Mirada de Mario Andrés Alvarado Lozano
Art must be aware of its own lie and express it in order to annul itself. For this reason, the swimmer is always extreme in his style. There are two basic ways to make the artifice evident: reduce it to a minimum or feed it to the point of hyperbole. On the one hand, there are the Nadaists who trim...
- Autores:
-
Alvarado Lozano, Mario Andrés
- Tipo de recurso:
- Trabajo de grado de pregrado
- Fecha de publicación:
- 2009
- Institución:
- Universidad Autónoma de Bucaramanga - UNAB
- Repositorio:
- Repositorio UNAB
- Idioma:
- spa
- OAI Identifier:
- oai:repository.unab.edu.co:20.500.12749/8620
- Acceso en línea:
- http://hdl.handle.net/20.500.12749/8620
- Palabra clave:
- Ciencias sociales
Publicaciones seriadas
Investigaciones
Arte y cultura
Literatura
Social sciences
Serials
Investigations
Art and culture
Literature
- Rights
- License
- http://creativecommons.org/licenses/by-nc-nd/2.5/co/
| Summary: | Art must be aware of its own lie and express it in order to annul itself. For this reason, the swimmer is always extreme in his style. There are two basic ways to make the artifice evident: reduce it to a minimum or feed it to the point of hyperbole. On the one hand, there are the Nadaists who trim the language of their art until they are left with some basic elements; on the other, those who show their imposture through games, destructuring, noise... Do not confuse austerity with the absence of style. The minimalist creates his style from the clipping; the noisemaker, from the game. Minimalism and noise are found in all the Nadaist arts. The Nadaist builds bridges to Nothingness, opens doors that lead from being to non-being, designs highways that lead to precipices, leads thought to its limits and makes them visible. God and Death are masks of Nothingness. |
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