Visualidades del extractivismo: comentarios a propósito de tres obras de arte contemporáneo
ilustraciones, fotografías, graficas
- Autores:
-
Archila Cifuentes, Laura
- Tipo de recurso:
- Fecha de publicación:
- 2023
- Institución:
- Universidad Nacional de Colombia
- Repositorio:
- Universidad Nacional de Colombia
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unal.edu.co:unal/83978
- Palabra clave:
- 700 - Las artes, bellas artes y artes decorativas::707 - Educación, investigación, temas relacionados y artes decorativas
770 - Fotografía, arte computacional, cinematografía::777 - Cinematografía y videografía
Arte contemporaneo
Violencia
Contemporary art
Violence
Interseccional
Visualidad
Extractivismo
Colonialidad
Video
Arte latinoamericano contemporáneo
Intersectional
Visuality
Extractivism
Coloniality
Video
Contemporary Latin American Art
- Rights
- openAccess
- License
- Atribución-NoComercial-SinDerivadas 4.0 Internacional
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Visualidades del extractivismo: comentarios a propósito de tres obras de arte contemporáneo |
| dc.title.translated.eng.fl_str_mv |
Visualities of Extractivism: Comments on Three Contemporary Artworks |
| title |
Visualidades del extractivismo: comentarios a propósito de tres obras de arte contemporáneo |
| spellingShingle |
Visualidades del extractivismo: comentarios a propósito de tres obras de arte contemporáneo 700 - Las artes, bellas artes y artes decorativas::707 - Educación, investigación, temas relacionados y artes decorativas 770 - Fotografía, arte computacional, cinematografía::777 - Cinematografía y videografía Arte contemporaneo Violencia Contemporary art Violence Interseccional Visualidad Extractivismo Colonialidad Video Arte latinoamericano contemporáneo Intersectional Visuality Extractivism Coloniality Video Contemporary Latin American Art |
| title_short |
Visualidades del extractivismo: comentarios a propósito de tres obras de arte contemporáneo |
| title_full |
Visualidades del extractivismo: comentarios a propósito de tres obras de arte contemporáneo |
| title_fullStr |
Visualidades del extractivismo: comentarios a propósito de tres obras de arte contemporáneo |
| title_full_unstemmed |
Visualidades del extractivismo: comentarios a propósito de tres obras de arte contemporáneo |
| title_sort |
Visualidades del extractivismo: comentarios a propósito de tres obras de arte contemporáneo |
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Archila Cifuentes, Laura |
| dc.contributor.advisor.none.fl_str_mv |
García Maidana, María Soledad |
| dc.contributor.author.none.fl_str_mv |
Archila Cifuentes, Laura |
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Mónada. Historiografía E Historias del Arte, de la Música y Dispositivos de Divulgación Cultural en Colombia y América latina. |
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https://orcid.org/0009-0005-5167-2637 |
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https://scienti.minciencias.gov.co/cvlac/visualizador/generarCurriculoCv.do?cod_rh=0001847706 |
| dc.contributor.researchgate.spa.fl_str_mv |
https://www.researchgate.net/profile/Laura-Archila-Cifuentes |
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700 - Las artes, bellas artes y artes decorativas::707 - Educación, investigación, temas relacionados y artes decorativas 770 - Fotografía, arte computacional, cinematografía::777 - Cinematografía y videografía |
| topic |
700 - Las artes, bellas artes y artes decorativas::707 - Educación, investigación, temas relacionados y artes decorativas 770 - Fotografía, arte computacional, cinematografía::777 - Cinematografía y videografía Arte contemporaneo Violencia Contemporary art Violence Interseccional Visualidad Extractivismo Colonialidad Video Arte latinoamericano contemporáneo Intersectional Visuality Extractivism Coloniality Video Contemporary Latin American Art |
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Arte contemporaneo Violencia |
| dc.subject.lemb.eng.fl_str_mv |
Contemporary art Violence |
| dc.subject.proposal.spa.fl_str_mv |
Interseccional Visualidad Extractivismo Colonialidad Video Arte latinoamericano contemporáneo |
| dc.subject.proposal.eng.fl_str_mv |
