Especies de compañía
ilustraciones, gráficas, fotografías
- Autores:
-
Dear, Romany
- Tipo de recurso:
- Fecha de publicación:
- 2021
- Institución:
- Universidad Nacional de Colombia
- Repositorio:
- Universidad Nacional de Colombia
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unal.edu.co:unal/80362
- Palabra clave:
- 700 - Las artes, bellas artes y artes decorativas
Artes
Artes vivas
Cuerpo
Cuidado
Consentimiento
Arts
Live arts
Care
Consent
Arte latinoamericano
Creación artística
Artes escénicas
Latin American art
Artistic creation
Performing arts
- Rights
- openAccess
- License
- Reconocimiento 4.0 Internacional
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dc.title.spa.fl_str_mv |
Especies de compañía |
dc.title.translated.eng.fl_str_mv |
Companion species |
title |
Especies de compañía |
spellingShingle |
Especies de compañía 700 - Las artes, bellas artes y artes decorativas Artes Artes vivas Cuerpo Cuidado Consentimiento Arts Live arts Care Consent Arte latinoamericano Creación artística Artes escénicas Latin American art Artistic creation Performing arts |
title_short |
Especies de compañía |
title_full |
Especies de compañía |
title_fullStr |
Especies de compañía |
title_full_unstemmed |
Especies de compañía |
title_sort |
Especies de compañía |
dc.creator.fl_str_mv |
Dear, Romany |
dc.contributor.advisor.none.fl_str_mv |
Marin, Alejandra Noriega, Zoitsa |
dc.contributor.author.none.fl_str_mv |
Dear, Romany |
dc.contributor.illustrator.none.fl_str_mv |
Betancurth, Juan |
dc.contributor.other.none.fl_str_mv |
Michel, Tik |
dc.subject.ddc.spa.fl_str_mv |
700 - Las artes, bellas artes y artes decorativas |
topic |
700 - Las artes, bellas artes y artes decorativas Artes Artes vivas Cuerpo Cuidado Consentimiento Arts Live arts Care Consent Arte latinoamericano Creación artística Artes escénicas Latin American art Artistic creation Performing arts |
dc.subject.proposal.spa.fl_str_mv |
Artes Artes vivas Cuerpo Cuidado Consentimiento |
dc.subject.proposal.eng.fl_str_mv |
Arts Live arts Care Consent |
dc.subject.unesco.spa.fl_str_mv |
Arte latinoamericano Creación artística Artes escénicas |
dc.subject.unesco.eng.fl_str_mv |
Latin American art Artistic creation Performing arts |
description |
ilustraciones, gráficas, fotografías |
publishDate |
2021 |
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2021-10-04T14:50:46Z |
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2021-10-04T14:50:46Z |
dc.date.issued.none.fl_str_mv |
2021-09-14 |
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Trabajo de grado - Maestría |
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Universidad Nacional de Colombia |
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Universidad Nacional de Colombia Repositorio Institucional Universidad Nacional de Colombia |
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language |
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Attia, Bernando. Language is a virus from outer space, Live event that took place at: At Spectra | Studio, Marci Panis, Marcusstraat 52 | 1D, Amsterdam, 2019. Information accessed: https:// www.andreabozic.com/spectra-salonlanguage-virus-outer-space Anderson, Laurie. “Language is a virus”. Home of the Brave. Warner Bros. Records, 1986. LP.. https://www.youtube.com/ watch?v=KvOoR8m0oms Dance for plants Collective. Compost, 2019. http://www.danceforplants.com/ Lisa Luxx. How language shapes your mental health, TEDx, University of York, 2017. Information accessed:https://www. ted.com/talks/lisa_luxx_how_language_ creates_your_mental_health Barad, Karen. Political Desirings: Yearnings for Mattering, Diferently. Reino Unido: John Hopkins University Press, 2021. Barad, Karen. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham, Duke University Press, 2007. Butler, Octavia. Parable of the sower, Estados Unidos: Four Walls Eight Windows, 1993. Clay, Jack. Sensing Boundaries. Estados Unidos: The Bartlett School of Architecture, UCL, 2018. Crosby, Christina. “Disability, Debility and Caring Queerly”, Social Text 145, vol. 38, no. 4, 2020. Daniels, Yolande. “O: The apparatus”. In: E. Miller and M. Ward (eds). Crime & Ornament. The Arts and Popular Culture in the Shadow of Adolf Loss. Reino Unido: Y Y Z Books, 2006. Dunkley, Cara R. and Brotto, Lori A. “The role of consent in the context of BDSM”. Sexual Abuse. A Journal of Research and Treatment, vol. 32, no. 2, 2019. Federici, Silvia. “In praise of the dancing body”. Gods and Radicals. Blog. 2016 Fienberg, Leslie. Stone Butch Blues, USA: Firebrand books, 1993. Gómez-Peña, Guillermo. “En defensa del arte del performance”. Horizontes Antropológicos, vol. 24, 2005. Greenhough, Beth. “When species mingle and meet, endemic human-virus relations, embodied communication and more-than-human agency at the Common Cold Unit 1946-90”. Cultural Geographies, vol. 19, no. 3, July 2012. Haraway, Donna. “Animal Sociology and a natural economy of the body politic”. Women, Science, and Society, vol. 4, no. 1, Autumn, 1978 Haraway, Donna. The Companion Species Manifesto: Dogs, People, and Signifcant Otherness, Chicago: The University of Chicago Press, 2003. Haraway, Donna. When Species Meet. Minneapolis: University of Minnesota Press, 2008. King, Katie. “Barad’s Entanglements and Transcontextual Habitats”. Rhizomes. Cultural Studies in Emerging Knowledge, vol. 30, 2016. Kenney, Martha. “Frontier Epistemologies”. GeoFeminisms II: Phylogeographic. History of Consciousness and Anthropology Departments, University of California at Santa Cruz, 2006. Lepecki, André. Choreopolice and choreopolitics, or the task of the dancer, Francia: Chercheurs sur la Communauté, 2013. Lee Boggs, Grace. Living for change: An autobiography. Estados Unidos: University of Minnesota Press, 1989. Le Guin, K. Ursula. The carrier bag theory of fction, U.S.A: Ignota Books, 2020. Miyake, Esperanza. “My, is that Cyborg a little bit Queer?” Journal of International Women’s Studies, vol. 5, no. 2, 2004, pp. 53-61. Morales, Cristina. “Que las mujeres escriban no signifca que la literatura esté ejerciendo un papel feminista”. Cabeza del gato, febrero 5, 2019. Pedreàñez, Inger. “El espacio experimental de Lygia Clark”. Revista Estilo. Fundación Cultural Estilo in Arte contemporáneo, mayo 4, 2020. Preciado, Paul B. Testo Yonqui. Barcelona: Espasa Editorial, 2008. Piercy, Marge. Woman on the edge of time, USA: Fawcett, 1985. Sheets Johnson, Maxine. On Movement. An interview with Maxine Sheets Johnson. Estados Unidos: LMHC, Relational Implicit Project, 2010. Walker, Alice. Hard times require furious dancing. California: The New World Library, 2010. Wenger, Etienne. Communities of Practice: Learning, Meaning, and Identity. Reino Unido: Cambridge University Press, 1988. |
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Stewart, Linda. VIRUS, London: Artemisa, 2015. |
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98 páginas |
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Universidad Nacional de Colombia |
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Bogotá - Artes - Maestría Interdisciplinaria Teatro y Artes Vivas |
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Facultad de Artes |
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Bogotá, Colombia |
