The persistence of anguish: memory, absence, and voice in colombian video art
It seems that there is no place foraesthetics in a conflictive contextsuch as the Colombian one;however, local artists have insistedon hinting at those aspects of thereal that we turn our backs on inorder to protect ourselves. In thisorder of ideas, the article highlightsthe ethical nature of a seri...
- Autores:
-
Acosta Martínez, Carolina Piedad
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2014
- Institución:
- Universidad Nacional de Colombia
- Repositorio:
- Universidad Nacional de Colombia
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unal.edu.co:unal/50252
- Acceso en línea:
- https://repositorio.unal.edu.co/handle/unal/50252
http://bdigital.unal.edu.co/44229/
- Palabra clave:
- Angustia
ausencia
estética
ética
guerra
memoria
videoarte
voz.
Angoisse
absence
esthétique
éthique
guerre
mémoire
art vidéo
voix.
anguish
absence
aesthetics
ethics
war
memory
video art
voice.
- Rights
- openAccess
- License
- Atribución-NoComercial 4.0 Internacional
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The persistence of anguish: memory, absence, and voice in colombian video art |
| title |
The persistence of anguish: memory, absence, and voice in colombian video art |
| spellingShingle |
The persistence of anguish: memory, absence, and voice in colombian video art Angustia ausencia estética ética guerra memoria videoarte voz. Angoisse absence esthétique éthique guerre mémoire art vidéo voix. anguish absence aesthetics ethics war memory video art voice. |
| title_short |
The persistence of anguish: memory, absence, and voice in colombian video art |
| title_full |
The persistence of anguish: memory, absence, and voice in colombian video art |
| title_fullStr |
The persistence of anguish: memory, absence, and voice in colombian video art |
| title_full_unstemmed |
The persistence of anguish: memory, absence, and voice in colombian video art |
| title_sort |
The persistence of anguish: memory, absence, and voice in colombian video art |
| dc.creator.fl_str_mv |
Acosta Martínez, Carolina Piedad |
| dc.contributor.author.spa.fl_str_mv |
Acosta Martínez, Carolina Piedad |
| dc.subject.proposal.spa.fl_str_mv |
Angustia ausencia estética ética guerra memoria videoarte voz. Angoisse absence esthétique éthique guerre mémoire art vidéo voix. anguish absence aesthetics ethics war memory video art voice. |
| topic |
Angustia ausencia estética ética guerra memoria videoarte voz. Angoisse absence esthétique éthique guerre mémoire art vidéo voix. anguish absence aesthetics ethics war memory video art voice. |
| description |
It seems that there is no place foraesthetics in a conflictive contextsuch as the Colombian one;however, local artists have insistedon hinting at those aspects of thereal that we turn our backs on inorder to protect ourselves. In thisorder of ideas, the article highlightsthe ethical nature of a series ofColombian video art works that“make a statement” regarding thesocio-cultural conditions in whichthey arose. Appealing to memory,absence, and voice, it seems thatthese works seek to startle andproduce anguish in their viewers bypresenting an abundance of banaltexts and images offered by the media(including the already famoussignifier, “post-conflict”), whichdistract us from the horrors of war. |
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2014 |
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2014-10-16 |
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2019-06-29T09:58:16Z |
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2019-06-29T09:58:16Z |
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Artículo de revista |
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http://purl.org/coar/resource_type/c_2df8fbb1 |
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Text |
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http://purl.org/redcol/resource_type/ART |
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http://purl.org/coar/resource_type/c_6501 |
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https://repositorio.unal.edu.co/handle/unal/50252 |
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http://bdigital.unal.edu.co/44229/ |
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https://repositorio.unal.edu.co/handle/unal/50252 http://bdigital.unal.edu.co/44229/ |
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spa |
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spa |
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http://revistas.unal.edu.co/index.php/jardin/article/view/46120 |
| dc.relation.references.spa.fl_str_mv |
