The strange political character of Confesión a Laura. An analysis from the concept of Esthetic Regime by Jacques Rancière

Confesión a Laura turns the Bogotazo into another time and another space, different from those accustomed to reworking with the greatest of scientistic minds those historians sympathetic to the impracticable objectivity and the panoramic format, which often fog certain key...

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2017
Institución:
Universidad Industrial de Santander
Repositorio:
Repositorio UIS
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spa
OAI Identifier:
oai:noesis.uis.edu.co:20.500.14071/10796
Acceso en línea:
https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/7667
https://noesis.uis.edu.co/handle/20.500.14071/10796
Palabra clave:
historicity
fiction
politics
sensitivity
estrangement
historicidad
ficción
política
sensibilidad
extrañamiento
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openAccess
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Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)
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spelling Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)Derechos de autor 2017 Revista Filosofía UISinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccessAtribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)2017-12-142022-06-07T15:41:17Z2022-06-07T15:41:17Zhttps://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/766710.18273/revfil.v16n2-2017004https://noesis.uis.edu.co/handle/20.500.14071/10796Confesión a Laura turns the Bogotazo into another time and another space, different from those accustomed to reworking with the greatest of scientistic minds those historians sympathetic to the impracticable objectivity and the panoramic format, which often fog certain key details of memory. And it is in this sense how the film dialogues in its stage and plot development with the concept of aesthetic regime of Rancière, proposing a regime of historicity that conceives of fiction, on the contrary, as the only perceptual procedure to think reality in any of Its possibilities. This dialogue is presented in this article under a methodology of qualitative analysis, comparing the scenic aspects of the film with the conceptualization of aesthetic regime offered by the philosopher Rancière.Confesión a Laura convierte al Bogotazo en otro tiempo y otro espacio, diferentes de los que acostumbran a reelaborar con el mayor de los ánimos cientificistas aquellos historiadores simpatizantes de la impracticable objetividad y del formato panorámica, que a menudo pixela ciertos detalles clave de la memoria. Y es en ese sentido como la película dialoga en su desarrollo escénico y argumental con el concepto de régimen estético de Rancière, al proponer un régimen de historicidad que concibe la ficción, por el contrario, como único procedimiento perceptivo para pensar la realidad en cualquiera de sus posibilidades. Dicho diálogo se presenta en el presente artículo bajo una metodología de análisis cualitativo, cotejando los aspectos escénicos del filme con la conceptualización de régimen estético que ofrece el filósofo Rancière.application/pdftext/htmltext/xmlspaUniversidad Industrial de Santanderhttps://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/7667/7885https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/7667/11740https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/7667/162Revista Filosofía UIS; Vol. 16 Núm. 2 (2017): Revista Filosofía UIS; 95-110Revista Filosofía UIS; Vol. 16 No. 2 (2017): Revista Filosofía UIS; 95-110REVISTA FILOSOFIA UIS; v. 16 n. 2 (2017): Revista Filosofía UIS; 95-1102145-85291692-2484historicityfictionpoliticssensitivityestrangementhistoricidadficciónpolíticasensibilidadextrañamientoThe strange political character of Confesión a Laura. An analysis from the concept of Esthetic Regime by Jacques RancièreEl carácter extrañamente político de Confesión a Laura. Un análisis desde el concepto de Régimen Estético de Jaques Rancièreinfo:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_2df8fbb1Bolívar-Rangel, Deivis Duván20.500.14071/10796oai:noesis.uis.edu.co:20.500.14071/107962022-06-07 10:41:17.094metadata.onlyhttps://noesis.uis.edu.coDSpace at UISnoesis@uis.edu.co
dc.title.en-US.fl_str_mv The strange political character of Confesión a Laura. An analysis from the concept of Esthetic Regime by Jacques Rancière
