In this way it was begun to teach, to get the figure of what is known
Abel Rodriguez tells us how his painting is inscribed within the process of reactualization of the cosmic creation narrated in Nonuya oral history. Such a reactualization is carried out daily, beginning by the night-time teaching of the creator´s words and developing into the day through the labor a...
- Autores:
-
Rodríguez, Abel
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2014
- Institución:
- Universidad Nacional de Colombia
- Repositorio:
- Universidad Nacional de Colombia
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unal.edu.co:unal/51145
- Acceso en línea:
- https://repositorio.unal.edu.co/handle/unal/51145
http://bdigital.unal.edu.co/45217/
- Palabra clave:
- nonuya
Amazonía Colombiana
arte indígena contemporáneo
mitología amazónica
pintura
horticultura de tumba y quema
Nonuya
Colombian Amazonia
indigenous contemporary art
Amazonian mythology
painting
slash and burn horticulture
- Rights
- openAccess
- License
- Atribución-NoComercial 4.0 Internacional
| Summary: | Abel Rodriguez tells us how his painting is inscribed within the process of reactualization of the cosmic creation narrated in Nonuya oral history. Such a reactualization is carried out daily, beginning by the night-time teaching of the creator´s words and developing into the day through the labor and sweat of the people who transform those words into figures, giving them material existence by making gardens, houses and bodies of kin gathering at feasts. The paintings of Abel show different moments of these processes. |
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