Intersectional Visuality Extractivism Coloniality Video Contemporary Latin American Art |
| description |
ilustraciones, fotografías, graficas |
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2023 |
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2023-06-06T20:01:22Z |
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2023-06-06T20:01:22Z |
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2023 |
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Trabajo de grado - Maestría |
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info:eu-repo/semantics/masterThesis |
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Universidad Nacional de Colombia |
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Repositorio Institucional Universidad Nacional de Colombia |
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https://repositorio.unal.edu.co/ |
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https://repositorio.unal.edu.co/handle/unal/83978 https://repositorio.unal.edu.co/ |
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Contemporary Art and the Politics of Ecology, Third Text, 27:1, 1-9, DOI: 10.1080/09528822.2013.753187 Demos, T. J. (2016). Decolonizing nature: Contemporary art and the politics of ecology. Sternberg Press. Demos, T. J. (2017). Against the anthropocene. Visual Culture and Environment Today. Sternberg Press. Demos, T. J. (2020). Beyond the world's end: arts of living at the crossing. Duke University Press. Demos, T. J., Scott, E. E., & Banerjee, S. (Eds.). (2021). The Routledge Companion to Contemporary Art, Visual Culture, and Climate Change. Routledge. Emmelhainz, I. (2015). Images do not show: The desire to see in the Anthropocene. En Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies, p. 131-142. Open Humanities Press. Fowkes, M., & Fowkes, R. (2022). Art and Climate Change (World of Art). Thames & Hudson. Garzón, S. (2019, December). Manuel Amaru Cholango: Decolonizing Technologies and the Construction of Indigenous Futures. In Arts (Vol. 8, No. 4, p. 163). MDPI. Hernández, M. I. V. P. (2012). Reconstrucción del emplazamiento de los cuadros realizados por Francisco de Goya para la Casa de campo de la condesa duquesa de Benavente. AXA. Una revista de Arte y Arquitectura, 4, 26. Jagodzinski, J. (Ed). (2018). Interrogating the Anthropocene: ecology, aesthetics, pedagogy, and the future in question. University of Alberta. Koepnick, L. P. (1993). Colonial Forestry: Sylvan Politics in Werner Herzog's Aguirre and Fitzcarraldo. New German Critique, (60), p. 133-159. Lozano, A. M. (2017). Humanos/no humanos: Reflexiones sobre el fin de la excepción humana. Fundación Gilberto Alzate Avendaño. Lozano, A. (2017). Los derechos de los vivientes. Revista de artes visuales Errata, (nº18), p.26-52. Sánchez, J. Á. H., & Truan, J. C. F. (2021). Actividades lúdicas y festivas en la España de Goya del siglo XVIII. Esporte e Sociedade, (05). Schneider, B. (2021). Sublime Aesthetics in the Era of Climate Crisis?: A Critique. En The Routledge Companion to Contemporary Art, Visual Culture, and Climate Change, p. 263-273. Routledge. Dussel, E. (1994). Encubrimiento Del Otro. Hacia el origen del “mito de la Modernidad”. Plural editores. Eribo, E y Phillips, R. (2016, Diciembre). Slave Ships: Human Commodities, Floating Dungeons and Chimeral Manifestations. The Funambulist, 5. https://thefunambulist.net/magazine/05-design-racism/slave-ships-human-commodities-floating-dungeons-chimeral-manifestations-eze-imade-eribo-rasheedah-phillips Glissant, É. (2010). Poetics of relation. University of Michigan Press. Kagan, R. L. (2000). Urban Images of the Hispanic World, 1493–1793 Yale University Press. Mignolo, W. D., & Escobar, A. (Eds.). (2013). Globalization and the decolonial option. Routledge. Quijano, A. (2000). Colonialidad del poder, eurocentrismo y América Latina. Saldarriaga, P. (2018). Globus cruciger: Spheres and Empires in the Hispanic Enlightenment. Eighteenth Century, 59 (2), 183-199. Mies, M. (2019). Patriarcado y acumulación a escala mundial. Traficantes de sueños. Plumwood, V. (2002). Feminism and the Mastery of Nature. Routledge. Roth, J. (2013). Entangled inequalities as intersectionalities: Towards an epistemic sensibilization. Shiva, V., & Mies, M. (2014). Ecofeminism. Bloomsbury