Play as a way of being for the work of art: reflections upon artistic representation in gadamer’s hermenutic aesthetics
Within critical hermeneutics, this article presents Gadamercritique to the subjectivization of aesthetics andthe notion of ‘play’ as a counterconcpet to the categoryof subject. The ludic onlthology of the work of art isalso presented conceived as ‘self-representation’ or‘re-presentation’ of someone....
- Autores:
-
Belén, Paola Sabrina
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2013
- Institución:
- Universidad Nacional de Colombia
- Repositorio:
- Universidad Nacional de Colombia
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unal.edu.co:unal/50760
- Acceso en línea:
- https://repositorio.unal.edu.co/handle/unal/50760
http://bdigital.unal.edu.co/44761/
- Palabra clave:
- arte
juego
re-presentación
mímesis
Gadamer
art
play
re-presentation
mimesis
Gadamer
- Rights
- openAccess
- License
- Atribución-NoComercial 4.0 Internacional
id |
UNACIONAL2_7561587739c98f747108bac54961533c |
---|---|
oai_identifier_str |
oai:repositorio.unal.edu.co:unal/50760 |
network_acronym_str |
UNACIONAL2 |
network_name_str |
Universidad Nacional de Colombia |
repository_id_str |
|
spelling |
Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Belén, Paola Sabrinaa3bc4044-1540-4d22-aba1-3a3c2f43856f3002019-06-29T10:45:29Z2019-06-29T10:45:29Z2013https://repositorio.unal.edu.co/handle/unal/50760http://bdigital.unal.edu.co/44761/Within critical hermeneutics, this article presents Gadamercritique to the subjectivization of aesthetics andthe notion of ‘play’ as a counterconcpet to the categoryof subject. The ludic onlthology of the work of art isalso presented conceived as ‘self-representation’ or‘re-presentation’ of someone. This provides a link tothe notion of mimesis and a reflection on the value ofthruth and knowledge in the wowrk of art.En el marco de la estética hermenéutica, el artículopresenta la crítica de Gadamer a la subjetivización dela estética y su noción de juego como contraconceptoa la categoría de sujeto. Se expone además la ontolologíalúdica de la obra de arte, concebida como “autorepresentación”y “re-presentación para alguien”, lo queposibilita además el enlace con la noción de mímesis y lareflexión acerca del valor de verdad y de conocimientode la obra de arte.application/pdfspaEnsayos: Historia y teoría del artehttp://revistas.unal.edu.co/index.php/ensayo/article/view/46660Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arteEnsayos: Historia y teoría del arteEnsayos: Historia y Teoría del Arte; núm. 24 (2013); 6-25 Ensayos: Historia y teoría del arte; núm. 24 (2013); 6-25 1692-3502Belén, Paola Sabrina (2013) Play as a way of being for the work of art: reflections upon artistic representation in gadamer’s hermenutic aesthetics. Ensayos: Historia y Teoría del Arte; núm. 24 (2013); 6-25 Ensayos: Historia y teoría del arte; núm. 24 (2013); 6-25 1692-3502 .Play as a way of being for the work of art: reflections upon artistic representation in gadamer’s hermenutic aestheticsArtículo de revistainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/ARTartejuegore-presentaciónmímesisGadamerartplayre-presentationmimesisGadamerORIGINAL46660-226472-1-SM.pdfapplication/pdf139254https://repositorio.unal.edu.co/bitstream/unal/50760/1/46660-226472-1-SM.pdff374f884a30120ddced2d24ed59f1e0dMD51THUMBNAIL46660-226472-1-SM.pdf.jpg46660-226472-1-SM.pdf.jpgGenerated Thumbnailimage/jpeg4657https://repositorio.unal.edu.co/bitstream/unal/50760/2/46660-226472-1-SM.pdf.jpga4007acb2fdc3700a93813b74d65a3f3MD52unal/50760oai:repositorio.unal.edu.co:unal/507602023-12-17 23:05:23.517Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co |
dc.title.spa.fl_str_mv |
Play as a way of being for the work of art: reflections upon artistic representation in gadamer’s hermenutic aesthetics |
title |
Play as a way of being for the work of art: reflections upon artistic representation in gadamer’s hermenutic aesthetics |
spellingShingle |
Play as a way of being for the work of art: reflections upon artistic representation in gadamer’s hermenutic aesthetics arte juego re-presentación mímesis Gadamer art play re-presentation mimesis Gadamer |
title_short |
Play as a way of being for the work of art: reflections upon artistic representation in gadamer’s hermenutic aesthetics |
