Art and politics in colombia (from the mid 70s to the early 80s)
Colombia´s special situation in the 70s decade fed aninterest for testimonial themes in the works of graphicartists. As the use of traditional recourses such as drawing,etching and painting evolved, the questioning of explicitcontents gained space and other approaches were proposedwhich fragmented s...
- Autores:
-
Pini, Ivonne
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2005
- Institución:
- Universidad Nacional de Colombia
- Repositorio:
- Universidad Nacional de Colombia
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unal.edu.co:unal/49905
- Acceso en línea:
- https://repositorio.unal.edu.co/handle/unal/49905
http://bdigital.unal.edu.co/43433/
- Palabra clave:
- Ivonne Pini
arte colombiano
arte y política
conceptualismo.
Ivonne Pini
Colombian art
art and politics
conceptualism.
- Rights
- openAccess
- License
- Atribución-NoComercial 4.0 Internacional
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Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Pini, Ivonneb92cf427-2a46-416c-9a9e-1f7883891b873002019-06-29T09:29:55Z2019-06-29T09:29:55Z2005https://repositorio.unal.edu.co/handle/unal/49905http://bdigital.unal.edu.co/43433/Colombia´s special situation in the 70s decade fed aninterest for testimonial themes in the works of graphicartists. As the use of traditional recourses such as drawing,etching and painting evolved, the questioning of explicitcontents gained space and other approaches were proposedwhich fragmented strictly testimonial referencesas well as promoted the use of new conceptual andtechnical resources. Thus the notion of ideological conceptualismbegan to consolidate, and works not onlymoved in private or imagined spaces, but were also determinedby the relation that the artist established withhis or her social and political atmosphere.La particular situación colombiana en la década del setentaincrementó el interés de los artistas en una temática testimonial que tuvo especial desarrollo en la gráfica. En paralelo al uso de recursos tradicionales como grabado, dibujo y pintura fue ganando espacio el cuestionamiento a los contenidos demasiado explícitos, proponiendo otras opciones de abordaje que quebraban la referencia estrictamente testimonial, y promovían el uso de nuevos recursos conceptuales y técnicos. La noción de “conceptualismo ideológico” se fue consolidando, y las obras no se movían sólo en el ámbito privado o imaginario del artista, sino que estaban determinadas por la relación que éste establecía con su entorno social y político.application/pdfspaRevista Ensayos: Historia y teoría del artehttp://revistas.unal.edu.co/index.php/ensayo/article/view/44974Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arteEnsayos: Historia y teoría del arteEnsayos: Historia y Teoría del Arte; núm. 10 (2005); 179-212 Revista Ensayos: Historia y teoría del arte; núm. 10 (2005); 179-212Pini, Ivonne (2005) Art and politics in colombia (from the mid 70s to the early 80s). Ensayos: Historia y Teoría del Arte; núm. 10 (2005); 179-212 Revista Ensayos: Historia y teoría del arte; núm. 10 (2005); 179-212 .Art and politics in colombia (from the mid 70s to the early 80s)Artículo de revistainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/ARTIvonne Piniarte colombianoarte y políticaconceptualismo.Ivonne PiniColombian artart and politicsconceptualism.ORIGINAL44974-215619-1-SM.pdfapplication/pdf1445720https://repositorio.unal.edu.co/bitstream/unal/49905/1/44974-215619-1-SM.pdfa8c7dd47d1474dcfa9c2caac0ef1f973MD51THUMBNAIL44974-215619-1-SM.pdf.jpg44974-215619-1-SM.pdf.jpgGenerated Thumbnailimage/jpeg4504https://repositorio.unal.edu.co/bitstream/unal/49905/2/44974-215619-1-SM.pdf.jpg5bee900f8a6c393c5285e345a67622cbMD52unal/49905oai:repositorio.unal.edu.co:unal/499052022-12-17 23:04:53.983Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co |
| dc.title.spa.fl_str_mv |
Art and politics in colombia (from the mid 70s to the early 80s) |
| title |
Art and politics in colombia (from the mid 70s to the early 80s) |
| spellingShingle |
Art and politics in colombia (from the mid 70s to the early 80s) Ivonne Pini arte colombiano arte y política conceptualismo. Ivonne Pini Colombian art art and politics conceptualism. |
| title_short |
Art and politics in colombia (from the mid 70s to the early 80s) |
| title_full |
Art and politics in colombia (from the mid 70s to the early 80s) |
| title_fullStr |
Art and politics in colombia (from the mid 70s to the early 80s) |
| title_full_unstemmed |
Art and politics in colombia (from the mid 70s to the early 80s) |
| title_sort |
Art and politics in colombia (from the mid 70s to the early 80s) |
| dc.creator.fl_str_mv |
Pini, Ivonne |
| dc.contributor.author.spa.fl_str_mv |
Pini, Ivonne |
| dc.subject.proposal.spa.fl_str_mv |
Ivonne Pini arte colombiano arte y política conceptualismo. Ivonne Pini Colombian art art and politics conceptualism. |
| topic |
Ivonne Pini arte colombiano arte y política conceptualismo. Ivonne Pini Colombian art art and politics conceptualism. |
| description |
Colombia´s special situation in the 70s decade fed aninterest for testimonial themes in the works of graphicartists. As the use of traditional recourses such as drawing,etching and painting evolved, the questioning of explicitcontents gained space and other approaches were proposedwhich fragmented strictly testimonial referencesas well as promoted the use of new conceptual andtechnical resources. Thus the notion of ideological conceptualismbegan to consolidate, and works not onlymoved in private or imagined spaces, but were also determinedby the relation that the artist established withhis or her social and political atmosphere. |
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2005 |
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2005 |
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2019-06-29T09:29:55Z |
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2019-06-29T09:29:55Z |
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Artículo de revista |
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http://purl.org/coar/resource_type/c_2df8fbb1 |
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info:eu-repo/semantics/article |
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Text |
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http://purl.org/redcol/resource_type/ART |
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http://purl.org/coar/resource_type/c_6501 |
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publishedVersion |
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https://repositorio.unal.edu.co/handle/unal/49905 |
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http://bdigital.unal.edu.co/43433/ |
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https://repositorio.unal.edu.co/handle/unal/49905 http://bdigital.unal.edu.co/43433/ |
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spa |
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spa |
| dc.relation.spa.fl_str_mv |
http://revistas.unal.edu.co/index.php/ensayo/article/view/44974 |
| dc.relation.ispartof.spa.fl_str_mv |
Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arte Ensayos: Historia y teoría del arte |
| dc.relation.ispartofseries.none.fl_str_mv |
Ensayos: Historia y Teoría del Arte; núm. 10 (2005); 179-212 Revista Ensayos: Historia y teoría del arte; núm. 10 (2005); 179-212 |
| dc.relation.references.spa.fl_str_mv |
Pini, Ivonne (2005) Art and politics in colombia (from the mid 70s to the early 80s). Ensayos: Historia y Teoría del Arte; núm. 10 (2005); 179-212 Revista Ensayos: Historia y teoría del arte; núm. 10 (2005); 179-212 . |
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Derechos reservados - Universidad Nacional de Colombia |
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Atribución-NoComercial 4.0 Internacional |
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http://creativecommons.org/licenses/by-nc/4.0/ |
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info:eu-repo/semantics/openAccess |
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Atribución-NoComercial 4.0 Internacional Derechos reservados - Universidad Nacional de Colombia http://creativecommons.org/licenses/by-nc/4.0/ http://purl.org/coar/access_right/c_abf2 |
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Revista Ensayos: Historia y teoría del arte |
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