Publishing. Warren, K. (2000). Ecofeminist philosophy: A western perspective on what it is and why it matters. Rowman & Littlefield. Albrecht, G. A. (2019). Earth emotions: New words for a new world. Cornell University Press. Boetzkes, A. (2019). Plastic capitalism: Contemporary art and the drive to waste. Mit Press. LeMenager, S. (2012). The Aesthetics of Petroleum, after Oil!. American Literary History, 24(1), 59-86. LeMenager, S. (2014). Living oil: Petroleum culture in the American century. Oxford University Press. Lertzman, R. (2015). Environmental melancholia: Psychoanalytic dimensions of engagement. Routledge. Weintrobe, S. (2021). 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Accumulation: the material politics of plastic, p.17-29. Routledge, Oxon. Buscher, B., y Fletcher, R. (2020). The conservation revolution: radical ideas for saving nature beyond the Anthropocene. Verso Books. de La Bellacasa, M. P. (2017). Matters of care: Speculative ethics in more than human worlds. University of Minnesota Press. Gabrys, J., Hawkins, G., & Michael, M. (Eds.). (2013). Accumulation: The material politics of plastic. Routledge. Göbel, B., Góngora-Mera, M., & Ulloa, A. (2014). Las interdependencias entre la valorización global de la naturaleza y las desigualdades sociales: abordajes multidisciplinarios. Desigualdades socioambientales en América Latina, p.13-46. Haraway, D., Ishikawa, N., Gilbert, S. F., Olwig, K., Tsing, A. L., & Bubandt, N. (2015). Anthropologists are talking–about the Anthropocene. Ethnos, 81(3), p.535-564. Haraway, D. J. (2016). Staying with the trouble: Making kin in the Chthulucene. Duke University Press. Hickel, J. (2020). 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Oil, plastic and the distribution of violence. In Accumulation, p. 185-197. Routledge. Moore, J. (2015). Capitalism in the Web of Life: Ecology and the Accumulation of Capital. Verso Books. Moore, J. W. (Ed.). (2016). Anthropocene or capitalocene?: Nature, history, and the crisis of capitalism. Pm Press. Nixon, R. (2011). Slow Violence and the Environmentalism of the Poor. Harvard University Press. Oliver, K. (2015). Earth and world: Philosophy after the Apollo missions. Columbia University Press. Robbins, P. (2019). Political ecology: A critical introduction. John Wiley & Sons. Serres, M. (2019). Hominescence. Bloomsbury Academic. Borkowska, E. (1997). The meridian as a scopic regime of modernity. The European Legacy, 2 (4), p.764-769. Crary, J. (2001). Suspensions of perception: Attention, spectacle, and modern culture. Mit Press. Cosgrove, D. E. (2001). Apollo's eye: a cartographic genealogy of the earth in the western imagination. JHU Press. Kenaan, H. (2013). The ethics of visuality: Levinas and the contemporary gaze. Bloomsbury Publishing. Mirzoeff, N. (2011). The Right to Look: a counterhistory of visuality . Duke University Press. Mirzoeff, N. (2014). Visualizing the anthropocene. Public Culture, 26 (2), p.213-232. Mirzoeff, N. (2016). How to see the world: an introduction to images, from self-portraits to selfies, maps to movies, and more. Hachette UK. Mitchell, W. J. T. (2015). Image science: iconology, visual culture, and media aesthetics. University of Chicago Press. Oberhummer, E. (1924). The history of globes: a review. Balseca, A. (2019). Estela Blanca. Index, revista de arte contemporáneo, (7), p.145-162. Biemann, U., & Tavares, P. (2020). Law Forest-Foresta Giuridica. Milano, nottetempo. Huertas Millan, L. (2017). Eclats et absences. Fictions ethnographiques [Tesis doctoral, Paris Sciences et Lettres (ComUE)]. de la Condamine, C. M., & Soubise, M. (2021). Voyages en Amérique. Les Belles Lettres. de Léry, J. (1998). Le Nouveau Monde: Histoire d’un voyage fait en la terre du Brésil par Jean de Léry/Éd. C. Trotot. Paris: Flammarion. Díaz del Castillo, B. (2011). Historia verdadera de la conquista de la Nueva España. Lozano, E. (2013). Diccionario de la mitología griega y romana. Intermedio Editores SAS. Maderuelo, R. D. (1987). Francisco de Orellana: Rafael Díaz Maderuelo. Historia 16. Staden, H. (2015). Nus, féroces et anthropophages. Métailié. Terrall, M. (2006). The man who flattened the Earth: Maupertuis and the sciences in the