Tropic-Utopian, Op. 192 No. 2 : for concert percussion, alto saxo, harp and piano
Firmada, datada y paginada. -- Formato: Alto Sax Eb, Harp, Piano forte, Percussion 1: Timpati (3), Cymbal Medium; Percussion 2: Vibraphone, Snare Drum, Cencerro (Medium); Percussion 3: Xylophone, Susp. Cymbal (Medium), Tenor Drum, Whip; Percussion 4: Marimba, Bass Drum, Congas (2); Percussion 5: Tub...
- Autores:
-
Atehortúa Amaya, Blas Emilio
- Tipo de recurso:
- Musical composition
- Fecha de publicación:
- 1997
- Institución:
- Universidad Autónoma de Bucaramanga - UNAB
- Repositorio:
- Repositorio UNAB
- Idioma:
- spa
- OAI Identifier:
- oai:repository.unab.edu.co:20.500.12749/18518
- Acceso en línea:
- http://hdl.handle.net/20.500.12749/18518
- Palabra clave:
- Composition (Music)
Music
Symphonies
Score
Music notation
Music sheet
Colombian composers
Saxophone
Harp
Piano
Percussion instruments
Instrumental music
Concerts
Composición musical
Música
Sinfonías
Partituras
Notación musical
Partitura
Compositores colombianos
Saxofón
Arpa
Piano
Instrumentos de percusión
Música instrumental
Conciertos
Atehortúa Amaya, Blas Emilio, [1943]-2020
- Rights
- License
- http://creativecommons.org/licenses/by-nc-nd/2.5/co/
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| dc.title.spa.fl_str_mv |
Tropic-Utopian, Op. 192 No. 2 : for concert percussion, alto saxo, harp and piano |
| dc.title.translated.spa.fl_str_mv |
Tropic-Utopian, Op. 192 No. 2 : for concert percussion, alto sax, harp and piano |
| title |
Tropic-Utopian, Op. 192 No. 2 : for concert percussion, alto saxo, harp and piano |
| spellingShingle |
Tropic-Utopian, Op. 192 No. 2 : for concert percussion, alto saxo, harp and piano Composition (Music) Music Symphonies Score Music notation Music sheet Colombian composers Saxophone Harp Piano Percussion instruments Instrumental music Concerts Composición musical Música Sinfonías Partituras Notación musical Partitura Compositores colombianos Saxofón Arpa Piano Instrumentos de percusión Música instrumental Conciertos Atehortúa Amaya, Blas Emilio, [1943]-2020 |
| title_short |
Tropic-Utopian, Op. 192 No. 2 : for concert percussion, alto saxo, harp and piano |
| title_full |
Tropic-Utopian, Op. 192 No. 2 : for concert percussion, alto saxo, harp and piano |
| title_fullStr |
Tropic-Utopian, Op. 192 No. 2 : for concert percussion, alto saxo, harp and piano |
| title_full_unstemmed |
Tropic-Utopian, Op. 192 No. 2 : for concert percussion, alto saxo, harp and piano |
| title_sort |
Tropic-Utopian, Op. 192 No. 2 : for concert percussion, alto saxo, harp and piano |
| dc.creator.fl_str_mv |
Atehortúa Amaya, Blas Emilio |
| dc.contributor.author.none.fl_str_mv |
Atehortúa Amaya, Blas Emilio |
| dc.subject.keywords.spa.fl_str_mv |
Composition (Music) Music Symphonies Score Music notation Music sheet Colombian composers Saxophone Harp Piano Percussion instruments Instrumental music Concerts |
| topic |
Composition (Music) Music Symphonies Score Music notation Music sheet Colombian composers Saxophone Harp Piano Percussion instruments Instrumental music Concerts Composición musical Música Sinfonías Partituras Notación musical Partitura Compositores colombianos Saxofón Arpa Piano Instrumentos de percusión Música instrumental Conciertos Atehortúa Amaya, Blas Emilio, [1943]-2020 |
| dc.subject.lemb.spa.fl_str_mv |
Composición musical Música Sinfonías Partituras Notación musical Partitura Compositores colombianos Saxofón Arpa Piano Instrumentos de percusión Música instrumental Conciertos |
