Quasi come uno animale: splendor and drifting of the composition term

This article attempts a reflection on the drifting of the composition-term in scope of: 1) The relationship between nature and art by Aristotle. 2) The pregnancy of Composition in classicist Aesthetics. 3) The Critics of Classicism by Kant based on his notion of Reflective Aesthetical Judgement. 4)...

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Tipo de recurso:
Fecha de publicación:
2011
Institución:
Universidad Industrial de Santander
Repositorio:
Repositorio UIS
Idioma:
spa
OAI Identifier:
oai:noesis.uis.edu.co:20.500.14071/10605
Acceso en línea:
https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2617
https://noesis.uis.edu.co/handle/20.500.14071/10605
Palabra clave:
composición
antropomórfico
técnica de la naturaleza
acontecimiento
espacio literal
composition
anthropomorphic
technique of nature
event
literal space
Rights
openAccess
License
Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)
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oai_identifier_str oai:noesis.uis.edu.co:20.500.14071/10605
network_acronym_str UISANTADR2
network_name_str Repositorio UIS
repository_id_str
spelling Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)Derechos de autor 2011 Miguel Salmerón Infanteinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccessAtribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)2011-07-152022-06-07T15:41:00Z2022-06-07T15:41:00Zhttps://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2617https://noesis.uis.edu.co/handle/20.500.14071/10605This article attempts a reflection on the drifting of the composition-term in scope of: 1) The relationship between nature and art by Aristotle. 2) The pregnancy of Composition in classicist Aesthetics. 3) The Critics of Classicism by Kant based on his notion of Reflective Aesthetical Judgement. 4) The consequence of the break of minimal art with naturalism and anthromorphic structures present in Art-History.Este artículo reflexiona sobre la deriva de la idea de composición a través de: 1) La relación entre los conceptos de naturaleza y arte en Aristóteles. 2) La significancia de la composición en la estética clasicista. 3) La crítica de Kant al clasicismo basada en su noción de Juicio estético reflexionante. 4) La consecuencia de la respuesta rupturista del "minimal art" con el naturalismo y el antropomorfismopresente a lo largo de la historia del arte.application/pdfspaUniversidad Industrial de Santanderhttps://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2617/2923Revista Filosofía UIS; Vol. 10 Núm. 1 (2011): Revista Filosofía UIS; 13-25Revista Filosofía UIS; Vol. 10 No. 1 (2011): Revista Filosofía UIS; 13-25REVISTA FILOSOFIA UIS; v. 10 n. 1 (2011): Revista Filosofía UIS; 13-252145-85291692-2484composiciónantropomórficotécnica de la naturalezaacontecimientoespacio literalcompositionanthropomorphictechnique of natureeventliteral spaceQuasi come uno animale: splendor and drifting of the composition termQuasi come uno animale: esplendor y deriva de la composicióninfo:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_2df8fbb1Salmerón Infante, Miguel20.500.14071/10605oai:noesis.uis.edu.co:20.500.14071/106052022-06-07 10:41:00.85metadata.onlyhttps://noesis.uis.edu.coDSpace at UISnoesis@uis.edu.co
dc.title.en-US.fl_str_mv Quasi come uno animale: splendor and drifting of the composition term
dc.title.es-ES.fl_str_mv Quasi come uno animale: esplendor y deriva de la composición
title Quasi come uno animale: splendor and drifting of the composition term
spellingShingle Quasi come uno animale: splendor and drifting of the composition term
composición
antropomórfico
técnica de la naturaleza
acontecimiento
espacio literal
composition
anthropomorphic
technique of nature
event
literal space
title_short Quasi come uno animale: splendor and drifting of the composition term
title_full Quasi come uno animale: splendor and drifting of the composition term
title_fullStr Quasi come uno animale: splendor and drifting of the composition term
title_full_unstemmed Quasi come uno animale: splendor and drifting of the composition term
title_sort Quasi come uno animale: splendor and drifting of the composition term
dc.subject.es-ES.fl_str_mv composición
antropomórfico
técnica de la naturaleza
acontecimiento
espacio literal
topic composición
antropomórfico
técnica de la naturaleza
acontecimiento
espacio literal
composition
anthropomorphic
technique of nature
event
literal space
dc.subject.en-US.fl_str_mv composition
anthropomorphic
technique of nature
event
literal space
description This article attempts a reflection on the drifting of the composition-term in scope of: 1) The relationship between nature and art by Aristotle. 2) The pregnancy of Composition in classicist Aesthetics. 3) The Critics of Classicism by Kant based on his notion of Reflective Aesthetical Judgement. 4) The consequence of the break of minimal art with naturalism and anthromorphic structures present in Art-History.
publishDate 2011
dc.date.accessioned.none.fl_str_mv 2022-06-07T15:41:00Z
dc.date.available.none.fl_str_mv 2022-06-07T15:41:00Z
dc.date.none.fl_str_mv 2011-07-15
dc.type.none.fl_str_mv info:eu-repo/semantics/article
dc.type.coarversion.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.identifier.none.fl_str_mv https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2617
dc.identifier.uri.none.fl_str_mv https://noesis.uis.edu.co/handle/20.500.14071/10605
url https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2617
https://noesis.uis.edu.co/handle/20.500.14071/10605
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2617/2923
dc.rights.es-ES.fl_str_mv Derechos de autor 2011 Miguel Salmerón Infante
info:eu-repo/semantics/openAccess
dc.rights.license.none.fl_str_mv Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)
dc.rights.coar.none.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.accessrights.none.fl_str_mv info:eu-repo/semantics/openAccess
dc.rights.creativecommons.none.fl_str_mv Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)
rights_invalid_str_mv Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)
Derechos de autor 2011 Miguel Salmerón Infante
http://purl.org/coar/access_right/c_abf2
Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.es-ES.fl_str_mv Universidad Industrial de Santander
dc.source.es-ES.fl_str_mv Revista Filosofía UIS; Vol. 10 Núm. 1 (2011): Revista Filosofía UIS; 13-25
dc.source.en-US.fl_str_mv Revista Filosofía UIS; Vol. 10 No. 1 (2011): Revista Filosofía UIS; 13-25
dc.source.pt-BR.fl_str_mv REVISTA FILOSOFIA UIS; v. 10 n. 1 (2011): Revista Filosofía UIS; 13-25
dc.source.none.fl_str_mv 2145-8529
1692-2484
institution Universidad Industrial de Santander
repository.name.fl_str_mv DSpace at UIS
repository.mail.fl_str_mv noesis@uis.edu.co
_version_ 1808402333922492416

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