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Universidad Nacional de Colombia - Sede Bogotá |
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Universidad Nacional de Colombia |
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Reconocimiento 4.0 Internacionalhttp://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Marin, Alejandra1c9e61d7fcbf9ae3a2178ca3f49bc897Noriega, Zoitsa17dc8e7acd21388efed1a54ff3f1207fDear, Romany28e15fcbfc63d32b72f1df969f672001Betancurth, JuanMichel, Tik2021-10-04T14:50:46Z2021-10-04T14:50:46Z2021-09-14https://repositorio.unal.edu.co/handle/unal/80362Universidad Nacional de ColombiaRepositorio Institucional Universidad Nacional de Colombiahttps://repositorio.unal.edu.co/ilustraciones, gráficas, fotografíasEspecies de compañía viene de un pensamiento de una cuerpa de la futura, una ficción en donde las formas de comunicación y cuidado entre las especies están germinando. Un ecosistema que involucra el desarrollo de tacto, una lógica del sensorial y erótica como una tecnología para conectarnos. Toma la forma de una híbrida que vive en el lugar del cruce entre lo que podemos nombrar, una lectura táctil o una manifestó corporal. Cultivando un gesto, para acompañarnos a aprender y desaprender todos los pasos necesarios para llegar bailando, con cuidado, hacia otras futuras. (Texto tomado de la fuente).Is a thought process derived from a body that comes from the future, a fction in which the forms of communication and care between species are germinating. An ecosystem that involves the development of touch; a sensory and erotic logic like a technology that connect us. It takes the form of a hybrid species that lives at the crossroads between what we could name, a tactile reading or a body manifesto. This text looks to cultivate a gesture, accompanying us to learn and unlearn all the necessary steps to arrive, dancing, with care, towards other possible futures.Texto pdf para consultas en artes vivas y cuidadosMaestríaMagíster Interdisciplinar en Teatro y Artes VivasArtes Vivas, performancia y políticaTiene braile98 páginasapplication/pdfspaUniversidad Nacional de ColombiaBogotá - Artes - Maestría Interdisciplinaria Teatro y Artes VivasFacultad de ArtesBogotá, ColombiaUniversidad Nacional de Colombia - Sede Bogotá700 - Las artes, bellas artes y artes decorativasArtesArtes vivasCuerpoCuidadoConsentimientoArtsLive artsCareConsentArte latinoamericanoCreación artísticaArtes escénicasLatin American artArtistic creationPerforming artsEspecies de compañíaCompanion speciesTrabajo de grado - Maestríainfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/acceptedVersionTexthttp://purl.org/redcol/resource_type/TMAttia, Bernando. Language is a virus from outer space, Live event that took place at: At Spectra | Studio, Marci Panis, Marcusstraat 52 | 1D, Amsterdam, 2019. Information accessed: https:// www.andreabozic.com/spectra-salonlanguage-virus-outer-spaceAnderson, Laurie. “Language is a virus”. Home of the Brave. Warner Bros. Records, 1986. LP.. https://www.youtube.com/ watch?v=KvOoR8m0omsDance for plants Collective. Compost, 2019. http://www.danceforplants.com/Lisa Luxx. How language shapes your mental health, TEDx, University of York, 2017. Information accessed:https://www. ted.com/talks/lisa_luxx_how_language_ creates_your_mental_healthBarad, Karen. Political Desirings: Yearnings for Mattering, Diferently. Reino Unido: John Hopkins University Press, 2021.Barad, Karen. