The indian: from allegory to reality and aesthetics
In Latín American art. thc topic of the lndian and of lndian aesthetics arouse separately and came together sporadically in the 19th century. México and Perú were the leaders of the movement at first, with criteria related lo the historical frame implanted by the 19 century academy. In the 20 centu...
- Autores:
-
Medina, Álvaro
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2004
- Institución:
- Universidad Nacional de Colombia
- Repositorio:
- Universidad Nacional de Colombia
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unal.edu.co:unal/50660
- Acceso en línea:
- https://repositorio.unal.edu.co/handle/unal/50660
http://bdigital.unal.edu.co/44661/
- Palabra clave:
- Álvaro Medina
Latin American indigenous art
neo-indigenous art
Latin American art
Álvaro Medina
arte indígena latinoamericano
arte noeindígena
arte latinoamericano
- Rights
- closedAccess
- License
- Atribución-NoComercial 4.0 Internacional
| Summary: | In Latín American art. thc topic of the lndian and of lndian aesthetics arouse separately and came together sporadically in the 19th century. México and Perú were the leaders of the movement at first, with criteria related lo the historical frame implanted by the 19 century academy. In the 20 century there is a political sense that reivindicates the lndian and incorporates him to contemporary society. This process evolved and led to the idea - peculiar to the vanguardist movement- of forging an essencially American art based on indigenous aesthetics. |
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