Colombian traditional music and its basic structures: afro- colombian music (part i)
The main objective of this article is to introduce the basicelements of the musical structures of traditional Colombianmusic of African origin. It is divided in two sections.The first one is dedicated to a brief historical review ofits research tradition and of the methodological andanalytical frame...
- Autores:
-
Bermudez, Egberto
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2005
- Institución:
- Universidad Nacional de Colombia
- Repositorio:
- Universidad Nacional de Colombia
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unal.edu.co:unal/49906
- Acceso en línea:
- https://repositorio.unal.edu.co/handle/unal/49906
http://bdigital.unal.edu.co/43434/
- Palabra clave:
- Egberto Bermúdez
Música colombiana
Caribe
cumbia
porro
gaita
ritmo
melodía
vallenato
Egberto Bermúdez
Colombian music
Caribbean
cumbia
porro
gaita
rhythm
melody
vallenato.
- Rights
- openAccess
- License
- Atribución-NoComercial 4.0 Internacional
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Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Bermudez, Egbertoacf358d1-267a-49e2-9a91-fe114252a5bd3002019-06-29T09:30:00Z2019-06-29T09:30:00Z2005https://repositorio.unal.edu.co/handle/unal/49906http://bdigital.unal.edu.co/43434/The main objective of this article is to introduce the basicelements of the musical structures of traditional Colombianmusic of African origin. It is divided in two sections.The first one is dedicated to a brief historical review ofits research tradition and of the methodological andanalytical framework of the study. In the second one themusical structures will be discussed in the Colombianand Afro-Latin American contexts. Moreover, this textis part of a larger project which eventually will deal withother Colombian musical styles as documented duringthe last quarter of the 20th century.Este estudio tiene como principal objetivo presentar los elementos básicos de las estructuras de la música tradicional colombiana de origen africano y está dividido en dos secciones. En la primera se hace un recuento histórico de su tradición investigativa y de las premisas metodológicas y analíticas del estudio. En la segunda se estudian directamente estas estructuras musicales en el contexto colombiano y afrolatinoamericano. Constituye, además, parte de un trabajo más amplio que incluirá finalmente un análisis de las estructuras de otros estilos musicales colombianos tal como se documentaron durante el último cuarto del siglo XX.application/pdfspaRevista Ensayos: Historia y teoría del artehttp://revistas.unal.edu.co/index.php/ensayo/article/view/44979Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arteEnsayos: Historia y teoría del arteEnsayos: Historia y Teoría del Arte; núm. 10 (2005); 215-239 Revista Ensayos: Historia y teoría del arte; núm. 10 (2005); 215-239Bermudez, Egberto (2005) Colombian traditional music and its basic structures: afro- colombian music (part i). Ensayos: Historia y Teoría del Arte; núm. 10 (2005); 215-239 Revista Ensayos: Historia y teoría del arte; núm. 10 (2005); 215-239 .Colombian traditional music and its basic structures: afro- colombian music (part i)Artículo de revistainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/ARTEgberto BermúdezMúsica colombianaCaribecumbiaporrogaitaritmomelodíavallenatoEgberto BermúdezColombian musicCaribbeancumbiaporrogaitarhythmmelodyvallenato.ORIGINAL44979-215653-1-SM.pdfapplication/pdf153810https://repositorio.unal.edu.co/bitstream/unal/49906/1/44979-215653-1-SM.pdf7dd6743894389a13cedbd4bd10add155MD51THUMBNAIL44979-215653-1-SM.pdf.jpg44979-215653-1-SM.pdf.jpgGenerated Thumbnailimage/jpeg4494https://repositorio.unal.edu.co/bitstream/unal/49906/2/44979-215653-1-SM.pdf.jpg1691c498d820c6c7e1662bd835487517MD52unal/49906oai:repositorio.unal.edu.co:unal/499062023-12-12 23:07:07.898Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co |
| dc.title.spa.fl_str_mv |
Colombian traditional music and its basic structures: afro- colombian music (part i) |
| title |
Colombian traditional music and its basic structures: afro- colombian music (part i) |
| spellingShingle |
Colombian traditional music and its basic structures: afro- colombian music (part i) Egberto Bermúdez Música colombiana Caribe cumbia porro gaita ritmo melodía vallenato Egberto Bermúdez Colombian music Caribbean cumbia porro gaita rhythm melody vallenato. |
| title_short |
Colombian traditional music and its basic structures: afro- colombian music (part i) |
| title_full |
Colombian traditional music and its basic structures: afro- colombian music (part i) |
| title_fullStr |
Colombian traditional music and its basic structures: afro- colombian music (part i) |
| title_full_unstemmed |
Colombian traditional music and its basic structures: afro- colombian music (part i) |
| title_sort |
Colombian traditional music and its basic structures: afro- colombian music (part i) |
| dc.creator.fl_str_mv |
Bermudez, Egberto |
| dc.contributor.author.spa.fl_str_mv |
Bermudez, Egberto |
| dc.subject.proposal.spa.fl_str_mv |
Egberto Bermúdez Música colombiana Caribe cumbia porro gaita ritmo melodía vallenato Egberto Bermúdez Colombian music Caribbean cumbia porro gaita rhythm melody vallenato. |
| topic |
Egberto Bermúdez Música colombiana Caribe cumbia porro gaita ritmo melodía vallenato Egberto Bermúdez Colombian music Caribbean cumbia porro gaita rhythm melody vallenato. |
| description |
The main objective of this article is to introduce the basicelements of the musical structures of traditional Colombianmusic of African origin. It is divided in two sections.The first one is dedicated to a brief historical review ofits research tradition and of the methodological andanalytical framework of the study. In the second one themusical structures will be discussed in the Colombianand Afro-Latin American contexts. Moreover, this textis part of a larger project which eventually will deal withother Colombian musical styles as documented duringthe last quarter of the 20th century. |
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2005 |
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2005 |
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2019-06-29T09:30:00Z |
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2019-06-29T09:30:00Z |
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Artículo de revista |
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http://purl.org/coar/resource_type/c_2df8fbb1 |
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info:eu-repo/semantics/article |
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Text |
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publishedVersion |
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https://repositorio.unal.edu.co/handle/unal/49906 |
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http://bdigital.unal.edu.co/43434/ |
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https://repositorio.unal.edu.co/handle/unal/49906 http://bdigital.unal.edu.co/43434/ |
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spa |
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spa |
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http://revistas.unal.edu.co/index.php/ensayo/article/view/44979 |
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Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arte Ensayos: Historia y teoría del arte |
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Ensayos: Historia y Teoría del Arte; núm. 10 (2005); 215-239 Revista Ensayos: Historia y teoría del arte; núm. 10 (2005); 215-239 |
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Bermudez, Egberto (2005) Colombian traditional music and its basic structures: afro- colombian music (part i). Ensayos: Historia y Teoría del Arte; núm. 10 (2005); 215-239 Revista Ensayos: Historia y teoría del arte; núm. 10 (2005); 215-239 . |
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Atribución-NoComercial 4.0 Internacional |
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