Las cuencas del abuso
Día a día observamos como las cifras de abuso sexual infantil aumentan y como estos hechos generan múltiples consecuencias sociales y personales. Así mismo, estas secuelas están ligadas a recuerdos inefables que perduran en quien las vive, entre ellas se ha encontrado que la mirada del perpetrador e...
- Autores:
-
Aparicio Pico, Juan Andres
- Tipo de recurso:
- http://purl.org/coar/version/c_b1a7d7d4d402bcce
- Fecha de publicación:
- 2016
- Institución:
- Universidad Industrial de Santander
- Repositorio:
- Repositorio UIS
- Idioma:
- spa
- OAI Identifier:
- oai:noesis.uis.edu.co:20.500.14071/33823
- Palabra clave:
- Elementos Orgánicos
Abuso Sexual
Rechazo Y Temor
Every day we see the numbers of child sexual abuse increase and how these events generate multiple social and personal consequences. Besides
these consequences are linked to memories that endure unspeakable those who live them
including found that the look of the perpetrator is well remembered in the victims who suffered these events for several years. Therefore
this study aimed to manipulate organic materials such as cow eyes
representing the intimidating look of a sex offender and generate feelings of rejection and fear in viewer’s materials. The staging was performed using 3 parts
which measured 60 x 40 centimeters. A Renaissance framework was also used. We used 70 eyes of cows
which were attached to a gauze mesh and cotton
which contained formaldehyde so that material degradation was slower than normal were used. The organic elements were exposed through a glass case sealed to public safety. All this in ordered to generate feelings of intimidation
rejection and fear in those who observe the installation. Finally
we sought these feelings generated in the spectator lead to the reflection of the problems affecting the daily life of society
- Rights
- License
- Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)
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dc.title.none.fl_str_mv |
Las cuencas del abuso |
dc.title.english.none.fl_str_mv |
Organic Elements, Sexual Abuse, Rejection And Fear. |
title |
Las cuencas del abuso |
spellingShingle |
Las cuencas del abuso Elementos Orgánicos Abuso Sexual Rechazo Y Temor Every day we see the numbers of child sexual abuse increase and how these events generate multiple social and personal consequences. Besides these consequences are linked to memories that endure unspeakable those who live them including found that the look of the perpetrator is well remembered in the victims who suffered these events for several years. Therefore this study aimed to manipulate organic materials such as cow eyes representing the intimidating look of a sex offender and generate feelings of rejection and fear in viewer’s materials. The staging was performed using 3 parts which measured 60 x 40 centimeters. A Renaissance framework was also used. We used 70 eyes of cows which were attached to a gauze mesh and cotton which contained formaldehyde so that material degradation was slower than normal were used. The organic elements were exposed through a glass case sealed to public safety. All this in ordered to generate feelings of intimidation rejection and fear in those who observe the installation. Finally we sought these feelings generated in the spectator lead to the reflection of the problems affecting the daily life of society |
title_short |
Las cuencas del abuso |
title_full |
Las cuencas del abuso |
title_fullStr |
Las cuencas del abuso |
title_full_unstemmed |
Las cuencas del abuso |
title_sort |
Las cuencas del abuso |
dc.creator.fl_str_mv |
Aparicio Pico, Juan Andres |
dc.contributor.advisor.none.fl_str_mv |
Cadavid Caceres, Nicolas |
dc.contributor.author.none.fl_str_mv |
Aparicio Pico, Juan Andres |
dc.subject.none.fl_str_mv |
Elementos Orgánicos Abuso Sexual Rechazo Y Temor |
topic |
Elementos Orgánicos Abuso Sexual Rechazo Y Temor Every day we see the numbers of child sexual abuse increase and how these events generate multiple social and personal consequences. Besides these consequences are linked to memories that endure unspeakable those who live them including found that the look of the perpetrator is well remembered in the victims who suffered these events for several years. Therefore this study aimed to manipulate organic materials such as cow eyes representing the intimidating look of a sex offender and generate feelings of rejection and fear in viewer’s materials. The staging was performed using 3 parts which measured 60 x 40 centimeters. A Renaissance framework was also used. We used 70 eyes of cows which were attached to a gauze mesh and cotton which contained formaldehyde so that material degradation was slower than normal were used. The organic elements were exposed through a glass case sealed to public safety. All this in ordered to generate feelings of intimidation rejection and fear in those who observe the installation. Finally we sought these feelings generated in the spectator lead to the reflection of the problems affecting the daily life of society |