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham, Duke University Press, 2007.Butler, Octavia. Parable of the sower, Estados Unidos: Four Walls Eight Windows, 1993.Clay, Jack. Sensing Boundaries. Estados Unidos: The Bartlett School of Architecture, UCL, 2018.Crosby, Christina. “Disability, Debility and Caring Queerly”, Social Text 145, vol. 38, no. 4, 2020.Daniels, Yolande. “O: The apparatus”. In: E. Miller and M. Ward (eds). Crime & Ornament. The Arts and Popular Culture in the Shadow of Adolf Loss. Reino Unido: Y Y Z Books, 2006.Dunkley, Cara R. and Brotto, Lori A. “The role of consent in the context of BDSM”. Sexual Abuse. A Journal of Research and Treatment, vol. 32, no. 2, 2019.Federici, Silvia. “In praise of the dancing body”. Gods and Radicals. Blog. 2016Fienberg, Leslie. Stone Butch Blues, USA: Firebrand books, 1993.Gómez-Peña, Guillermo. “En defensa del arte del performance”. Horizontes Antropológicos, vol. 24, 2005.Greenhough, Beth. “When species mingle and meet, endemic human-virus relations, embodied communication and more-than-human agency at the Common Cold Unit 1946-90”. Cultural Geographies, vol. 19, no. 3, July 2012.Haraway, Donna. “Animal Sociology and a natural economy of the body politic”. Women, Science, and Society, vol. 4, no. 1, Autumn, 1978Haraway, Donna. The Companion Species Manifesto: Dogs, People, and Signifcant Otherness, Chicago: The University of Chicago Press, 2003.Haraway, Donna. When Species Meet. Minneapolis: University of Minnesota Press, 2008.King, Katie. “Barad’s Entanglements and Transcontextual Habitats”. Rhizomes. Cultural Studies in Emerging Knowledge, vol. 30, 2016.Kenney, Martha. “Frontier Epistemologies”. GeoFeminisms II: Phylogeographic. History of Consciousness and Anthropology Departments, University of California at Santa Cruz, 2006.Lepecki, André. Choreopolice and choreopolitics, or the task of the dancer, Francia: Chercheurs sur la Communauté, 2013.Lee Boggs, Grace. Living for change: An autobiography. Estados Unidos: University of Minnesota Press, 1989.Le Guin, K. Ursula. The carrier bag theory of fction, U.S.A: Ignota Books, 2020.Miyake, Esperanza. “My, is that Cyborg a little bit Queer?” Journal of International Women’s Studies, vol. 5, no. 2, 2004, pp. 53-61.Morales, Cristina. “Que las mujeres escriban no signifca que la literatura esté ejerciendo un papel feminista”. Cabeza del gato, febrero 5, 2019.Pedreàñez, Inger. “El espacio experimental de Lygia Clark”. Revista Estilo. Fundación Cultural Estilo in Arte contemporáneo, mayo 4, 2020.Preciado, Paul B. Testo Yonqui. Barcelona: Espasa Editorial, 2008.Piercy, Marge. Woman on the edge of time, USA: Fawcett, 1985.Sheets Johnson, Maxine. On Movement. An interview with Maxine Sheets Johnson. Estados Unidos: LMHC, Relational Implicit Project, 2010.Walker, Alice. Hard times require furious dancing. California: The New World Library, 2010.Wenger, Etienne. Communities of Practice: Learning, Meaning, and Identity. Reino Unido: Cambridge University Press, 1988.Stewart, Linda. VIRUS, London: Artemisa, 2015.Público generalLICENSElicense.txtlicense.txttext/plain; charset=utf-83964https://repositorio.unal.edu.co/bitstream/unal/80362/1/license.txtcccfe52f796b7c63423298c2d3365fc6MD51ORIGINAL687159.2021.pdf687159.2021.pdfTesis de Maestría Interdisciplinar en Teatro y Artes Vivasapplication/pdf9353377https://repositorio.unal.edu.co/bitstream/unal/80362/3/687159.2021.pdf35e5785394210d01e7469e8603fbb421MD53THUMBNAIL687159.2021.pdf.jpg687159.2021.pdf.jpgGenerated Thumbnailimage/jpeg5856https://repositorio.unal.edu.co/bitstream/unal/80362/4/687159.2021.pdf.jpg843fbcba5f9ec8f9cacad1134d36cbb0MD54unal/80362oai:repositorio.unal.edu.co:unal/803622023-07-28 23:04:44.499Repositorio Institucional Universidad Nacional de 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