| dc.subject.proposal.spa.fl_str_mv |
Atehortúa Amaya, Blas Emilio, [1943]-2020 |
| description |
Firmada, datada y paginada. -- Formato: Alto Sax Eb, Harp, Piano forte, Percussion 1: Timpati (3), Cymbal Medium; Percussion 2: Vibraphone, Snare Drum, Cencerro (Medium); Percussion 3: Xylophone, Susp. Cymbal (Medium), Tenor Drum, Whip; Percussion 4: Marimba, Bass Drum, Congas (2); Percussion 5: Tubular Bells, Temple blocks (3), Maracas (2); Percussion 6: Glockenspiel, Tam-Tam, Bongos (2), Whip (the same of percussion 3). -- Duración aproximada: 8:30 minutos. -- Obra dedicada: Written for the University of Northern Colorado, Dr. Kenneth Singleton, for the Pamela Chester’s Doctoral Recital, 1997. -- Fotocopia de manuscrito (17 hojas) Tamaño: 43.3 x 28 cm, con manchas pero en buen estado. -- Se localizan rasgaduras y agujeros de previa anillada, manchas de corrector, hongos, humedad, anotaciones a mano del compositor y retazos pegados al documento. -- El documento contiene gráfico de ubicación sobre la posiciones de los instrumentos. -- El compositor posee dos fechas de nacimiento registradas en diferentes obras: 1933 o 1943. -- 1. Unisons and Harmonies (duración aproximada 2:00) -- 2. Melody and expression (duración aproximada 2:30) -- 3. Latin American Rhythm (duración aproximada 1:30) -- 4. Basso Ostinato (duración aproximada 3:30). / Descripción gráfica: 1 partitura general (16 hojas), 45 cm, + 1 fotocopia |
| publishDate |
1997 |
| dc.date.issued.none.fl_str_mv |
1997 |
| dc.date.accessioned.none.fl_str_mv |
2022-11-30T17:07:57Z |
| dc.date.available.none.fl_str_mv |
2022-11-30T17:07:57Z |
| dc.type.eng.fl_str_mv |
Musical composition |
| dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2f33 |
| dc.type.driver.spa.fl_str_mv |
info:eu-repo/semantics/book |
| dc.type.local.spa.fl_str_mv |
Composición musical |
| dc.type.coar.none.fl_str_mv |
http://purl.org/coar/resource_type/c_18cd |
| dc.type.hasversion.spa.fl_str_mv |
info:eu-repo/semantics/acceptedVersion |
| dc.type.redcol.none.fl_str_mv |
http://purl.org/coar/resource_type/c_18cd |
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http://purl.org/coar/resource_type/c_18cd |
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acceptedVersion |
| dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/20.500.12749/18518 |
| dc.identifier.instname.spa.fl_str_mv |
instname:Universidad Autónoma de Bucaramanga - UNAB |
| dc.identifier.reponame.spa.fl_str_mv |
reponame:Repositorio Institucional UNAB |
| dc.identifier.repourl.spa.fl_str_mv |
repourl:https://repository.unab.edu.co |
| url |
http://hdl.handle.net/20.500.12749/18518 |
| identifier_str_mv |
instname:Universidad Autónoma de Bucaramanga - UNAB reponame:Repositorio Institucional UNAB repourl:https://repository.unab.edu.co |
| dc.language.iso.spa.fl_str_mv |
spa |
| language |
spa |
| dc.relation.ispartofseries.spa.fl_str_mv |
Fondo Blas Emilio Atehortúa convenio FUBEA |
| dc.relation.uri.none.fl_str_mv |
http://hdl.handle.net/20.500.12749/19452 |
| dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
| dc.rights.uri.*.fl_str_mv |
http://creativecommons.org/licenses/by-nc-nd/2.5/co/ |
| dc.rights.local.spa.fl_str_mv |
Abierto (Texto Completo) |
| dc.rights.creativecommons.*.fl_str_mv |
Atribución-NoComercial-SinDerivadas 2.5 Colombia |
| rights_invalid_str_mv |
http://creativecommons.org/licenses/by-nc-nd/2.5/co/ Abierto (Texto Completo) Atribución-NoComercial-SinDerivadas 2.5 Colombia http://purl.org/coar/access_right/c_abf2 |
