To the wonderful rivers of Pittsburgh, Op.193 : for winds and percussion orchestra in antiphonal manner
Firmada, datada y paginada. -- Formato: Wood choir: 1 Piccolo, 2 Flutes (1st with alto flute in G), 2 Oboes, 1 English horn, 2 Clarinets in Bb, 1 Bass clarinet in Bb, 1 Contrabass clarinet in Eb, 2 Bassoons, 1 Contrabassoon; Brass choir: 4 horns in F, 3 trumpets in Bb, 3 trombones (3rd is bass), 1 T...
- Autores:
-
Atehortúa Amaya, Blas Emilio
- Tipo de recurso:
- Musical composition
- Fecha de publicación:
- 1997
- Institución:
- Universidad Autónoma de Bucaramanga - UNAB
- Repositorio:
- Repositorio UNAB
- Idioma:
- spa
- OAI Identifier:
- oai:repository.unab.edu.co:20.500.12749/18527
- Acceso en línea:
- http://hdl.handle.net/20.500.12749/18527
- Palabra clave:
- Composition (Music)
Music
Symphonies
Score
Music notation
Colombian composers
Wind instruments
Percussion instruments
Instrumental music
Composición musical
Música
Sinfonías
Partituras
Notación musical
Compositores colombianos
Instrumentos de viento
Instrumentos de percusión
Música instrumental
Atehortúa Amaya, Blas Emilio, [1943]-2020
- Rights
- License
- http://creativecommons.org/licenses/by-nc-nd/2.5/co/
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|
dc.title.spa.fl_str_mv |
To the wonderful rivers of Pittsburgh, Op.193 : for winds and percussion orchestra in antiphonal manner |
dc.title.translated.spa.fl_str_mv |
To the wonderful rivers of Pittsburgh, Op.193 : for winds and percussion orchestra in antiphonal manner |
title |
To the wonderful rivers of Pittsburgh, Op.193 : for winds and percussion orchestra in antiphonal manner |
spellingShingle |
To the wonderful rivers of Pittsburgh, Op.193 : for winds and percussion orchestra in antiphonal manner Composition (Music) Music Symphonies Score Music notation Colombian composers Wind instruments Percussion instruments Instrumental music Composición musical Música Sinfonías Partituras Notación musical Compositores colombianos Instrumentos de viento Instrumentos de percusión Música instrumental Atehortúa Amaya, Blas Emilio, [1943]-2020 |
title_short |
To the wonderful rivers of Pittsburgh, Op.193 : for winds and percussion orchestra in antiphonal manner |
title_full |
To the wonderful rivers of Pittsburgh, Op.193 : for winds and percussion orchestra in antiphonal manner |
title_fullStr |
To the wonderful rivers of Pittsburgh, Op.193 : for winds and percussion orchestra in antiphonal manner |
title_full_unstemmed |
To the wonderful rivers of Pittsburgh, Op.193 : for winds and percussion orchestra in antiphonal manner |
title_sort |
To the wonderful rivers of Pittsburgh, Op.193 : for winds and percussion orchestra in antiphonal manner |
dc.creator.fl_str_mv |
Atehortúa Amaya, Blas Emilio |
dc.contributor.author.none.fl_str_mv |
Atehortúa Amaya, Blas Emilio |
dc.subject.keywords.spa.fl_str_mv |
Composition (Music) Music Symphonies Score Music notation Colombian composers Wind instruments Percussion instruments Instrumental music |
topic |
Composition (Music) Music Symphonies Score Music notation Colombian composers Wind instruments Percussion instruments Instrumental music Composición musical Música Sinfonías Partituras Notación musical Compositores colombianos Instrumentos de viento Instrumentos de percusión Música instrumental Atehortúa Amaya, Blas Emilio, [1943]-2020 |
dc.subject.lemb.spa.fl_str_mv |
