My painting aims to arrive to the texture of the stone, of a tree, or of the water

Kindi Llajtu has been working with the footprints he finds along and the ones he himself produces and leaves behind as he intervenes upon space, bodies and surfaces. Recovering the traces of the Inga people to which he belongs, their ancient objects, foods, feasts, so as to bring them a new vivacity...

Full description

Autores:
Llajtu, Kindi
Tipo de recurso:
Article of journal
Fecha de publicación:
2014
Institución:
Universidad Nacional de Colombia
Repositorio:
Universidad Nacional de Colombia
Idioma:
spa
OAI Identifier:
oai:repositorio.unal.edu.co:unal/51139
Acceso en línea:
https://repositorio.unal.edu.co/handle/unal/51139
http://bdigital.unal.edu.co/45211/
Palabra clave:
Inga
Sibundoy colombiano
arte indígena contemporáneo
tejido
Inga
Colombian Sibundoy
indigenous contemporary art
weaving
Rights
openAccess
License
Atribución-NoComercial 4.0 Internacional
id UNACIONAL2_7e1dc9c226cc8d4bc564089b995d1b6b
oai_identifier_str oai:repositorio.unal.edu.co:unal/51139
network_acronym_str UNACIONAL2
network_name_str Universidad Nacional de Colombia
repository_id_str
spelling Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Llajtu, Kindi647b00e2-d574-479c-b111-aea50b4bc5c23002019-06-29T11:27:23Z2019-06-29T11:27:23Z2014-09-30https://repositorio.unal.edu.co/handle/unal/51139http://bdigital.unal.edu.co/45211/Kindi Llajtu has been working with the footprints he finds along and the ones he himself produces and leaves behind as he intervenes upon space, bodies and surfaces. Recovering the traces of the Inga people to which he belongs, their ancient objects, foods, feasts, so as to bring them a new vivacity or make them vanish in a new manner, is a means of generating and playing with the textures of memory that cover and uncover everything; making textures as evidences of time´s flow and its ghosts, polishing, weaving and transforming it all.Kindi Llajtu viene trabajando con las huellas que encuentra y las que él mismo produce y deja atrás por medio de intervenciones en el espacio, los cuerpos y las superficies. Recuperar los rastros del pueblo Inga al que pertenece, sus antiguos objetos, sus comidas, sus fiestas, para darles nueva vivacidad o hacerlos desvanecer de una nueva manera, tiene por finalidad generar y jugar con las texturas del recuerdo que cubre y descubre todo; hacer texturas que evidencian el paso del tiempo y sus fantasmas que lo van puliendo, tejiendo y transformando todo.application/pdfspaUniversidad Nacional de Colombiahttp://revistas.unal.edu.co/index.php/imanimundo/article/view/45804Universidad Nacional de Colombia Revistas electrónicas UN Mundo AmazonicoMundo AmazonicoMundo Amazonico; Vol. 5 (2014); 245-251 Mundo Amazónico; Vol. 5 (2014); 245-251 Mundo Amazónico; Vol. 5 (2014); 245-251 2145-5082 2145-5074Llajtu, Kindi (2014) My painting aims to arrive to the texture of the stone, of a tree, or of the water. Mundo Amazonico; Vol. 5 (2014); 245-251 Mundo Amazónico; Vol. 5 (2014); 245-251 Mundo Amazónico; Vol. 5 (2014); 245-251 2145-5082 2145-5074 .My painting aims to arrive to the texture of the stone, of a tree, or of the waterArtículo de revistainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/ARTIngaSibundoy colombianoarte indígena contemporáneotejidoIngaColombian Sibundoyindigenous contemporary artweavingORIGINAL45804-228494-2-PB.pdfapplication/pdf233317https://repositorio.unal.edu.co/bitstream/unal/51139/1/45804-228494-2-PB.pdf6760ccbb34586c9b470ba7329f411982MD51THUMBNAIL45804-228494-2-PB.pdf.jpg45804-228494-2-PB.pdf.jpgGenerated Thumbnailimage/jpeg5298https://repositorio.unal.edu.co/bitstream/unal/51139/2/45804-228494-2-PB.pdf.jpg066f9d08ca5ae5c8e16ff2aef6f38e74MD52unal/51139oai:repositorio.unal.edu.co:unal/511392023-12-18 23:05:45.273Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co
dc.title.spa.fl_str_mv My painting aims to arrive to the texture of the stone, of a tree, or of the water
title My painting aims to arrive to the texture of the stone, of a tree, or of the water
spellingShingle My painting aims to arrive to the texture of the stone, of a tree, or of the water
Inga
Sibundoy colombiano
arte indígena contemporáneo
tejido
Inga