Enlightenment. The University of Chicago Press. Anderson, M. (9 de febrero de 2011). Chevron Adds Insult to Injury in the Amazon. Amazon Watch. https://amazonwatch.org/news/2011/0211-chevron-adds-insult-to-injury-in-the-amazon Ayala, E. (9 de julio de 2022). ‘El Oriente es un mito’. Primicia. https://www.primicias.ec/noticias/firmas/oriente-mito-galo-plaza-ecuador-frases-historia/?utm_source=facebook&utm_medium=post-link Khatchadourian, R. (2011). The Gulf War: Were there any heroes in the BP oil disaster? The New Yorker. https://www.newyorker.com/magazine/2011/03/14/the-gulf-war Llorente, A. (5 de noviembre de 2018). Qué significa "¡esto es Jauja!" y por qué se decía que el paraíso estaba en Perú. BBC News Mundo. https://www.bbc.com/mundo/noticias-america-latina-46052264 Sweet, J. (Septiembre-octubre de 2019). It’s a Small World. Harvard Magazine. https://www.harvardmagazine.com/2019/09/ebenezer-storer-pocket-globe Archivo municipal de Lille: https://archives.lille.fr/ark:/74900/a011598863703WJXnzg/from/a011598863703VLtG1F Archivo visual amazónico: https://archivovisualamazonico.org/archivos/clinica-ambiental-ec/ Fundación Goya en Aragón: https://fundaciongoyaenaragon.es/obra/la-cucana/510#bibliografia Fundación Han Nefkens: https://www.hnfoundation.com/adrian-balseca Galería Nacional del Retrato de Reino Unido: https://www.npg.org.uk/collections/search/portrait/mw02070/Queen-Elizabeth-I Museo de Boijmans: https://www.boijmans.nl/en/collection/artworks/2989/portrait-of-jan-van-amstel-and-his-wife-anna-boxhoorn Museo Metropolitano de Nueva York: https://www.metmuseum.org/art/collection/search/436243 Museo Whipple de la historia de la ciencia: https://www.whipplemuseum.cam.ac.uk/explore-whipple-collections/globes/portable-umbrella-globe Página web de Edward Burtynsky: https://www.edwardburtynsky.com/ Página web de Laura Huertas Millán: https://www.laurahuertasmillan.com/ Página web de Louis Helbig: https://beautifuldestruction.ca/ Página web de Sofía Acosta: https://www.lasuerte.art/obra/el-oriente-es-un-mito Página web de Swaantje Güentzel: http://www.swaantje-guentzel.de/#/discounter-still-life Página de Vimeo de Adrián Balseca: https://vimeo.com/355378120 Medio de divulgación de arte contemporáneo latinoamericano: http://relievecontemporaneo.com/plantasia-oil-co/ Página web de la ciudad de Lille: https://www.lille.fr/Nos-equipements/Le-jardin-des-Plantes Página web de la Nasa: https://www.nasa.gov/content/blue-marble-image-of-the-earth-from-apollo-17 Reportaje sobre el primer barril de petróleo en Ecuador: https://www.youtube.com/watch?v=6j4uxEppUDY&ab_channel=CinematecaNacionaldelEcuador Reportaje sobre el primer barril de petróleo en Ecuador: https://www.youtube.com/watch?v=6Ydam6r7--4&ab_channel=MemoriaEcuador Revista Index: http://revistaindex.net/index.php/cav/article/view/246 |
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Atribución-NoComercial-SinDerivadas 4.0 Internacionalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2García Maidana, María Soledad3d0c0ce13ab5ad15d013d9cfd72ca2c8Archila Cifuentes, Laura5799bf48f2277b2aeb0c2169ff0e5454Mónada. Historiografía E Historias del Arte, de la Música y Dispositivos de Divulgación Cultural en Colombia y América latina.https://orcid.org/0009-0005-5167-2637https://scienti.minciencias.gov.co/cvlac/visualizador/generarCurriculoCv.do?cod_rh=0001847706https://www.researchgate.net/profile/Laura-Archila-Cifuentes2023-06-06T20:01:22Z2023-06-06T20:01:22Z2023https://repositorio.unal.edu.co/handle/unal/83978Universidad Nacional de ColombiaRepositorio Institucional Universidad Nacional de Colombiahttps://repositorio.unal.edu.co/ilustraciones, fotografías, graficasEsta investigación se interesa por la interacción entre imagen, territorio y extractivismo en tres obras audiovisuales de arte contemporáneo latinoamericano: Viaje a una tierra otrora contada (2011) de Laura Huertas Millán, Suspensión I (2019) de Adrián Balseca, y El Oriente es un mito. Capítulo 01: Petróleo (2021) de Sofía Acosta. A partir de una aproximación interseccional el trabajo teje un diálogo entre la ecología política, los estudios decoloniales y visuales. Las tres obras permiten ahondar en diferentes formas de la violencia y la colonialidad, así como articular