Baltazar de figueroa «the elder»: historiographical analysis, contributions and rectifications regarding his biography and provenance from seville

In the XVI century a family of artists appears in whatis now Colombia led by Baltazar de Figueroa, known as«The Elder». Only based on his painting style and withno additional documents some specialists attributed hima provenance from Seville. Gabriel Giraldo Jaramillo justifiedhis hypothesis with a...

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Autores:
Sánchez Aparicio, Manuel Salvador
Tipo de recurso:
Article of journal
Fecha de publicación:
2012
Institución:
Universidad Nacional de Colombia
Repositorio:
Universidad Nacional de Colombia
Idioma:
spa
OAI Identifier:
oai:repositorio.unal.edu.co:unal/50275
Acceso en línea:
https://repositorio.unal.edu.co/handle/unal/50275
http://bdigital.unal.edu.co/44252/
Palabra clave:
Colombia
arte religioso
Barroco
Baltasar de Figueroa
pintura
Colombia
religious art
Baroque art
Baltasar de Figueroa
painting.
Rights
openAccess
License
Atribución-NoComercial 4.0 Internacional
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spelling Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Sánchez Aparicio, Manuel Salvador5b720160-00f4-453e-bf34-2c7a8cc23a653002019-06-29T10:00:05Z2019-06-29T10:00:05Z2012https://repositorio.unal.edu.co/handle/unal/50275http://bdigital.unal.edu.co/44252/In the XVI century a family of artists appears in whatis now Colombia led by Baltazar de Figueroa, known as«The Elder». Only based on his painting style and withno additional documents some specialists attributed hima provenance from Seville. Gabriel Giraldo Jaramillo justifiedhis hypothesis with a group of documents that, afterthorough analysis and the discovery of some additionalones, led us to confirm that they refer to a homonymouspainter who never left the Spanish city.En el siglo XVI surge en lo que hoy es Colombia unafamilia de artistas, iniciada por Baltasar de Figueroa,apodado «el Viejo» a quien, basándose solamente en suestilo pictórico y sin otras noticias, muchos especialistashan atribuido una procedencia sevillana. Gabriel GiraldoJaramillo justificó esta hipótesis con una serie de documentos,los cuales, tras un exhaustivo análisis y el hallazgode algunos documentos más, podemos corroborar que serefieren a un pintor homónimo que nunca abandonó laciudad española.application/pdfspaEnsayos: Historia y teoría del artehttp://revistas.unal.edu.co/index.php/ensayo/article/view/46164Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arteEnsayos: Historia y teoría del arteEnsayos: Historia y Teoría del Arte; núm. 22 (2012); 70-86 Ensayos: Historia y teoría del arte; núm. 22 (2012); 70-86 1692-3502Sánchez Aparicio, Manuel Salvador (2012) Baltazar de figueroa «the elder»: historiographical analysis, contributions and rectifications regarding his biography and provenance from seville. Ensayos: Historia y Teoría del Arte; núm. 22 (2012); 70-86 Ensayos: Historia y teoría del arte; núm. 22 (2012); 70-86 1692-3502 .Baltazar de figueroa «the elder»: historiographical analysis, contributions and rectifications regarding his biography and provenance from sevilleArtículo de revistainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/ARTColombiaarte religiosoBarrocoBaltasar de FigueroapinturaColombiareligious artBaroque artBaltasar de Figueroapainting.ORIGINAL46164-224248-1-SM.pdfapplication/pdf165694https://repositorio.unal.edu.co/bitstream/unal/50275/1/46164-224248-1-SM.pdf927fcc81b3575a9fc28aa22028ae534aMD51THUMBNAIL46164-224248-1-SM.pdf.jpg46164-224248-1-SM.pdf.jpgGenerated Thumbnailimage/jpeg4791https://repositorio.unal.edu.co/bitstream/unal/50275/2/46164-224248-1-SM.pdf.jpg715532d6d116fb7a325d617fd54a1730MD52unal/50275oai:repositorio.unal.edu.co:unal/502752023-12-14 23:05:54.522Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co
dc.title.spa.fl_str_mv Baltazar de figueroa «the elder»: historiographical analysis, contributions and rectifications regarding his biography and provenance from seville
title Baltazar de figueroa «the elder»: historiographical analysis, contributions and rectifications regarding his biography and provenance from seville
spellingShingle Baltazar de figueroa «the elder»: historiographical analysis, contributions and rectifications regarding his biography and provenance from seville
Colombia
arte religioso
Barroco
Baltasar de Figueroa
pintura
Colombia
religious art
Baroque art
Baltasar de Figueroa
painting.