Acosta Martínez, Carolina Piedad (2014) The persistence of anguish: memory, absence, and voice in colombian video art. Desde el Jardín de Freud - Revista de Psicoanálisis; núm. 14 (2014): «HORROR E INDIFERENCIA»; 171-186 2256-5477 1657-3986 . |
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Derechos reservados - Universidad Nacional de Colombia |
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http://purl.org/coar/access_right/c_abf2 |
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Atribución-NoComercial 4.0 Internacional |
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http://creativecommons.org/licenses/by-nc/4.0/ |
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info:eu-repo/semantics/openAccess |
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Atribución-NoComercial 4.0 Internacional Derechos reservados - Universidad Nacional de Colombia http://creativecommons.org/licenses/by-nc/4.0/ http://purl.org/coar/access_right/c_abf2 |
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Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Acosta Martínez, Carolina Piedad372f2f98-25ed-4807-882f-9d7048821db43002019-06-29T09:58:16Z2019-06-29T09:58:16Z2014-10-16https://repositorio.unal.edu.co/handle/unal/50252http://bdigital.unal.edu.co/44229/It seems that there is no place foraesthetics in a conflictive contextsuch as the Colombian one;however, local artists have insistedon hinting at those aspects of thereal that we turn our backs on inorder to protect ourselves. In thisorder of ideas, the article highlightsthe ethical nature of a series ofColombian video art works that“make a statement” regarding thesocio-cultural conditions in whichthey arose. Appealing to memory,absence, and voice, it seems thatthese works seek to startle andproduce anguish in their viewers bypresenting an abundance of banaltexts and images offered by the media(including the already famoussignifier, “post-conflict”), whichdistract us from the horrors of war.On dirait que l’esthétique n’a pasde place dans un contexte conflictuelcomme celui de Colombie,mais les artistes locaux insistent àentre-montrer dans ses oeuvres cesréels auxquels nous essayons detourner le dos pour nous en protéger.Dans cet ordre, cet article essaiede souligner le caractère étiqued’un ensemble d’oeuvres d’art vidéocolombiennes qui sont appelées à«déclarer» sur les conditions socioculturellesdans lesquelles elles ontvus la lumière. Avec les recours à lamémoire, l’absence et la voix, ellescherchent à angoisser le spectateurvia la création de sursauts dans laprofusion de textes et d’imagesbanales et obsolescentes offertespar les médias (y inclus le déjàrenommé signifiant «post-conflit»)en tant que distracteurs face auxhorreurs de la guerre.Parece que la estética no tiene lugaren un contexto conflictivo como elcolombiano, pero los artistas localesinsisten en entre-mostrar consus obras esos reales a los cualesintentamos dar la espalda para resguardarnos.En este orden de ideas,este artículo pretende resaltar elcarácter ético de un conjunto deobras colombianas de videoarteque son llamadas a “declarar” sobrelas condiciones socioculturalesbajo las cuales vieron la luz. Con suapelación a la memoria, la ausenciay la voz, parece que estas obrasbuscan angustiar al espectadorcreando sobresaltos en la profusiónde textos e imágenes banales y obsolescentesque ofrecen los mediosde comunicación (incluyendo el yafamoso significante “posconflicto”)como distractores ante los horroresde la guerra.application/pdfspaUNIVERSIDAD NACIONAL DE COLOMBIAhttp://revistas.unal.edu.co/index.php/jardin/article/view/46120Acosta Martínez, Carolina Piedad (2014) The persistence of anguish: memory, absence, and voice in colombian video art. Desde el Jardín de Freud - Revista de Psicoanálisis; núm. 14 (2014): «HORROR E INDIFERENCIA»; 171-186 2256-5477 1657-3986 .The persistence of anguish: memory, absence, and voice in colombian video artArtículo de revistainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/ARTAngustiaausenciaestéticaéticaguerramemoriavideoartevoz.Angoisseabsenceesthétiqueéthiqueguerremémoireart vidéovoix.anguishabsenceaestheticsethicswarmemoryvideo artvoice.ORIGINAL46120-224039-1-SM.pdfapplication/pdf372021https://repositorio.unal.edu.co/bitstream/unal/50252/1/46120-224039-1-SM.pdf6668360a76a2509d2b17b296da4df1c8MD51TEXT46120-224039-1-SM.pdf.txt46120-224039-1-SM.pdf.txttext/plain59926https://repositorio.unal.edu.co/bitstream/unal/50252/2/46120-224039-1-SM.pdf.txtb82eb5427d2386f795f3c4bb2214f5c8MD52THUMBNAIL46120-224039-1-SM.pdf.jpg46120-224039-1-SM.pdf.jpgimage/jpeg2498https://repositorio.unal.edu.co/bitstream/unal/50252/3/46120-224039-1-SM.pdf.jpg2071ab791aacfbd5f8dd6be059325708MD53unal/50252oai:repositorio.unal.edu.co:unal/502522022-08-12 11:40:49.495Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co |