dc.subject.keyword.none.fl_str_mv |
Every day we see the numbers of child sexual abuse increase and how these events generate multiple social and personal consequences. Besides these consequences are linked to memories that endure unspeakable those who live them including found that the look of the perpetrator is well remembered in the victims who suffered these events for several years. Therefore this study aimed to manipulate organic materials such as cow eyes representing the intimidating look of a sex offender and generate feelings of rejection and fear in viewer’s materials. The staging was performed using 3 parts which measured 60 x 40 centimeters. A Renaissance framework was also used. We used 70 eyes of cows which were attached to a gauze mesh and cotton which contained formaldehyde so that material degradation was slower than normal were used. The organic elements were exposed through a glass case sealed to public safety. All this in ordered to generate feelings of intimidation rejection and fear in those who observe the installation. Finally we sought these feelings generated in the spectator lead to the reflection of the problems affecting the daily life of society |
description |
Día a día observamos como las cifras de abuso sexual infantil aumentan y como estos hechos generan múltiples consecuencias sociales y personales. Así mismo, estas secuelas están ligadas a recuerdos inefables que perduran en quien las vive, entre ellas se ha encontrado que la mirada del perpetrador es muy recordada en las victimas quienes padecieron estos hechos por varios años. Por ello, el presente trabajo tuvo por objetivo manipular materiales orgánicos, tales como los ojos de vaca, que representan la mirada intimidante de un agresor sexual y así generar sentimientos de rechazo y temor en los espectadores. La puesta en escena se llevó a cabo mediante la utilización de 3 piezas, las cuales median 60 x 40 centímetros. También se utilizó un marco renacentista. Se utilizaron 70 ojos de vaca, los cuales iban adheridos a una malla de gasa y algodón, los cuales contenían formol con el fin de que la degradación del material fuera más lenta de lo normal. Los elementos orgánicos fueron expuestos a través de una vitrina de vidrio, sellada para seguridad del público. Todo esto, con el fin de generar sentimientos de intimidación, rechazo y temor en quien observa la instalación. Finalmente, se buscó que estos sentimientos generados en el espectador conlleven a la reflexión de esta problemática que aqueja el día a día de la sociedad. |
publishDate |
2016 |
dc.date.available.none.fl_str_mv |
2016 2024-03-03T22:30:52Z |
dc.date.created.none.fl_str_mv |
2016 |
dc.date.issued.none.fl_str_mv |
2016 |
dc.date.accessioned.none.fl_str_mv |
2024-03-03T22:30:52Z |
dc.type.local.none.fl_str_mv |
Tesis/Trabajo de grado - Monografía - Pregrado |
dc.type.hasversion.none.fl_str_mv |
http://purl.org/coar/resource_type/c_7a1f |
dc.type.coar.none.fl_str_mv |
http://purl.org/coar/version/c_b1a7d7d4d402bcce |
format |
http://purl.org/coar/version/c_b1a7d7d4d402bcce |
dc.identifier.uri.none.fl_str_mv |
https://noesis.uis.edu.co/handle/20.500.14071/33823 |
dc.identifier.instname.none.fl_str_mv |
Universidad Industrial de Santander |
dc.identifier.reponame.none.fl_str_mv |
Universidad Industrial de Santander |
dc.identifier.repourl.none.fl_str_mv |
https://noesis.uis.edu.co |
url |
https://noesis.uis.edu.co/handle/20.500.14071/33823 https://noesis.uis.edu.co |
identifier_str_mv |
Universidad Industrial de Santander |
dc.language.iso.none.fl_str_mv |
spa |
language |
spa |
dc.rights.none.fl_str_mv |
http://creativecommons.org/licenses/by/4.0/ |
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http://purl.org/coar/access_right/c_abf2 |
dc.rights.license.none.fl_str_mv |
Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) |
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http://creativecommons.org/licenses/by-nc/4.0 |
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Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0) |
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Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by-nc/4.0 Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0) http://purl.org/coar/access_right/c_abf2 |
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application/pdf |