Composición musical Música Sinfonías Partituras Notación musical Compositores colombianos Instrumentos de viento Instrumentos de percusión Música instrumental |
dc.subject.proposal.spa.fl_str_mv |
Atehortúa Amaya, Blas Emilio, [1943]-2020 |
description |
Firmada, datada y paginada. -- Formato: Wood choir: 1 Piccolo, 2 Flutes (1st with alto flute in G), 2 Oboes, 1 English horn, 2 Clarinets in Bb, 1 Bass clarinet in Bb, 1 Contrabass clarinet in Eb, 2 Bassoons, 1 Contrabassoon; Brass choir: 4 horns in F, 3 trumpets in Bb, 3 trombones (3rd is bass), 1 Tuba; Percussion 1: Timpani (4), Temple bells (5); Percussion 2: Tubular bells I (chimes), Snare drum, Xylophone; Percussion 3: Tubular bells II (chimes), Temple blocks (3), Marimba; Percussion 4: Tubular bells III (chimes), Cymbals, Bongos (2); Percussion 5: Vibraphone I, Bass drum, Maracas (2); Percussion 6: Vibraphone II, Large tam-tam, Roto tom (3), Whip; 1 Celesta, 1 Harp. -- Obra comisionada: commissioned by the American Waterways Wind Orchestra, Music director Bobert Austin Boudreau, for the 40th Season, 1997. -- El documento contiene gráfico de la posición de la orquesta en el escenario y explicación de convenciones en la partitura. -- Fotocopia anillada del documento (32 hojas), 43 x 28 cm. -- Se localizan 2 agujeros en el lateral izquierdo en todas las hojas, manchas de humedad, pedazos de cinta adhesiva, manchas de corrector y anotaciones a mano del compositor. -- El compositor posee dos fechas de nacimiento registradas en diferentes obras. Está en revisión documental. 1933 o 1943. |
publishDate |
1997 |
dc.date.issued.none.fl_str_mv |
1997 |
dc.date.accessioned.none.fl_str_mv |
2022-11-30T19:49:53Z |
dc.date.available.none.fl_str_mv |
2022-11-30T19:49:53Z |
dc.type.eng.fl_str_mv |
Musical composition |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2f33 |
dc.type.driver.spa.fl_str_mv |
info:eu-repo/semantics/book |
dc.type.local.spa.fl_str_mv |
Composición musical |
dc.type.coar.none.fl_str_mv |
http://purl.org/coar/resource_type/c_18cd |
dc.type.hasversion.spa.fl_str_mv |
info:eu-repo/semantics/acceptedVersion |
dc.type.redcol.none.fl_str_mv |
http://purl.org/coar/resource_type/c_18cd |
format |
http://purl.org/coar/resource_type/c_18cd |
status_str |
acceptedVersion |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/20.500.12749/18527 |
dc.identifier.instname.spa.fl_str_mv |
instname:Universidad Autónoma de Bucaramanga - UNAB |
dc.identifier.reponame.spa.fl_str_mv |
reponame:Repositorio Institucional UNAB |
dc.identifier.repourl.spa.fl_str_mv |
repourl:https://repository.unab.edu.co |
url |
http://hdl.handle.net/20.500.12749/18527 |
identifier_str_mv |
instname:Universidad Autónoma de Bucaramanga - UNAB reponame:Repositorio Institucional UNAB repourl:https://repository.unab.edu.co |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.relation.ispartofseries.spa.fl_str_mv |
Fondo Blas Emilio Atehortúa convenio FUBEA |
dc.relation.uri.none.fl_str_mv |
http://hdl.handle.net/20.500.12749/19452 |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.uri.*.fl_str_mv |
http://creativecommons.org/licenses/by-nc-nd/2.5/co/ |
dc.rights.local.spa.fl_str_mv |
Abierto (Texto Completo) |
dc.rights.creativecommons.*.fl_str_mv |
Atribución-NoComercial-SinDerivadas 2.5 Colombia |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by-nc-nd/2.5/co/ Abierto (Texto Completo) Atribución-NoComercial-SinDerivadas 2.5 Colombia http://purl.org/coar/access_right/c_abf2 |
dc.format.mimetype.spa.fl_str_mv |
