Aesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren Kierkegaard
Well knows, Kierkegaard’s aesthetic stage is the stage of immediate life. This life based on the lyricism and seduction, embodied also the Kierkegaard’s character of Johannes, in the The Seducer's Diary, as the Mozart´s conceptual character of Don Juan. This...
- Autores:
- Tipo de recurso:
- Fecha de publicación:
- 2011
- Institución:
- Universidad Industrial de Santander
- Repositorio:
- Repositorio UIS
- Idioma:
- spa
- OAI Identifier:
- oai:noesis.uis.edu.co:20.500.14071/10622
- Acceso en línea:
- https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2837
https://noesis.uis.edu.co/handle/20.500.14071/10622
- Palabra clave:
- Kierkegaard
seducción
estadio estético
Don Juan
inmediatez
genialidad sensual
Kierkegaard
seduction
aesthetic stage
Don Juan
immediacy
sensual genius
- Rights
- openAccess
- License
- Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)
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Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)Derechos de autor 2011 Jennifer Hincapié Sánchezinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccessAtribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)2011-10-102022-06-07T15:41:02Z2022-06-07T15:41:02Zhttps://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2837https://noesis.uis.edu.co/handle/20.500.14071/10622Well knows, Kierkegaard’s aesthetic stage is the stage of immediate life. This life based on the lyricism and seduction, embodied also the Kierkegaard’s character of Johannes, in the The Seducer's Diary, as the Mozart´s conceptual character of Don Juan. This article attemts to demonstrate how Kierkegaard appropriates the figure of seduction in his works and thought as the factual consolidation of immediacy, and how seduction, like music, prepare the way for a transcendental, aesthetics experience: The lives in the moment.Es bien sabido que el estadio estético de Kierkegaard es el estadio de la vida inmediata. Esta vida basada en el lirismo y la seducción, alberga tanto a Johannes, personificación de Kierkegaard en el Diario del seductor, como al personaje conceptual del Don Juan de Mozart. El presente artículo intenta demostrar cómo Kierkegaard incorpora en sus obras y en su pensamiento, la figura de la seducción como la consolidación factual de la inmediatez; y cómo la seducción, al igual que la música, prepara el camino para una experiencia estética trascendental: la vida en el momento.application/pdftext/htmlspaUniversidad Industrial de Santanderhttps://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2837/3075https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2837/5583Revista Filosofía UIS; Vol. 10 Núm. 2 (2011): Revista Filosofía UIS; 95-109Revista Filosofía UIS; Vol. 10 No. 2 (2011): Revista Filosofía UIS; 95-109REVISTA FILOSOFIA UIS; v. 10 n. 2 (2011): Revista Filosofía UIS; 95-1092145-85291692-2484Kierkegaardseducciónestadio estéticoDon Juaninmediatezgenialidad sensualKierkegaardseductionaesthetic stageDon Juanimmediacysensual geniusAesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren KierkegaardDe estética y seducción en «los estadios eróticos inmediatos, o el erotismo musical», de Søren Kierkegaardinfo:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_2df8fbb1Hincapié Sánchez, Jennifer20.500.14071/10622oai:noesis.uis.edu.co:20.500.14071/106222022-06-07 10:41:02.31metadata.onlyhttps://noesis.uis.edu.coDSpace at UISnoesis@uis.edu.co |
dc.title.en-US.fl_str_mv |
Aesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren Kierkegaard |
dc.title.es-ES.fl_str_mv |
De estética y seducción en «los estadios eróticos inmediatos, o el erotismo musical», de Søren Kierkegaard |
title |
Aesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren Kierkegaard |
spellingShingle |
Aesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren Kierkegaard Kierkegaard seducción estadio estético Don Juan inmediatez genialidad sensual Kierkegaard seduction aesthetic stage Don Juan immediacy sensual genius |
title_short |
Aesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren Kierkegaard |
title_full |
Aesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren Kierkegaard |
title_fullStr |
Aesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren Kierkegaard |
title_full_unstemmed |
Aesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren Kierkegaard |
title_sort |
Aesthetics and seduction on "The Immediate Erotic Stages, or The Musical Erotic", by Søren Kierkegaard |
dc.subject.es-ES.fl_str_mv |
Kierkegaard seducción estadio estético Don Juan inmediatez genialidad sensual |
topic |
Kierkegaard seducción estadio estético Don Juan inmediatez genialidad sensual Kierkegaard seduction aesthetic stage Don Juan immediacy sensual genius |
dc.subject.en-US.fl_str_mv |
Kierkegaard seduction aesthetic stage Don Juan immediacy sensual genius |
description |
Well knows, Kierkegaard’s aesthetic stage is the stage of immediate life. This life based on the lyricism and seduction, embodied also the Kierkegaard’s character of Johannes, in the The Seducer's Diary, as the Mozart´s conceptual character of Don Juan. This article attemts to demonstrate how Kierkegaard appropriates the figure of seduction in his works and thought as the factual consolidation of immediacy, and how seduction, like music, prepare the way for a transcendental, aesthetics experience: The lives in the moment. |
publishDate |
2011 |
dc.date.accessioned.none.fl_str_mv |
2022-06-07T15:41:02Z |
dc.date.available.none.fl_str_mv |
2022-06-07T15:41:02Z |
dc.date.none.fl_str_mv |
2011-10-10 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.identifier.none.fl_str_mv |
https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2837 |
dc.identifier.uri.none.fl_str_mv |
https://noesis.uis.edu.co/handle/20.500.14071/10622 |
url |
https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2837 https://noesis.uis.edu.co/handle/20.500.14071/10622 |
dc.language.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2837/3075 https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2837/5583 |
dc.rights.es-ES.fl_str_mv |
Derechos de autor 2011 Jennifer Hincapié Sánchez info:eu-repo/semantics/openAccess |
dc.rights.license.none.fl_str_mv |
Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) |
dc.rights.coar.none.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.accessrights.none.fl_str_mv |
info:eu-repo/semantics/openAccess |
dc.rights.creativecommons.none.fl_str_mv |
Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0) |
rights_invalid_str_mv |
Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) Derechos de autor 2011 Jennifer Hincapié Sánchez http://purl.org/coar/access_right/c_abf2 Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0) |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/html |
dc.publisher.es-ES.fl_str_mv |
Universidad Industrial de Santander |
dc.source.es-ES.fl_str_mv |
Revista Filosofía UIS; Vol. 10 Núm. 2 (2011): Revista Filosofía UIS; 95-109 |
dc.source.en-US.fl_str_mv |
Revista Filosofía UIS; Vol. 10 No. 2 (2011): Revista Filosofía UIS; 95-109 |
dc.source.pt-BR.fl_str_mv |
REVISTA FILOSOFIA UIS; v. 10 n. 2 (2011): Revista Filosofía UIS; 95-109 |
dc.source.none.fl_str_mv |
2145-8529 1692-2484 |
institution |
Universidad Industrial de Santander |
repository.name.fl_str_mv |
DSpace at UIS |
repository.mail.fl_str_mv |
noesis@uis.edu.co |
_version_ |
1814095223827988480 |