title_full |
Play as a way of being for the work of art: reflections upon artistic representation in gadamer’s hermenutic aesthetics |
title_fullStr |
Play as a way of being for the work of art: reflections upon artistic representation in gadamer’s hermenutic aesthetics |
title_full_unstemmed |
Play as a way of being for the work of art: reflections upon artistic representation in gadamer’s hermenutic aesthetics |
title_sort |
Play as a way of being for the work of art: reflections upon artistic representation in gadamer’s hermenutic aesthetics |
dc.creator.fl_str_mv |
Belén, Paola Sabrina |
dc.contributor.author.spa.fl_str_mv |
Belén, Paola Sabrina |
dc.subject.proposal.spa.fl_str_mv |
arte juego re-presentación mímesis Gadamer art play re-presentation mimesis Gadamer |
topic |
arte juego re-presentación mímesis Gadamer art play re-presentation mimesis Gadamer |
description |
Within critical hermeneutics, this article presents Gadamercritique to the subjectivization of aesthetics andthe notion of ‘play’ as a counterconcpet to the categoryof subject. The ludic onlthology of the work of art isalso presented conceived as ‘self-representation’ or‘re-presentation’ of someone. This provides a link tothe notion of mimesis and a reflection on the value ofthruth and knowledge in the wowrk of art. |
publishDate |
2013 |
dc.date.issued.spa.fl_str_mv |
2013 |
dc.date.accessioned.spa.fl_str_mv |
2019-06-29T10:45:29Z |
dc.date.available.spa.fl_str_mv |
2019-06-29T10:45:29Z |
dc.type.spa.fl_str_mv |
Artículo de revista |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.driver.spa.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.version.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
dc.type.coarversion.spa.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.content.spa.fl_str_mv |
Text |
dc.type.redcol.spa.fl_str_mv |
http://purl.org/redcol/resource_type/ART |
format |
http://purl.org/coar/resource_type/c_6501 |
status_str |
publishedVersion |
dc.identifier.uri.none.fl_str_mv |
https://repositorio.unal.edu.co/handle/unal/50760 |
dc.identifier.eprints.spa.fl_str_mv |
http://bdigital.unal.edu.co/44761/ |
url |
https://repositorio.unal.edu.co/handle/unal/50760 http://bdigital.unal.edu.co/44761/ |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.relation.spa.fl_str_mv |
http://revistas.unal.edu.co/index.php/ensayo/article/view/46660 |
dc.relation.ispartof.spa.fl_str_mv |
Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arte Ensayos: Historia y teoría del arte |
dc.relation.ispartofseries.none.fl_str_mv |
Ensayos: Historia y Teoría del Arte; núm. 24 (2013); 6-25 Ensayos: Historia y teoría del arte; núm. 24 (2013); 6-25 1692-3502 |
dc.relation.references.spa.fl_str_mv |
Belén, Paola Sabrina (2013) Play as a way of being for the work of art: reflections upon artistic representation in gadamer’s hermenutic aesthetics. Ensayos: Historia y Teoría del Arte; núm. 24 (2013); 6-25 Ensayos: Historia y teoría del arte; núm. 24 (2013); 6-25 1692-3502 . |
dc.rights.spa.fl_str_mv |
Derechos reservados - Universidad Nacional de Colombia |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.license.spa.fl_str_mv |
Atribución-NoComercial 4.0 Internacional |
dc.rights.uri.spa.fl_str_mv |
http://creativecommons.org/licenses/by-nc/4.0/ |
dc.rights.accessrights.spa.fl_str_mv |
info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Atribución-NoComercial 4.0 Internacional Derechos reservados - Universidad Nacional de Colombia http://creativecommons.org/licenses/by-nc/4.0/ http://purl.org/coar/access_right/c_abf2 |
eu_rights_str_mv |
openAccess |
dc.format.mimetype.spa.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
Ensayos: Historia y teoría del arte |
institution |
Universidad Nacional de Colombia |
bitstream.url.fl_str_mv |
https://repositorio.unal.edu.co/bitstream/unal/50760/1/46660-226472-1-SM.pdf https://repositorio.unal.edu.co/bitstream/unal/50760/2/46660-226472-1-SM.pdf.jpg |
bitstream.checksum.fl_str_mv |
f374f884a30120ddced2d24ed59f1e0d a4007acb2fdc3700a93813b74d65a3f3 |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 |
repository.name.fl_str_mv |
Repositorio Institucional Universidad Nacional de Colombia |
repository.mail.fl_str_mv |
repositorio_nal@unal.edu.co |
_version_ |
1814089364936851456 |