Mirada de Mario Andrés Alvarado Lozano
Art must be aware of its own lie and express it in order to annul itself. For this reason, the swimmer is always extreme in his style. There are two basic ways to make the artifice evident: reduce it to a minimum or feed it to the point of hyperbole. On the one hand, there are the Nadaists who trim...
- Autores:
-
Alvarado Lozano, Mario Andrés
- Tipo de recurso:
- Trabajo de grado de pregrado
- Fecha de publicación:
- 2009
- Institución:
- Universidad Autónoma de Bucaramanga - UNAB
- Repositorio:
- Repositorio UNAB
- Idioma:
- spa
- OAI Identifier:
- oai:repository.unab.edu.co:20.500.12749/8620
- Acceso en línea:
- http://hdl.handle.net/20.500.12749/8620
- Palabra clave:
- Ciencias sociales
Publicaciones seriadas
Investigaciones
Arte y cultura
Literatura
Social sciences
Serials
Investigations
Art and culture
Literature
- Rights
- License
- http://creativecommons.org/licenses/by-nc-nd/2.5/co/
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Alvarado Lozano, Mario Andrés6705767e-f5c9-4446-af96-40c087b640db2020-10-27T00:08:55Z2020-10-27T00:08:55Z20092145-7190http://hdl.handle.net/20.500.12749/8620instname:Universidad Autónoma de Bucaramanga UNABrepourl:https://repository.unab.edu.coapplication/pdfspaUniversidad Autónoma de Bucaramanga UNABPregrado LiteraturaFacultad Ciencias Sociales, Humanidades y Arteshttps://revistas.unab.edu.co/index.php/laterceraorilla/article/view/2901/2397https://revistas.unab.edu.co/index.php/laterceraorilla/article/view/2901http://creativecommons.org/licenses/by-nc-nd/2.5/co/Atribución-NoComercial-SinDerivadas 2.5 Colombiahttp://purl.org/coar/access_right/c_abf2La Tercera Orilla; Núm. 3 (2009)Ciencias socialesPublicaciones seriadasInvestigacionesArte y culturaLiteraturaSocial sciencesSerialsInvestigationsArt and cultureLiteratureMirada de Mario Andrés Alvarado LozanoGaze of Mario Andres Alvarado Lozanoinfo:eu-repo/semantics/articleArtículohttp://purl.org/coar/resource_type/c_7a1fhttp://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/redcol/resource_type/ARThttp://purl.org/coar/version/c_970fb48d4fbd8a85Art must be aware of its own lie and express it in order to annul itself. For this reason, the swimmer is always extreme in his style. There are two basic ways to make the artifice evident: reduce it to a minimum or feed it to the point of hyperbole. On the one hand, there are the Nadaists who trim the language of their art until they are left with some basic elements; on the other, those who show their imposture through games, destructuring, noise... Do not confuse austerity with the absence of style. The minimalist creates his style from the clipping; the noisemaker, from the game. Minimalism and noise are found in all the Nadaist arts. The Nadaist builds bridges to Nothingness, opens doors that lead from being to non-being, designs highways that lead to precipices, leads thought to its limits and makes them visible. God and Death are masks of Nothingness.El arte debe ser consciente de su propia mentira y expresarla para anularse a sí mismo. Por eso, el nadaísta es siempre extremo en su estilo. Existendos formas básicas de hacer evidente el artificio: reducirlo al mínimo o alimentarlo hasta la hipérbole. Por un lado están los nadaístas que recortan el lenguaje de su arte hasta quedarse con unos elementos básicos; por el otro, aquellos que muestran su impostura a través del juego, la desestructuración, el ruido... No hay que confundir la austeridad con la ausencia de estilo. El minimalista crea su estilo a partir del recorte; el ruidista, a partir del juego. Minimalismo y ruidismo se dan en todas las artes nadaístas. El nadaísta tiende puentes hacia la Nada, abre puertas que llevan del ser al no-ser, diseña carreteras que desembocan en precipicios, conduce el pensamiento hacia sus límites y los hace visibles. Dios y la Muerte son máscaras de la Nada.ORIGINAL2017_Mirada_de_Mario_Andrés.pdf2017_Mirada_de_Mario_Andrés.pdfArtículoapplication/pdf368068https://repository.unab.edu.co/bitstream/20.500.12749/8620/1/2017_Mirada_de_Mario_Andr%c3%a9s.pdfc1f0673d16e3df9574c373f13d36073bMD51open accessTHUMBNAIL2017_Mirada_de_Mario_Andrés.pdf.jpg2017_Mirada_de_Mario_Andrés.pdf.jpgIM Thumbnailimage/jpeg12417https://repository.unab.edu.co/bitstream/20.500.12749/8620/2/2017_Mirada_de_Mario_Andr%c3%a9s.pdf.jpgbeb06c94011713bc4644f4302f656d19MD52open access20.500.12749/8620oai:repository.unab.edu.co:20.500.12749/86202023-02-22 10:28:55.401open accessRepositorio Institucional | Universidad Autónoma de Bucaramanga - UNABrepositorio@unab.edu.co |