title_short Baltazar de figueroa «the elder»: historiographical analysis, contributions and rectifications regarding his biography and provenance from seville
title_full Baltazar de figueroa «the elder»: historiographical analysis, contributions and rectifications regarding his biography and provenance from seville
title_fullStr Baltazar de figueroa «the elder»: historiographical analysis, contributions and rectifications regarding his biography and provenance from seville
title_full_unstemmed Baltazar de figueroa «the elder»: historiographical analysis, contributions and rectifications regarding his biography and provenance from seville
title_sort Baltazar de figueroa «the elder»: historiographical analysis, contributions and rectifications regarding his biography and provenance from seville
dc.creator.fl_str_mv Sánchez Aparicio, Manuel Salvador
dc.contributor.author.spa.fl_str_mv Sánchez Aparicio, Manuel Salvador
dc.subject.proposal.spa.fl_str_mv Colombia
arte religioso
Barroco
Baltasar de Figueroa
pintura
Colombia
religious art
Baroque art
Baltasar de Figueroa
painting.
topic Colombia
arte religioso
Barroco
Baltasar de Figueroa
pintura
Colombia
religious art
Baroque art
Baltasar de Figueroa
painting.
description In the XVI century a family of artists appears in whatis now Colombia led by Baltazar de Figueroa, known as«The Elder». Only based on his painting style and withno additional documents some specialists attributed hima provenance from Seville. Gabriel Giraldo Jaramillo justifiedhis hypothesis with a group of documents that, afterthorough analysis and the discovery of some additionalones, led us to confirm that they refer to a homonymouspainter who never left the Spanish city.
publishDate 2012
dc.date.issued.spa.fl_str_mv 2012
dc.date.accessioned.spa.fl_str_mv 2019-06-29T10:00:05Z
dc.date.available.spa.fl_str_mv 2019-06-29T10:00:05Z
dc.type.spa.fl_str_mv Artículo de revista
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.driver.spa.fl_str_mv info:eu-repo/semantics/article
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dc.type.content.spa.fl_str_mv Text
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format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.uri.none.fl_str_mv https://repositorio.unal.edu.co/handle/unal/50275
dc.identifier.eprints.spa.fl_str_mv http://bdigital.unal.edu.co/44252/
url https://repositorio.unal.edu.co/handle/unal/50275
http://bdigital.unal.edu.co/44252/
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.spa.fl_str_mv http://revistas.unal.edu.co/index.php/ensayo/article/view/46164
dc.relation.ispartof.spa.fl_str_mv Universidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arte
Ensayos: Historia y teoría del arte
dc.relation.ispartofseries.none.fl_str_mv Ensayos: Historia y Teoría del Arte; núm. 22 (2012); 70-86 Ensayos: Historia y teoría del arte; núm. 22 (2012); 70-86 1692-3502
dc.relation.references.spa.fl_str_mv Sánchez Aparicio, Manuel Salvador (2012) Baltazar de figueroa «the elder»: historiographical analysis, contributions and rectifications regarding his biography and provenance from seville. Ensayos: Historia y Teoría del Arte; núm. 22 (2012); 70-86 Ensayos: Historia y teoría del arte; núm. 22 (2012); 70-86 1692-3502 .
dc.rights.spa.fl_str_mv Derechos reservados - Universidad Nacional de Colombia
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.license.spa.fl_str_mv Atribución-NoComercial 4.0 Internacional
dc.rights.uri.spa.fl_str_mv http://creativecommons.org/licenses/by-nc/4.0/
dc.rights.accessrights.spa.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv Atribución-NoComercial 4.0 Internacional
Derechos reservados - Universidad Nacional de Colombia
http://creativecommons.org/licenses/by-nc/4.0/
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.mimetype.spa.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Ensayos: Historia y teoría del arte
institution Universidad Nacional de Colombia
bitstream.url.fl_str_mv https://repositorio.unal.edu.co/bitstream/unal/50275/1/46164-224248-1-SM.pdf
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repository.name.fl_str_mv Repositorio Institucional Universidad Nacional de Colombia
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