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Universidad Industrial de Santander |
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Instituto de Proyección Regional y Educación a Distancia |
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Bellas Artes |
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Instituto de Proyección Regional y Educación a Distancia |
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Universidad Industrial de Santander |
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Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)http://creativecommons.org/licenses/by/4.0/http://creativecommons.org/licenses/by-nc/4.0Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)http://purl.org/coar/access_right/c_abf2Cadavid Caceres, NicolasAparicio Pico, Juan Andres2024-03-03T22:30:52Z20162024-03-03T22:30:52Z20162016https://noesis.uis.edu.co/handle/20.500.14071/33823Universidad Industrial de SantanderUniversidad Industrial de Santanderhttps://noesis.uis.edu.coDía a día observamos como las cifras de abuso sexual infantil aumentan y como estos hechos generan múltiples consecuencias sociales y personales. Así mismo, estas secuelas están ligadas a recuerdos inefables que perduran en quien las vive, entre ellas se ha encontrado que la mirada del perpetrador es muy recordada en las victimas quienes padecieron estos hechos por varios años. Por ello, el presente trabajo tuvo por objetivo manipular materiales orgánicos, tales como los ojos de vaca, que representan la mirada intimidante de un agresor sexual y así generar sentimientos de rechazo y temor en los espectadores. La puesta en escena se llevó a cabo mediante la utilización de 3 piezas, las cuales median 60 x 40 centímetros. También se utilizó un marco renacentista. Se utilizaron 70 ojos de vaca, los cuales iban adheridos a una malla de gasa y algodón, los cuales contenían formol con el fin de que la degradación del material fuera más lenta de lo normal. Los elementos orgánicos fueron expuestos a través de una vitrina de vidrio, sellada para seguridad del público. Todo esto, con el fin de generar sentimientos de intimidación, rechazo y temor en quien observa la instalación. Finalmente, se buscó que estos sentimientos generados en el espectador conlleven a la reflexión de esta problemática que aqueja el día a día de la sociedad.PregradoMaestro en Bellas ArtesThe basins of abuseapplication/pdfspaUniversidad Industrial de SantanderInstituto de Proyección Regional y Educación a DistanciaBellas ArtesInstituto de Proyección Regional y Educación a DistanciaElementos OrgánicosAbuso SexualRechazo Y TemorEvery day we see the numbers of child sexual abuse increase and how these events generate multiple social and personal consequences. Besidesthese consequences are linked to memories that endure unspeakable those who live themincluding found that the look of the perpetrator is well remembered in the victims who suffered these events for several years. Thereforethis study aimed to manipulate organic materials such as cow eyesrepresenting the intimidating look of a sex offender and generate feelings of rejection and fear in viewer’s materials. The staging was performed using 3 partswhich measured 60 x 40 centimeters. A Renaissance framework was also used. We used 70 eyes of cowswhich were attached to a gauze mesh and cottonwhich contained formaldehyde so that material degradation was slower than normal were used. The organic elements were exposed through a glass case sealed to public safety. All this in ordered to generate feelings of intimidationrejection and fear in those who observe the installation. Finallywe sought these feelings generated in the spectator lead to the reflection of the problems affecting the daily life of societyLas cuencas del abusoOrganic Elements, Sexual Abuse, Rejection And Fear.Tesis/Trabajo de grado - Monografía - Pregradohttp://purl.org/coar/resource_type/c_7a1fhttp://purl.org/coar/version/c_b1a7d7d4d402bcceORIGINALCarta de autorización.pdfapplication/pdf442732https://noesis.uis.edu.co/bitstreams/fb9bcbaf-1832-4e5e-b687-5916f2b397e0/downloadff2e9b54c4a9ac269cd5c8837ba4c43bMD51Documento.pdfapplication/pdf1307414https://noesis.uis.edu.co/bitstreams/ccf84ac5-faee-43a3-9b96-1869595a61f9/downloadc25e10d517eab7c7439e4a28d25729c4MD52Nota de proyecto.pdfapplication/pdf205619https://noesis.uis.edu.co/bitstreams/f1b58b7e-499a-4376-a247-9fa2232ca631/download5fa5256e6d727aca1c3fcee59a7bc322MD5320.500.14071/33823oai:noesis.uis.edu.co:20.500.14071/338232024-03-03 17:30:52.823http://creativecommons.org/licenses/by-nc/4.0http://creativecommons.org/licenses/by/4.0/open.accesshttps://noesis.uis.edu.coDSpace at UISnoesis@uis.edu.co |