application/pdf |
dc.coverage.temporal.spa.fl_str_mv |
1997 |
dc.publisher.grantor.spa.fl_str_mv |
Universidad Autónoma de Bucaramanga UNAB |
dc.publisher.faculty.spa.fl_str_mv |
Facultad Ciencias Sociales, Humanidades y Artes |
dc.publisher.program.spa.fl_str_mv |
Pregrado Música |
dc.publisher.deparment.spa.fl_str_mv |
Centro de Documentación e Investigación Musical CEDIM |
institution |
Universidad Autónoma de Bucaramanga - UNAB |
bitstream.url.fl_str_mv |
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Atehortúa Amaya, Blas Emiliod92b51ea-3c0b-424e-8765-efab4c3c105319972022-11-30T19:49:53Z2022-11-30T19:49:53Z1997http://hdl.handle.net/20.500.12749/18527instname:Universidad Autónoma de Bucaramanga - UNABreponame:Repositorio Institucional UNABrepourl:https://repository.unab.edu.coFirmada, datada y paginada. -- Formato: Wood choir: 1 Piccolo, 2 Flutes (1st with alto flute in G), 2 Oboes, 1 English horn, 2 Clarinets in Bb, 1 Bass clarinet in Bb, 1 Contrabass clarinet in Eb, 2 Bassoons, 1 Contrabassoon; Brass choir: 4 horns in F, 3 trumpets in Bb, 3 trombones (3rd is bass), 1 Tuba; Percussion 1: Timpani (4), Temple bells (5); Percussion 2: Tubular bells I (chimes), Snare drum, Xylophone; Percussion 3: Tubular bells II (chimes), Temple blocks (3), Marimba; Percussion 4: Tubular bells III (chimes), Cymbals, Bongos (2); Percussion 5: Vibraphone I, Bass drum, Maracas (2); Percussion 6: Vibraphone II, Large tam-tam, Roto tom (3), Whip; 1 Celesta, 1 Harp. -- Obra comisionada: commissioned by the American Waterways Wind Orchestra, Music director Bobert Austin Boudreau, for the 40th Season, 1997. -- El documento contiene gráfico de la posición de la orquesta en el escenario y explicación de convenciones en la partitura. -- Fotocopia anillada del documento (32 hojas), 43 x 28 cm. -- Se localizan 2 agujeros en el lateral izquierdo en todas las hojas, manchas de humedad, pedazos de cinta adhesiva, manchas de corrector y anotaciones a mano del compositor. -- El compositor posee dos fechas de nacimiento registradas en diferentes obras. Está en revisión documental. 1933 o 1943.Blas Emilio Atehortúa Amaya FUBEASigned, dated and paginated. -- Format: Wood choir: 1 Piccolo, 2 Flutes (1st with alto flute in G), 2 Oboes, 1 English horn, 2 Clarinets in Bb, 1 Bass clarinet in Bb, 1 Contrabass clarinet in Eb, 2 Bassoons, 1 Contrabassoon ; Brass choir: 4 horns in F, 3 trumpets in Bb, 3 trombones (3rd is bass), 1 Tuba; Percussion 1: Timpani (4), Temple bells (5); Percussion 2: Tubular bells I (chimes), Snare drum, Xylophone; Percussion 3: Tubular bells II (chimes), Temple blocks (3), Marimba; Percussion 4: Tubular bells III (chimes), Cymbals, Bongos (2); Percussion 5: Vibraphone I, Bass drum, Maracas (2); Percussion 6: Vibraphone II, Large tam-tam, Roto tom (3), Whip; 1 Celesta, 1 Harp. -- Commissioned work: commissioned by the American Waterways Wind Orchestra, Music director Bobert Austin Boudreau, for the 40th Season, 1997. -- The document contains a graph of the position of the orchestra on the stage and an explanation of conventions in the score. -- Ringed photocopy of the document (32 sheets), 43 x 28 cm. -- There are 2 holes on the left side of all the pages, moisture stains, pieces of adhesive tape, concealer stains and annotations by the composer's hand. -- The composer has two dates of birth recorded in different works. It is under documentary review. 