Juan antonio roda and "emotional authenticity"

In 1986 Antonio Roda returned to abstract painting after a long stretch of time as an engraver, a time in which he achieved important figurative works. This return to  painting reveals a romantic attitude that has always been present in his work: an "emotional authenticity" related to the...

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Autores:
Rodríguez, Marta
Tipo de recurso:
Article of journal
Fecha de publicación:
2004
Institución:
Universidad Nacional de Colombia
Repositorio:
Universidad Nacional de Colombia
Idioma:
spa
OAI Identifier:
oai:repositorio.unal.edu.co:unal/50659
Acceso en línea:
https://repositorio.unal.edu.co/handle/unal/50659
http://bdigital.unal.edu.co/44660/
Palabra clave:
Marta Rodriguez
Roda
Colombian art
Colombian painters
art and emotion
Marta Rodríguez. Roda
arte colombiano
pintores colombianos
arte y emotividad
Rights
closedAccess
License
Atribución-NoComercial 4.0 Internacional
id UNACIONAL2_2a5ae83fa3f95d86308871cc520f8cff
oai_identifier_str oai:repositorio.unal.edu.co:unal/50659
network_acronym_str UNACIONAL2
network_name_str Universidad Nacional de Colombia
repository_id_str
spelling Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/closedAccesshttp://purl.org/coar/access_right/c_14cbRodríguez, Martae23ff078-a030-47bc-98ed-3a80606ccf2e3002019-06-29T10:36:47Z2019-06-29T10:36:47Z2004https://repositorio.unal.edu.co/handle/unal/50659http://bdigital.unal.edu.co/44660/In 1986 Antonio Roda returned to abstract painting after a long stretch of time as an engraver, a time in which he achieved important figurative works. This return to  painting reveals a romantic attitude that has always been present in his work: an "emotional authenticity" related to the artist's honesty and sincerity. This quality, according to the romantics, is what validates a work of art and transforms it into the vital and personal experience of the artist. This purpose is explicit in Roda's work, an artist who, during his lifetime "intended to leave his fingerprint on that page that reads, Antonio Roda". Notwithstanding the great differences that exist between his engravings and his pictoric work it is possible to observe certain traits that are present in both forms of language and that permit the observation of this emotional authenticity that is translated into painting, with the spontaneous and emotional strok.es that are characteristic of his trade. The different stages of his work are analized under this perspective, many times using the artist 's own words.A partir de 1986 Antonio Roda retorna a la pintura abstracta después de una larga etapa como grabador, en la que realizó una importante obra figurativa. Este retomo a la pintura pone de manifiesto una actitud romántica que ha estado presente a lo largo de su obra: la "autenticidad emotiva" que se relaciona con la honestidad y la sinceridad del artista. Una cualidad que a juicio de los románticos es la que dota de "validez" a la obra de arte y la que convierte a la obra en la expresión de la experiencia vital y personal del artista, propósito que se hace explicito en la obra de Roda, quien "a lo largo de su quehacer se propuso de dejar una huella digital en esa página que dice Antonio Roda". A pesar de las grandes diferencias que median entre su obra gráfica y la pictórica, es posible observar ciertos rasgos que están presentes en sus dos formas de lenguaje y que permiten observar la presencia de esa autenticidad emotiva que se traduce, en el dibujo, en unos trazos espontáneos y emotivos que son característicos de su oficio. En esta perspectiva se analizan las distintas etapas de su trabajo recurriendo frecuentemente a las palabras del propio artista.spaEnsayos: Historia y teoría del artehttp://revistas.unal.edu.co/index.php/ensayo/article/view/46297Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arteEnsayos: Historia y teoría del arteEnsayos: Historia y Teoría del Arte; Vol. 9, núm. 9 (2004); 65-82 Ensayos: Historia y teoría del arte; Vol. 9, núm. 9 (2004); 65-82 1692-3502Rodríguez, Marta (2004) Juan antonio roda and "emotional authenticity". Ensayos: Historia y Teoría del Arte; Vol. 9, núm. 9 (2004); 65-82 Ensayos: Historia y teoría del arte; Vol. 9, núm. 9 (2004); 65-82 1692-3502 .Juan antonio roda and "emotional authenticity"Artículo de revistainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/ARTMarta RodriguezRodaColombian artColombian paintersart and emotionMarta Rodríguez. Rodaarte colombianopintores colombianosarte y emotividadunal/50659oai:repositorio.unal.edu.co:unal/506592021-04-21 16:21:11.229Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co