| dc.format.mimetype.spa.fl_str_mv |
application/pdf |
| dc.coverage.temporal.spa.fl_str_mv |
1997 |
| dc.publisher.grantor.spa.fl_str_mv |
Universidad Autónoma de Bucaramanga UNAB |
| dc.publisher.faculty.spa.fl_str_mv |
Facultad Ciencias Sociales, Humanidades y Artes |
| dc.publisher.program.spa.fl_str_mv |
Pregrado Música |
| dc.publisher.deparment.spa.fl_str_mv |
Centro de Documentación e Investigación Musical CEDIM |
| institution |
Universidad Autónoma de Bucaramanga - UNAB |
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Atehortúa Amaya, Blas Emiliod92b51ea-3c0b-424e-8765-efab4c3c105319972022-11-30T17:07:57Z2022-11-30T17:07:57Z1997http://hdl.handle.net/20.500.12749/18518instname:Universidad Autónoma de Bucaramanga - UNABreponame:Repositorio Institucional UNABrepourl:https://repository.unab.edu.coFirmada, datada y paginada. -- Formato: Alto Sax Eb, Harp, Piano forte, Percussion 1: Timpati (3), Cymbal Medium; Percussion 2: Vibraphone, Snare Drum, Cencerro (Medium); Percussion 3: Xylophone, Susp. Cymbal (Medium), Tenor Drum, Whip; Percussion 4: Marimba, Bass Drum, Congas (2); Percussion 5: Tubular Bells, Temple blocks (3), Maracas (2); Percussion 6: Glockenspiel, Tam-Tam, Bongos (2), Whip (the same of percussion 3). -- Duración aproximada: 8:30 minutos. -- Obra dedicada: Written for the University of Northern Colorado, Dr. Kenneth Singleton, for the Pamela Chester’s Doctoral Recital, 1997. -- Fotocopia de manuscrito (17 hojas) Tamaño: 43.3 x 28 cm, con manchas pero en buen estado. -- Se localizan rasgaduras y agujeros de previa anillada, manchas de corrector, hongos, humedad, anotaciones a mano del compositor y retazos pegados al documento. -- El documento contiene gráfico de ubicación sobre la posiciones de los instrumentos. -- El compositor posee dos fechas de nacimiento registradas en diferentes obras: 1933 o 1943. -- 1. Unisons and Harmonies (duración aproximada 2:00) -- 2. Melody and expression (duración aproximada 2:30) -- 3. Latin American Rhythm (duración aproximada 1:30) -- 4. Basso Ostinato (duración aproximada 3:30). / Descripción gráfica: 1 partitura general (16 hojas), 45 cm, + 1 fotocopiaBlas Emilio Atehortúa Amaya FUBEASigned, dated and paginated. -- Format: Alto Sax Eb, Harp, Piano forte, Percussion 1: Timpati (3), Cymbal Medium; Percussion 2: Vibraphone, Snare Drum, Cowbell (Medium); Percussion 3: Xylophone, Susp. Cymbal (Medium), Tenor Drum, Whip; Percussion 4: Marimba, Bass Drum, Congas (2); Percussion 5: Tubular Bells, Temple blocks (3), Maracas (2); Percussion 6: Glockenspiel, Tam-Tam, Bongos (2), Whip (the same of percussion 3). -- Approximate duration: 8:30 minutes. -- Dedicated work: Written for the University of Northern Colorado, Dr. Kenneth Singleton, for the Pamela Chester's Doctoral Recital, 1997. -- Photocopy of the manuscript (17 sheets) Size: 43.3 x 28 cm, with stains but in good condition. -- Tears and holes from prior ringing, concealer stains, fungus, humidity, annotations by the composer's hand and pieces glued to the document are located. -- The document contains a location graph on the positions of the instruments. -- The composer has two dates of birth recorded in different works: 1933 or 1943. -- 1. Unisons and Harmonies (approximate duration 2:00) -- 2. Melody and expression (approximate duration 2:30) -- 3. Latin American Rhythm (approximate duration 1:30) -- 4. Basso Ostinato (approximate duration approximately 3:30). / Graphic description: 1 general