Recital de violín: características interpretativas en cuatro formatos instrumentales
Este recital plantea un tipo de interpretación más cercana a la época original de la obra y el estilo del compositor. En la actualidad los distintos conservatorios y universidades del mundo están unificando sus criterios musicales, dejando a un
- Autores:
-
Montesino Porras, Luis Ferney
- Tipo de recurso:
- http://purl.org/coar/version/c_b1a7d7d4d402bcce
- Fecha de publicación:
- 2018
- Institución:
- Universidad Industrial de Santander
- Repositorio:
- Repositorio UIS
- Idioma:
- spa
- OAI Identifier:
- oai:noesis.uis.edu.co:20.500.14071/38682
- Palabra clave:
- Violín
Formatos
Interpretación
Análisis
Recital.
Violin
Formats
Interpretation
Analysis
Recital.
- Rights
- License
- Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)
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Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)http://creativecommons.org/licenses/by/4.0/http://creativecommons.org/licenses/by-nc/4.0Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)http://purl.org/coar/access_right/c_abf2Santos Soto, Jose JulianMontesino Porras, Luis Ferney2024-03-04T00:05:26Z20182024-03-04T00:05:26Z20182018https://noesis.uis.edu.co/handle/20.500.14071/38682Universidad Industrial de SantanderUniversidad Industrial de Santanderhttps://noesis.uis.edu.coEste recital plantea un tipo de interpretación más cercana a la época original de la obra y el estilo del compositor. En la actualidad los distintos conservatorios y universidades del mundo están unificando sus criterios musicales, dejando a unPregradoLicenciado en MúsicaThis recital raises a type of interpretation closer to the original time of the work and the style of the composer. At present the different conservatories and universities of the world are unifying their musical criteria, leaving aside the concept of interpretation by schools and thus entering a field of globalization that have already previously penetrated other areas of study. In order to make this possible, an editorial has been developed that has researched deeply to find the most reliable written versions of many of the composers most interpreted worldwide, such as those presented in this recital, which are Bach, Mozart and Beethoven. This publisher is called Ur text, and the annexes of this project will include the scores of the musical pieces worked on this grade project, belonging to the previously named publishing house. The author of this thesis has raised as a theme of recital four musical formats, which is complemented by one of Colombian music, to disseminate and give the same priority to Colombian national music as it has the universal music of the composers previously raised. This work of degree does not seek to distort the concept of in music of the Industrial University of Santander is more to the vanguard and continues being distinguished by being a soul mater of investigation and actuality. During the development of this written work, we can find a fairly simple and practical formal analysis of each of the pieces to be interpreted, together with an interpretative analysis where this theory is based on highly credible bibliographicapplication/pdfspaUniversidad Industrial de SantanderFacultad de Ciencias HumanasLicenciatura en MúsicaEscuela de Artes y MúsicaViolínFormatosInterpretaciónAnálisisRecital.ViolinFormatsInterpretationAnalysisRecital.Recital de violín: características interpretativas en cuatro formatos instrumentalesRecital: the violin in four instrumental formatsTesis/Trabajo de grado - Monografía - Pregradohttp://purl.org/coar/resource_type/c_7a1fhttp://purl.org/coar/version/c_b1a7d7d4d402bcceORIGINALCarta de autorización.pdfapplication/pdf46378https://noesis.uis.edu.co/bitstreams/ecff1354-f420-422d-99d6-dd2497b1f3f9/download391a4794ff43a31b7cf6019be5ff982aMD51Documento.pdfapplication/pdf5345449https://noesis.uis.edu.co/bitstreams/5ddfb4f4-2e36-4798-9657-3aa8d395b988/downloadf733f7584b63a4bfc001d5793d40fb31MD52Nota de proyecto.pdfapplication/pdf30539https://noesis.uis.edu.co/bitstreams/37fc90d6-cc70-4585-bfc9-f4910ffc2391/downloadb550bd272deaa498c5307f4eddc4640cMD5320.500.14071/38682oai:noesis.uis.edu.co:20.500.14071/386822024-03-03 19:05:26.036http://creativecommons.org/licenses/by-nc/4.0http://creativecommons.org/licenses/by/4.0/open.accesshttps://noesis.uis.edu.coDSpace at UISnoesis@uis.edu.co |
| dc.title.none.fl_str_mv |
Recital de violín: características interpretativas en cuatro formatos instrumentales |
| dc.title.english.none.fl_str_mv |
Recital: the violin in four instrumental formats |
| title |
Recital de violín: características interpretativas en cuatro formatos instrumentales |
| spellingShingle |
Recital de violín: características interpretativas en cuatro formatos instrumentales Violín Formatos Interpretación Análisis Recital. Violin Formats Interpretation Analysis Recital. |
| title_short |
Recital de violín: características interpretativas en cuatro formatos instrumentales |
| title_full |
Recital de violín: características interpretativas en cuatro formatos instrumentales |
| title_fullStr |
Recital de violín: características interpretativas en cuatro formatos instrumentales |
| title_full_unstemmed |
Recital de violín: características interpretativas en cuatro formatos instrumentales |
| title_sort |
Recital de violín: características interpretativas en cuatro formatos instrumentales |
| dc.creator.fl_str_mv |
Montesino Porras, Luis Ferney |
| dc.contributor.advisor.none.fl_str_mv |
Santos Soto, Jose Julian |
| dc.contributor.author.none.fl_str_mv |
Montesino Porras, Luis Ferney |
| dc.subject.none.fl_str_mv |
Violín Formatos Interpretación Análisis Recital. |
| topic |
Violín Formatos Interpretación Análisis Recital. Violin Formats Interpretation Analysis Recital. |
| dc.subject.keyword.none.fl_str_mv |
Violin Formats Interpretation Analysis Recital. |
| description |
Este recital plantea un tipo de interpretación más cercana a la época original de la obra y el estilo del compositor. En la actualidad los distintos conservatorios y universidades del mundo están unificando sus criterios musicales, dejando a un |
| publishDate |
2018 |
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2018 2024-03-04T00:05:26Z |
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2018 |
| dc.date.issued.none.fl_str_mv |
2018 |
| dc.date.accessioned.none.fl_str_mv |
2024-03-04T00:05:26Z |
| dc.type.local.none.fl_str_mv |
Tesis/Trabajo de grado - Monografía - Pregrado |
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http://purl.org/coar/resource_type/c_7a1f |
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http://purl.org/coar/version/c_b1a7d7d4d402bcce |
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http://purl.org/coar/version/c_b1a7d7d4d402bcce |
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https://noesis.uis.edu.co/handle/20.500.14071/38682 |
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Universidad Industrial de Santander |
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Universidad Industrial de Santander |
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https://noesis.uis.edu.co |
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https://noesis.uis.edu.co/handle/20.500.14071/38682 https://noesis.uis.edu.co |
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Universidad Industrial de Santander |
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spa |
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spa |
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http://creativecommons.org/licenses/by/4.0/ |
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http://purl.org/coar/access_right/c_abf2 |
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Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) |
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http://creativecommons.org/licenses/by-nc/4.0 |
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Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0) |
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Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by-nc/4.0 Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0) http://purl.org/coar/access_right/c_abf2 |
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Universidad Industrial de Santander |
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Facultad de Ciencias Humanas |
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Licenciatura en Música |
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Escuela de Artes y Música |
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Universidad Industrial de Santander |
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Universidad Industrial de Santander |
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