dc.title.es-ES.fl_str_mv El carácter extrañamente político de Confesión a Laura. Un análisis desde el concepto de Régimen Estético de Jaques Rancière
title The strange political character of Confesión a Laura. An analysis from the concept of Esthetic Regime by Jacques Rancière
spellingShingle The strange political character of Confesión a Laura. An analysis from the concept of Esthetic Regime by Jacques Rancière
historicity
fiction
politics
sensitivity
estrangement
historicidad
ficción
política
sensibilidad
extrañamiento
title_short The strange political character of Confesión a Laura. An analysis from the concept of Esthetic Regime by Jacques Rancière
title_full The strange political character of Confesión a Laura. An analysis from the concept of Esthetic Regime by Jacques Rancière
title_fullStr The strange political character of Confesión a Laura. An analysis from the concept of Esthetic Regime by Jacques Rancière
title_full_unstemmed The strange political character of Confesión a Laura. An analysis from the concept of Esthetic Regime by Jacques Rancière
title_sort The strange political character of Confesión a Laura. An analysis from the concept of Esthetic Regime by Jacques Rancière
dc.subject.en-US.fl_str_mv historicity
fiction
politics
sensitivity
estrangement
topic historicity
fiction
politics
sensitivity
estrangement
historicidad
ficción
política
sensibilidad
extrañamiento
dc.subject.es-ES.fl_str_mv historicidad
ficción
política
sensibilidad
extrañamiento
description Confesión a Laura turns the Bogotazo into another time and another space, different from those accustomed to reworking with the greatest of scientistic minds those historians sympathetic to the impracticable objectivity and the panoramic format, which often fog certain key details of memory. And it is in this sense how the film dialogues in its stage and plot development with the concept of aesthetic regime of Rancière, proposing a regime of historicity that conceives of fiction, on the contrary, as the only perceptual procedure to think reality in any of Its possibilities. This dialogue is presented in this article under a methodology of qualitative analysis, comparing the scenic aspects of the film with the conceptualization of aesthetic regime offered by the philosopher Rancière.
publishDate 2017
dc.date.accessioned.none.fl_str_mv 2022-06-07T15:41:17Z
dc.date.available.none.fl_str_mv 2022-06-07T15:41:17Z
dc.date.none.fl_str_mv 2017-12-14
dc.type.none.fl_str_mv info:eu-repo/semantics/article
dc.type.coarversion.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.identifier.none.fl_str_mv https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/7667
10.18273/revfil.v16n2-2017004
dc.identifier.uri.none.fl_str_mv https://noesis.uis.edu.co/handle/20.500.14071/10796
url https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/7667
https://noesis.uis.edu.co/handle/20.500.14071/10796
identifier_str_mv 10.18273/revfil.v16n2-2017004
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/7667/7885
https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/7667/11740
https://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/7667/162
dc.rights.es-ES.fl_str_mv Derechos de autor 2017 Revista Filosofía UIS
info:eu-repo/semantics/openAccess
dc.rights.license.none.fl_str_mv Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)
dc.rights.coar.none.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.accessrights.none.fl_str_mv info:eu-repo/semantics/openAccess
dc.rights.creativecommons.none.fl_str_mv Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)
rights_invalid_str_mv Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)
Derechos de autor 2017 Revista Filosofía UIS
http://purl.org/coar/access_right/c_abf2
Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
text/xml
dc.publisher.es-ES.fl_str_mv Universidad Industrial de Santander
dc.source.es-ES.fl_str_mv Revista Filosofía UIS; Vol. 16 Núm. 2 (2017): Revista Filosofía UIS; 95-110
dc.source.en-US.fl_str_mv Revista Filosofía UIS; Vol. 16 No. 2 (2017): Revista Filosofía UIS; 95-110
dc.source.pt-BR.fl_str_mv REVISTA FILOSOFIA UIS; v. 16 n. 2 (2017): Revista Filosofía UIS; 95-110
dc.source.none.fl_str_mv 2145-8529
1692-2484
institution Universidad Industrial de Santander
repository.name.fl_str_mv DSpace at UIS
repository.mail.fl_str_mv noesis@uis.edu.co
_version_ 1814095183507095552

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