Colombian Sibundoy
indigenous contemporary art
weaving
title_short My painting aims to arrive to the texture of the stone, of a tree, or of the water
title_full My painting aims to arrive to the texture of the stone, of a tree, or of the water
title_fullStr My painting aims to arrive to the texture of the stone, of a tree, or of the water
title_full_unstemmed My painting aims to arrive to the texture of the stone, of a tree, or of the water
title_sort My painting aims to arrive to the texture of the stone, of a tree, or of the water
dc.creator.fl_str_mv Llajtu, Kindi
dc.contributor.author.spa.fl_str_mv Llajtu, Kindi
dc.subject.proposal.spa.fl_str_mv Inga
Sibundoy colombiano
arte indígena contemporáneo
tejido
Inga
Colombian Sibundoy
indigenous contemporary art
weaving
topic Inga
Sibundoy colombiano
arte indígena contemporáneo
tejido
Inga
Colombian Sibundoy
indigenous contemporary art
weaving
description Kindi Llajtu has been working with the footprints he finds along and the ones he himself produces and leaves behind as he intervenes upon space, bodies and surfaces. Recovering the traces of the Inga people to which he belongs, their ancient objects, foods, feasts, so as to bring them a new vivacity or make them vanish in a new manner, is a means of generating and playing with the textures of memory that cover and uncover everything; making textures as evidences of time´s flow and its ghosts, polishing, weaving and transforming it all.
publishDate 2014
dc.date.issued.spa.fl_str_mv 2014-09-30
dc.date.accessioned.spa.fl_str_mv 2019-06-29T11:27:23Z
dc.date.available.spa.fl_str_mv 2019-06-29T11:27:23Z
dc.type.spa.fl_str_mv Artículo de revista
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.driver.spa.fl_str_mv info:eu-repo/semantics/article
dc.type.version.spa.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6501
dc.type.coarversion.spa.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.content.spa.fl_str_mv Text
dc.type.redcol.spa.fl_str_mv http://purl.org/redcol/resource_type/ART
format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.uri.none.fl_str_mv https://repositorio.unal.edu.co/handle/unal/51139
dc.identifier.eprints.spa.fl_str_mv http://bdigital.unal.edu.co/45211/
url https://repositorio.unal.edu.co/handle/unal/51139
http://bdigital.unal.edu.co/45211/
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.spa.fl_str_mv http://revistas.unal.edu.co/index.php/imanimundo/article/view/45804
dc.relation.ispartof.spa.fl_str_mv Universidad Nacional de Colombia Revistas electrónicas UN Mundo Amazonico
Mundo Amazonico
dc.relation.ispartofseries.none.fl_str_mv Mundo Amazonico; Vol. 5 (2014); 245-251 Mundo Amazónico; Vol. 5 (2014); 245-251 Mundo Amazónico; Vol. 5 (2014); 245-251 2145-5082 2145-5074
dc.relation.references.spa.fl_str_mv Llajtu, Kindi (2014) My painting aims to arrive to the texture of the stone, of a tree, or of the water. Mundo Amazonico; Vol. 5 (2014); 245-251 Mundo Amazónico; Vol. 5 (2014); 245-251 Mundo Amazónico; Vol. 5 (2014); 245-251 2145-5082 2145-5074 .
dc.rights.spa.fl_str_mv Derechos reservados - Universidad Nacional de Colombia
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.license.spa.fl_str_mv Atribución-NoComercial 4.0 Internacional
dc.rights.uri.spa.fl_str_mv http://creativecommons.org/licenses/by-nc/4.0/
dc.rights.accessrights.spa.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv Atribución-NoComercial 4.0 Internacional
Derechos reservados - Universidad Nacional de Colombia
http://creativecommons.org/licenses/by-nc/4.0/
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.mimetype.spa.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Universidad Nacional de Colombia
institution Universidad Nacional de Colombia
bitstream.url.fl_str_mv https://repositorio.unal.edu.co/bitstream/unal/51139/1/45804-228494-2-PB.pdf
https://repositorio.unal.edu.co/bitstream/unal/51139/2/45804-228494-2-PB.pdf.jpg
bitstream.checksum.fl_str_mv 6760ccbb34586c9b470ba7329f411982
066f9d08ca5ae5c8e16ff2aef6f38e74
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
repository.name.fl_str_mv Repositorio Institucional Universidad Nacional de Colombia
repository.mail.fl_str_mv repositorio_nal@unal.edu.co
_version_ 1814089798384615424