Beyond colour reflections on ‘london, sugar and amp; slavery’ at the museum in docklands, london
This paper reviews the recent opening of the gallery “London,Sugar and Slavery” at the Museum in Docklands, in London, England.By looking at the exhibition from inside as well as from a wider context,this text links the main aims of the gallery and the Museum withcurrent discussions of museology and...
- Autores:
-
Rodríguez, David
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2008
- Institución:
- Universidad Nacional de Colombia
- Repositorio:
- Universidad Nacional de Colombia
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unal.edu.co:unal/49983
- Acceso en línea:
- https://repositorio.unal.edu.co/handle/unal/49983
http://bdigital.unal.edu.co/43511/
- Palabra clave:
- Rights
- openAccess
- License
- Atribución-NoComercial 4.0 Internacional
Summary: | This paper reviews the recent opening of the gallery “London,Sugar and Slavery” at the Museum in Docklands, in London, England.By looking at the exhibition from inside as well as from a wider context,this text links the main aims of the gallery and the Museum withcurrent discussions of museology and material culture. Thereby thiswork assesses and underlines the importance of the historical objectas a trace and representation of the social; the museum as a meetingplace of contemporary debates and the material culture studies asa common place to bring together, objects, people and social andcultural phenomena. These three points have been found clearlywithin the gallery and therefore it becomes a watch-worthy exampleof one of the several roles of material culture in society. |
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