1933 or 1943.application/pdfspaFondo Blas Emilio Atehortúa convenio FUBEAhttp://hdl.handle.net/20.500.12749/19452http://creativecommons.org/licenses/by-nc-nd/2.5/co/Abierto (Texto Completo)Atribución-NoComercial-SinDerivadas 2.5 Colombiahttp://purl.org/coar/access_right/c_abf2To the wonderful rivers of Pittsburgh, Op.193 : for winds and percussion orchestra in antiphonal mannerTo the wonderful rivers of Pittsburgh, Op.193 : for winds and percussion orchestra in antiphonal mannerMusical compositioninfo:eu-repo/semantics/bookComposición musicalhttp://purl.org/coar/resource_type/c_18cdhttp://purl.org/coar/resource_type/c_2f33info:eu-repo/semantics/acceptedVersionhttp://purl.org/coar/resource_type/c_18cdUniversidad Autónoma de Bucaramanga UNABFacultad Ciencias Sociales, Humanidades y ArtesPregrado MúsicaCentro de Documentación e Investigación Musical CEDIMComposition (Music)MusicSymphoniesScoreMusic notationColombian composersWind instrumentsPercussion instrumentsInstrumental musicComposición musicalMúsicaSinfoníasPartiturasNotación musicalCompositores colombianosInstrumentos de vientoInstrumentos de percusiónMúsica instrumentalAtehortúa Amaya, Blas Emilio, [1943]-2020LICENSElicense.txtlicense.txttext/plain; charset=utf-8829https://repository.unab.edu.co/bitstream/20.500.12749/18527/2/license.txt3755c0cfdb77e29f2b9125d7a45dd316MD52open accessORIGINALfbea_7_Manuscrito_PDF.pdffbea_7_Manuscrito_PDF.pdfPartitura en PDF (Original)application/pdf76890578https://repository.unab.edu.co/bitstream/20.500.12749/18527/3/fbea_7_Manuscrito_PDF.pdf9802c5abec8d78f1827712b96cfa9d71MD53open accessfbea_7_Fotocopia_PDF.pdffbea_7_Fotocopia_PDF.pdfPartitura en PDF (Fotocopia)application/pdf76488431https://repository.unab.edu.co/bitstream/20.500.12749/18527/4/fbea_7_Fotocopia_PDF.pdf1c98d0461ecd9d3bcd1dff0be791de1eMD54open accessfbea_7_Manuscrito_JPG.zipfbea_7_Manuscrito_JPG.zipPartitura en JPG (Original)application/zip231147952https://repository.unab.edu.co/bitstream/20.500.12749/18527/5/fbea_7_Manuscrito_JPG.zip6b2d1c4f4a849f909dc6ed428bcdc277MD55open accessfbea_7_Fotocopia_JPG.zipfbea_7_Fotocopia_JPG.zipPartitura en JPG (Fotocopia)application/zip233793677https://repository.unab.edu.co/bitstream/20.500.12749/18527/6/fbea_7_Fotocopia_JPG.zip70eb07ee534347c9b692e07c4e15b9bdMD56open accessfbea_7_Manuscrito_TIFF.zipfbea_7_Manuscrito_TIFF.zipPartitura en TIFF (Original)application/zip1260000354https://repository.unab.edu.co/bitstream/20.500.12749/18527/7/fbea_7_Manuscrito_TIFF.zipaf095f9428e94e1096eff0cbaf784747MD57open accessfbea_7_Fotocopia_TIFF.zipfbea_7_Fotocopia_TIFF.zipPartitura en TIFF (Fotocopia)application/zip1257340705https://repository.unab.edu.co/bitstream/20.500.12749/18527/8/fbea_7_Fotocopia_TIFF.zip1b790b7f2a63d9a2d63f4d467863bebfMD58open accessTHUMBNAILfbea_7_Manuscrito_PDF.pdf.jpgfbea_7_Manuscrito_PDF.pdf.jpgIM Thumbnailimage/jpeg12395https://repository.unab.edu.co/bitstream/20.500.12749/18527/9/fbea_7_Manuscrito_PDF.pdf.jpgba59576a44fc954ab27cff6868d322aaMD59open accessfbea_7_Fotocopia_PDF.pdf.jpgfbea_7_Fotocopia_PDF.pdf.jpgIM Thumbnailimage/jpeg13623https://repository.unab.edu.co/bitstream/20.500.12749/18527/10/fbea_7_Fotocopia_PDF.pdf.jpg426bf97ebdcdcd81394d060c365b8995MD510open access20.500.12749/18527oai:repository.unab.edu.co:20.500.12749/185272025-02-11 14:39:03.611open accessRepositorio Institucional | Universidad Autónoma de Bucaramanga - UNABrepositorio@unab.edu.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 |