Quasi come uno animale: splendor and drifting of the composition term
This article attempts a reflection on the drifting of the composition-term in scope of: 1) The relationship between nature and art by Aristotle. 2) The pregnancy of Composition in classicist Aesthetics. 3) The Critics of Classicism by Kant based on his notion of Reflective Aesthetical Judgement. 4)...
- Autores:
- Tipo de recurso:
- Fecha de publicación:
- 2011
- Institución:
- Universidad Industrial de Santander
- Repositorio:
- Repositorio UIS
- Idioma:
- spa
- OAI Identifier:
- oai:noesis.uis.edu.co:20.500.14071/10605
- Acceso en línea:
- https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/2617
https://noesis.uis.edu.co/handle/20.500.14071/10605
- Palabra clave:
- composición
antropomórfico
técnica de la naturaleza
acontecimiento
espacio literal
composition
anthropomorphic
technique of nature
event
literal space
- Rights
- openAccess
- License
- Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)
| Summary: | This article attempts a reflection on the drifting of the composition-term in scope of: 1) The relationship between nature and art by Aristotle. 2) The pregnancy of Composition in classicist Aesthetics. 3) The Critics of Classicism by Kant based on his notion of Reflective Aesthetical Judgement. 4) The consequence of the break of minimal art with naturalism and anthromorphic structures present in Art-History. |
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