dc.title.spa.fl_str_mv Juan antonio roda and "emotional authenticity"
title Juan antonio roda and "emotional authenticity"
spellingShingle Juan antonio roda and "emotional authenticity"
Marta Rodriguez
Roda
Colombian art
Colombian painters
art and emotion
Marta Rodríguez. Roda
arte colombiano
pintores colombianos
arte y emotividad
title_short Juan antonio roda and "emotional authenticity"
title_full Juan antonio roda and "emotional authenticity"
title_fullStr Juan antonio roda and "emotional authenticity"
title_full_unstemmed Juan antonio roda and "emotional authenticity"
title_sort Juan antonio roda and "emotional authenticity"
dc.creator.fl_str_mv Rodríguez, Marta
dc.contributor.author.spa.fl_str_mv Rodríguez, Marta
dc.subject.proposal.spa.fl_str_mv Marta Rodriguez
Roda
Colombian art
Colombian painters
art and emotion
Marta Rodríguez. Roda
arte colombiano
pintores colombianos
arte y emotividad
topic Marta Rodriguez
Roda
Colombian art
Colombian painters
art and emotion
Marta Rodríguez. Roda
arte colombiano
pintores colombianos
arte y emotividad
description In 1986 Antonio Roda returned to abstract painting after a long stretch of time as an engraver, a time in which he achieved important figurative works. This return to  painting reveals a romantic attitude that has always been present in his work: an "emotional authenticity" related to the artist's honesty and sincerity. This quality, according to the romantics, is what validates a work of art and transforms it into the vital and personal experience of the artist. This purpose is explicit in Roda's work, an artist who, during his lifetime "intended to leave his fingerprint on that page that reads, Antonio Roda". Notwithstanding the great differences that exist between his engravings and his pictoric work it is possible to observe certain traits that are present in both forms of language and that permit the observation of this emotional authenticity that is translated into painting, with the spontaneous and emotional strok.es that are characteristic of his trade. The different stages of his work are analized under this perspective, many times using the artist 's own words.
publishDate 2004
dc.date.issued.spa.fl_str_mv 2004
dc.date.accessioned.spa.fl_str_mv 2019-06-29T10:36:47Z
dc.date.available.spa.fl_str_mv 2019-06-29T10:36:47Z
dc.type.spa.fl_str_mv Artículo de revista
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.driver.spa.fl_str_mv info:eu-repo/semantics/article
dc.type.version.spa.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6501
dc.type.coarversion.spa.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.content.spa.fl_str_mv Text
dc.type.redcol.spa.fl_str_mv http://purl.org/redcol/resource_type/ART
format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.uri.none.fl_str_mv https://repositorio.unal.edu.co/handle/unal/50659
dc.identifier.eprints.spa.fl_str_mv http://bdigital.unal.edu.co/44660/
url https://repositorio.unal.edu.co/handle/unal/50659
http://bdigital.unal.edu.co/44660/
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.spa.fl_str_mv http://revistas.unal.edu.co/index.php/ensayo/article/view/46297
dc.relation.ispartof.spa.fl_str_mv Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arte
Ensayos: Historia y teoría del arte
dc.relation.ispartofseries.none.fl_str_mv Ensayos: Historia y Teoría del Arte; Vol. 9, núm. 9 (2004); 65-82 Ensayos: Historia y teoría del arte; Vol. 9, núm. 9 (2004); 65-82 1692-3502
dc.relation.references.spa.fl_str_mv Rodríguez, Marta (2004) Juan antonio roda and "emotional authenticity". Ensayos: Historia y Teoría del Arte; Vol. 9, núm. 9 (2004); 65-82 Ensayos: Historia y teoría del arte; Vol. 9, núm. 9 (2004); 65-82 1692-3502 .
dc.rights.spa.fl_str_mv Derechos reservados - Universidad Nacional de Colombia
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_14cb
dc.rights.license.spa.fl_str_mv Atribución-NoComercial 4.0 Internacional
dc.rights.uri.spa.fl_str_mv http://creativecommons.org/licenses/by-nc/4.0/
dc.rights.accessrights.spa.fl_str_mv info:eu-repo/semantics/closedAccess
rights_invalid_str_mv Atribución-NoComercial 4.0 Internacional
Derechos reservados - Universidad Nacional de Colombia
http://creativecommons.org/licenses/by-nc/4.0/
http://purl.org/coar/access_right/c_14cb
eu_rights_str_mv closedAccess
dc.publisher.spa.fl_str_mv Ensayos: Historia y teoría del arte
institution Universidad Nacional de Colombia
repository.name.fl_str_mv Repositorio Institucional Universidad Nacional de Colombia
repository.mail.fl_str_mv repositorio_nal@unal.edu.co
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