Aesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren Kierkegaard

Well knows, Kierkegaard’s aesthetic stage is the stage of immediate life. This life based on the lyricism and seduction, embodied also the Kierkegaard’s character of Johannes, in the The Seducer's Diary, as the Mozart´s conceptual character of Don Juan. This...

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Fecha de publicación:
2011
Institución:
Universidad Industrial de Santander
Repositorio:
Repositorio UIS
Idioma:
spa
OAI Identifier:
oai:noesis.uis.edu.co:20.500.14071/10622
Acceso en línea:
https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2837
https://noesis.uis.edu.co/handle/20.500.14071/10622
Palabra clave:
Kierkegaard
seducción
estadio estético
Don Juan
inmediatez
genialidad sensual
Kierkegaard
seduction
aesthetic stage
Don Juan
immediacy
sensual genius
Rights
openAccess
License
Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)
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oai_identifier_str oai:noesis.uis.edu.co:20.500.14071/10622
network_acronym_str UISANTADR2
network_name_str Repositorio UIS
repository_id_str
spelling Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)Derechos de autor 2011 Jennifer Hincapié Sánchezinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccessAtribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)2011-10-102022-06-07T15:41:02Z2022-06-07T15:41:02Zhttps://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2837https://noesis.uis.edu.co/handle/20.500.14071/10622Well knows, Kierkegaard’s aesthetic stage is the stage of immediate life. This life based on the lyricism and seduction, embodied also the Kierkegaard’s character of Johannes, in the The Seducer's Diary, as the Mozart´s conceptual character of Don Juan. This article attemts to demonstrate how Kierkegaard appropriates the figure of seduction in his works and thought as the factual consolidation of immediacy, and how seduction, like music, prepare the way for a transcendental, aesthetics experience: The lives in the moment.Es bien sabido que el estadio estético de Kierkegaard es el estadio de la vida inmediata. Esta vida basada en el lirismo y la seducción, alberga tanto a Johannes, personificación de Kierkegaard en el Diario del seductor, como al personaje conceptual del Don Juan de Mozart.  El presente artículo intenta demostrar cómo Kierkegaard incorpora en sus obras y en su pensamiento, la figura de la seducción como la consolidación factual de la inmediatez; y cómo la seducción, al igual que la música, prepara el camino para una experiencia estética trascendental: la vida en el momento.application/pdftext/htmlspaUniversidad Industrial de Santanderhttps://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2837/3075https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2837/5583Revista Filosofía UIS; Vol. 10 Núm. 2 (2011): Revista Filosofía UIS; 95-109Revista Filosofía UIS; Vol. 10 No. 2 (2011): Revista Filosofía UIS; 95-109REVISTA FILOSOFIA UIS; v. 10 n. 2 (2011): Revista Filosofía UIS; 95-1092145-85291692-2484Kierkegaardseducciónestadio estéticoDon Juaninmediatezgenialidad sensualKierkegaardseductionaesthetic stageDon Juanimmediacysensual geniusAesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren KierkegaardDe estética y seducción en «los estadios eróticos inmediatos, o el erotismo musical», de Søren Kierkegaardinfo:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_2df8fbb1Hincapié Sánchez, Jennifer20.500.14071/10622oai:noesis.uis.edu.co:20.500.14071/106222022-06-07 10:41:02.31metadata.onlyhttps://noesis.uis.edu.coDSpace at UISnoesis@uis.edu.co
dc.title.en-US.fl_str_mv Aesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren Kierkegaard
dc.title.es-ES.fl_str_mv De estética y seducción en «los estadios eróticos inmediatos, o el erotismo musical», de Søren Kierkegaard
title Aesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren Kierkegaard
spellingShingle Aesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren Kierkegaard
Kierkegaard
seducción
estadio estético
Don Juan
inmediatez
genialidad sensual
Kierkegaard
seduction
aesthetic stage
Don Juan
immediacy
sensual genius
title_short Aesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren Kierkegaard
title_full Aesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren Kierkegaard
title_fullStr Aesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren Kierkegaard
title_full_unstemmed Aesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren Kierkegaard
title_sort Aesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren Kierkegaard
dc.subject.es-ES.fl_str_mv Kierkegaard
seducción
estadio estético
Don Juan
inmediatez
genialidad sensual
topic Kierkegaard
seducción
estadio estético
Don Juan
inmediatez
genialidad sensual
Kierkegaard
seduction
aesthetic stage
Don Juan
immediacy
sensual genius
dc.subject.en-US.fl_str_mv Kierkegaard
seduction
aesthetic stage
Don Juan
immediacy
sensual genius
description Well knows, Kierkegaard’s aesthetic stage is the stage of immediate life. This life based on the lyricism and seduction, embodied also the Kierkegaard’s character of Johannes, in the The Seducer's Diary, as the Mozart´s conceptual character of Don Juan. This article attemts to demonstrate how Kierkegaard appropriates the figure of seduction in his works and thought as the factual consolidation of immediacy, and how seduction, like music, prepare the way for a transcendental, aesthetics experience: The lives in the moment.
publishDate 2011
dc.date.accessioned.none.fl_str_mv 2022-06-07T15:41:02Z
dc.date.available.none.fl_str_mv 2022-06-07T15:41:02Z
dc.date.none.fl_str_mv 2011-10-10
dc.type.none.fl_str_mv info:eu-repo/semantics/article
dc.type.coarversion.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.identifier.none.fl_str_mv https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2837
dc.identifier.uri.none.fl_str_mv https://noesis.uis.edu.co/handle/20.500.14071/10622
url https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2837
https://noesis.uis.edu.co/handle/20.500.14071/10622
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2837/3075
https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2837/5583
dc.rights.es-ES.fl_str_mv Derechos de autor 2011 Jennifer Hincapié Sánchez
info:eu-repo/semantics/openAccess
dc.rights.license.none.fl_str_mv Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)
dc.rights.coar.none.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.accessrights.none.fl_str_mv info:eu-repo/semantics/openAccess
dc.rights.creativecommons.none.fl_str_mv Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)
rights_invalid_str_mv Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)
Derechos de autor 2011 Jennifer Hincapié Sánchez
http://purl.org/coar/access_right/c_abf2
Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.es-ES.fl_str_mv Universidad Industrial de Santander
dc.source.es-ES.fl_str_mv Revista Filosofía UIS; Vol. 10 Núm. 2 (2011): Revista Filosofía UIS; 95-109
dc.source.en-US.fl_str_mv Revista Filosofía UIS; Vol. 10 No. 2 (2011): Revista Filosofía UIS; 95-109
dc.source.pt-BR.fl_str_mv REVISTA FILOSOFIA UIS; v. 10 n. 2 (2011): Revista Filosofía UIS; 95-109
dc.source.none.fl_str_mv 2145-8529
1692-2484
institution Universidad Industrial de Santander
repository.name.fl_str_mv DSpace at UIS
repository.mail.fl_str_mv noesis@uis.edu.co
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