una serie de anotaciones en torno a la elaboración de visualidades del extractivismo desde el arte. Las visualidades del extractivismo se caracterizan, entre otras, por una visión sin suelo, la conversión del otro en recurso, y la hipervisibilización de ciertas imágenes. Estas visualidades encarnan manifestaciones estéticas, materiales y del pensamiento, que afectan cuerpos humanos y no humanos (texto tomado de la fuente)This research focuses on the interaction between image, territory, and extractivism in three Latin American contemporary audiovisual artworks: "Viaje a una tierra otrora contada" (2011) by Laura Huertas Millán, "Suspensión I" (2019) by Adrián Balseca, and "El Oriente es un mito. Capítulo 01: Petróleo" (2021) by Sofía Acosta. Through an intersectional approach, this study establishes a dialogue between political ecology, decolonial and visual studies. The three artworks enable a deeper exploration of various manifestations of violence and coloniality while also providing insights into the construction of visualities of extractivism through art. The visualities of extractivism are characterized, among other things, by a non grounded vision, the transformation of the Other into a resource, and the hyper-visibility of some images. These visualities embody aesthetic, material, and conceptual expressions that impact both human and non-human bodies.MaestríaMagíster en Historia y Teoría del Arte, la Arquitectura y la CiudadHistoria, Teoría y Crítica del Arte105 páginasapplication/pdfspaUniversidad Nacional de ColombiaBogotá - Artes - Maestría en Historia y Teoría del Arte, la Arquitectura y la CiudadFacultad de ArtesBogotá,ColombiaUniversidad Nacional de Colombia - Sede Bogotá700 - Las artes, bellas artes y artes decorativas::707 - Educación, investigación, temas relacionados y artes decorativas770 - Fotografía, arte computacional, cinematografía::777 - Cinematografía y videografíaArte contemporaneoViolenciaContemporary artViolenceInterseccionalVisualidadExtractivismoColonialidadVideoArte latinoamericano contemporáneoIntersectionalVisualityExtractivismColonialityVideoContemporary Latin American ArtVisualidades del extractivismo: comentarios a propósito de tres obras de arte contemporáneoVisualities of Extractivism: Comments on Three Contemporary ArtworksTrabajo de grado - Maestríainfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/acceptedVersionTexthttp://purl.org/redcol/resource_type/TMHall, J. 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Huertas Millán: https://www.laurahuertasmillan.com/Página web de Louis Helbig: https://beautifuldestruction.ca/Página web de Sofía Acosta: https://www.lasuerte.art/obra/el-oriente-es-un-mitoPágina web de Swaantje Güentzel: http://www.swaantje-guentzel.de/#/discounter-still-lifePágina de Vimeo de Adrián Balseca: https://vimeo.com/355378120Medio de divulgación de arte contemporáneo latinoamericano: http://relievecontemporaneo.com/plantasia-oil-co/Página web de la ciudad de Lille: https://www.lille.fr/Nos-equipements/Le-jardin-des-PlantesPágina web de la Nasa: https://www.nasa.gov/content/blue-marble-image-of-the-earth-from-apollo-17Reportaje sobre el primer barril de petróleo en Ecuador: https://www.youtube.com/watch?v=6j4uxEppUDY&ab_channel=CinematecaNacionaldelEcuadorReportaje sobre el primer barril de petróleo en Ecuador: https://www.youtube.com/watch?v=6Ydam6r7--4&ab_channel=MemoriaEcuadorRevista Index: http://revistaindex.net/index.php/cav/article/view/246Público generalORIGINAL1049652002.2023.pdf1049652002.2023.pdfTesis de Maestría en Historia y Teoría del Arteapplication/pdf48425388https://repositorio.unal.edu.co/bitstream/unal/83978/2/1049652002.2023.pdfb2220a71a6c98cad9ee4d84b7485005aMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-85879https://repositorio.unal.edu.co/bitstream/unal/83978/1/license.txteb34b1cf90b7e1103fc9dfd26be24b4aMD51THUMBNAIL1049652002.2023.pdf.jpg1049652002.2023.pdf.jpgGenerated Thumbnailimage/jpeg3678https://repositorio.unal.edu.co/bitstream/unal/83978/3/1049652002.2023.pdf.jpg1619516db7de8dfb4f1a396c63419d89MD53unal/83978oai:repositorio.unal.edu.co:unal/839782023-08-07 23:04:29.08Repositorio Institucional Universidad Nacional de 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