dc.title.spa.fl_str_mv |
Mirada de Mario Andrés Alvarado Lozano |
dc.title.translated.eng.fl_str_mv |
Gaze of Mario Andres Alvarado Lozano |
title |
Mirada de Mario Andrés Alvarado Lozano |
spellingShingle |
Mirada de Mario Andrés Alvarado Lozano Ciencias sociales Publicaciones seriadas Investigaciones Arte y cultura Literatura Social sciences Serials Investigations Art and culture Literature |
title_short |
Mirada de Mario Andrés Alvarado Lozano |
title_full |
Mirada de Mario Andrés Alvarado Lozano |
title_fullStr |
Mirada de Mario Andrés Alvarado Lozano |
title_full_unstemmed |
Mirada de Mario Andrés Alvarado Lozano |
title_sort |
Mirada de Mario Andrés Alvarado Lozano |
dc.creator.fl_str_mv |
Alvarado Lozano, Mario Andrés |
dc.contributor.author.spa.fl_str_mv |
Alvarado Lozano, Mario Andrés |
dc.subject.none.fl_str_mv |
Ciencias sociales Publicaciones seriadas Investigaciones Arte y cultura Literatura |
topic |
Ciencias sociales Publicaciones seriadas Investigaciones Arte y cultura Literatura Social sciences Serials Investigations Art and culture Literature |
dc.subject.keywords.eng.fl_str_mv |
Social sciences Serials Investigations Art and culture Literature |
description |
Art must be aware of its own lie and express it in order to annul itself. For this reason, the swimmer is always extreme in his style. There are two basic ways to make the artifice evident: reduce it to a minimum or feed it to the point of hyperbole. On the one hand, there are the Nadaists who trim the language of their art until they are left with some basic elements; on the other, those who show their imposture through games, destructuring, noise... Do not confuse austerity with the absence of style. The minimalist creates his style from the clipping; the noisemaker, from the game. Minimalism and noise are found in all the Nadaist arts. The Nadaist builds bridges to Nothingness, opens doors that lead from being to non-being, designs highways that lead to precipices, leads thought to its limits and makes them visible. God and Death are masks of Nothingness. |
publishDate |
2009 |
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2009 |
dc.date.accessioned.none.fl_str_mv |
2020-10-27T00:08:55Z |
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2020-10-27T00:08:55Z |
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Artículo |
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http://purl.org/redcol/resource_type/ART |
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2145-7190 |
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http://hdl.handle.net/20.500.12749/8620 |
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instname:Universidad Autónoma de Bucaramanga UNAB |
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repourl:https://repository.unab.edu.co |
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spa |
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spa |
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https://revistas.unab.edu.co/index.php/laterceraorilla/article/view/2901/2397 |
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https://revistas.unab.edu.co/index.php/laterceraorilla/article/view/2901 |
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Atribución-NoComercial-SinDerivadas 2.5 Colombia |
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http://creativecommons.org/licenses/by-nc-nd/2.5/co/ Atribución-NoComercial-SinDerivadas 2.5 Colombia http://purl.org/coar/access_right/c_abf2 |
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dc.publisher.none.fl_str_mv |
Universidad Autónoma de Bucaramanga UNAB |
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Pregrado Literatura |
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Facultad Ciencias Sociales, Humanidades y Artes |
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Universidad Autónoma de Bucaramanga UNAB |
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La Tercera Orilla; Núm. 3 (2009) |
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