score (16 sheets), 45 cm, + 1 photocopyapplication/pdfspaFondo Blas Emilio Atehortúa convenio FUBEAhttp://hdl.handle.net/20.500.12749/19452http://creativecommons.org/licenses/by-nc-nd/2.5/co/Abierto (Texto Completo)Atribución-NoComercial-SinDerivadas 2.5 Colombiahttp://purl.org/coar/access_right/c_abf2Tropic-Utopian, Op. 192 No. 2 : for concert percussion, alto saxo, harp and pianoTropic-Utopian, Op. 192 No. 2 : for concert percussion, alto sax, harp and pianoMusical compositioninfo:eu-repo/semantics/bookComposición musicalhttp://purl.org/coar/resource_type/c_18cdhttp://purl.org/coar/resource_type/c_2f33info:eu-repo/semantics/acceptedVersionhttp://purl.org/coar/resource_type/c_18cdUniversidad Autónoma de Bucaramanga UNABFacultad Ciencias Sociales, Humanidades y ArtesPregrado MúsicaCentro de Documentación e Investigación Musical CEDIMComposition (Music)MusicSymphoniesScoreMusic notationMusic sheetColombian composersSaxophoneHarpPianoPercussion instrumentsInstrumental musicConcertsComposición musicalMúsicaSinfoníasPartiturasNotación musicalPartituraCompositores colombianosSaxofónArpaPianoInstrumentos de percusiónMúsica instrumentalConciertosAtehortúa Amaya, Blas Emilio, [1943]-2020LICENSElicense.txtlicense.txttext/plain; charset=utf-8829https://repository.unab.edu.co/bitstream/20.500.12749/18518/2/license.txt3755c0cfdb77e29f2b9125d7a45dd316MD52open accessORIGINALfbea_2_Manuscrito_PDF.pdffbea_2_Manuscrito_PDF.pdfPartitura en PDF (Original)application/pdf63944353https://repository.unab.edu.co/bitstream/20.500.12749/18518/3/fbea_2_Manuscrito_PDF.pdf1b2357f29b3b405fbea58cbe3b7e282cMD53open accessfbea_2_Fotocopias_PDF.pdffbea_2_Fotocopias_PDF.pdfPartitura en PDF (Fotocopia)application/pdf62098679https://repository.unab.edu.co/bitstream/20.500.12749/18518/4/fbea_2_Fotocopias_PDF.pdfe273971dc13a877843f7ee80aeec0ba5MD54open accessfbea_2_Manuscrito_JPG.zipfbea_2_Manuscrito_JPG.zipPartitura en JPG (Original)application/zip121451704https://repository.unab.edu.co/bitstream/20.500.12749/18518/5/fbea_2_Manuscrito_JPG.zip9ee469d7dc4877153dfc1e9b7701ef40MD55open accessfbea_2_Fotocopia_JPG.zipfbea_2_Fotocopia_JPG.zipPartitura en JPG (Fotocopia)application/zip118135873https://repository.unab.edu.co/bitstream/20.500.12749/18518/6/fbea_2_Fotocopia_JPG.zip6a1c56e15546ca8dae96e21c49e1cb0aMD56open accessfbea_2_Manuscrito_TIFF.zipfbea_2_Manuscrito_TIFF.zipPartitura en TIFF (Original)application/zip632476677https://repository.unab.edu.co/bitstream/20.500.12749/18518/7/fbea_2_Manuscrito_TIFF.zipc7a31de0944f22d3c2ff64347e82a163MD57open accessfbea_2_Fotocopia_TIFF.zipfbea_2_Fotocopia_TIFF.zipPartitura en TIFF (Fotocopia)application/zip638235528https://repository.unab.edu.co/bitstream/20.500.12749/18518/8/fbea_2_Fotocopia_TIFF.zip5ca5e94de0f8255839bce10e2094018aMD58open accessTHUMBNAILfbea_2_Manuscrito_PDF.pdf.jpgfbea_2_Manuscrito_PDF.pdf.jpgIM Thumbnailimage/jpeg12526https://repository.unab.edu.co/bitstream/20.500.12749/18518/9/fbea_2_Manuscrito_PDF.pdf.jpgba5ec4578aa42f1959bfc7f86d3c5812MD59open accessfbea_2_Fotocopias_PDF.pdf.jpgfbea_2_Fotocopias_PDF.pdf.jpgIM Thumbnailimage/jpeg11665https://repository.unab.edu.co/bitstream/20.500.12749/18518/10/fbea_2_Fotocopias_PDF.pdf.jpg2b3cd0feec22e36bd6f8713ec6777cd0MD510open access20.500.12749/18518oai:repository.unab.edu.co:20.500.12749/185182025-02-11 14:40:22.007open accessRepositorio Institucional | Universidad Autónoma de Bucaramanga - UNABrepositorio@unab.edu.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 |