |
dc.type.redcol.spa.fl_str_mv |
http://purl.org/redcol/resource_type/ART |
format |
http://purl.org/coar/resource_type/c_6501 |
status_str |
publishedVersion |
dc.identifier.uri.none.fl_str_mv |
https://repositorio.unal.edu.co/handle/unal/51139 |
dc.identifier.eprints.spa.fl_str_mv |
http://bdigital.unal.edu.co/45211/ |
url |
https://repositorio.unal.edu.co/handle/unal/51139 http://bdigital.unal.edu.co/45211/ |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.relation.spa.fl_str_mv |
http://revistas.unal.edu.co/index.php/imanimundo/article/view/45804 |
dc.relation.ispartof.spa.fl_str_mv |
Universidad Nacional de Colombia Revistas electrónicas UN Mundo Amazonico Mundo Amazonico |
dc.relation.ispartofseries.none.fl_str_mv |
Mundo Amazonico; Vol. 5 (2014); 245-251 Mundo Amazónico; Vol. 5 (2014); 245-251 Mundo Amazónico; Vol. 5 (2014); 245-251 2145-5082 2145-5074 |
dc.relation.references.spa.fl_str_mv |
Llajtu, Kindi (2014) My painting aims to arrive to the texture of the stone, of a tree, or of the water. Mundo Amazonico; Vol. 5 (2014); 245-251 Mundo Amazónico; Vol. 5 (2014); 245-251 Mundo Amazónico; Vol. 5 (2014); 245-251 2145-5082 2145-5074 . |
dc.rights.spa.fl_str_mv |
Derechos reservados - Universidad Nacional de Colombia |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.license.spa.fl_str_mv |
Atribución-NoComercial 4.0 Internacional |
dc.rights.uri.spa.fl_str_mv |
http://creativecommons.org/licenses/by-nc/4.0/ |
dc.rights.accessrights.spa.fl_str_mv |
info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Atribución-NoComercial 4.0 Internacional Derechos reservados - Universidad Nacional de Colombia http://creativecommons.org/licenses/by-nc/4.0/ http://purl.org/coar/access_right/c_abf2 |
eu_rights_str_mv |
openAccess |
dc.format.mimetype.spa.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
Universidad Nacional de Colombia |
institution |
Universidad Nacional de Colombia |
bitstream.url.fl_str_mv |
https://repositorio.unal.edu.co/bitstream/unal/51139/1/45804-228494-2-PB.pdf https://repositorio.unal.edu.co/bitstream/unal/51139/2/45804-228494-2-PB.pdf.jpg |
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MD5 MD5 |
repository.name.fl_str_mv |
Repositorio Institucional Universidad Nacional de Colombia |
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repositorio_nal@unal.edu.co |
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