Siegfried Kracauer y la emergente cultura de masas
ABSTRACT: 20th century begins with a great turbulence. In The Weimar Republic, Siegfried Kracauer glimpses it like no other, from a change in taste, of a new subject that emerges and appropiates himself of the reigning confusión: the mass. Massive spectacle and cinema make an aesthetization of the s...
- Autores:
-
Puerta Domínguez, Simón
- Tipo de recurso:
- Article of investigation
- Fecha de publicación:
- 2014
- Institución:
- Universidad de Antioquia
- Repositorio:
- Repositorio UdeA
- Idioma:
- spa
- OAI Identifier:
- oai:bibliotecadigital.udea.edu.co:10495/2910
- Acceso en línea:
- http://hdl.handle.net/10495/2910
- Palabra clave:
- Cultura de masas
Espectáculos
Cine
Personalidad
Autoritarismo
Mass culture
Spectacle
Cinema
Personality
Authoritarism
- Rights
- openAccess
- License
- Atribución-NoComercial-CompartirIgual 2.5 Colombia (CC BY-NC-SA 2.5 CO)
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dc.title.spa.fl_str_mv |
Siegfried Kracauer y la emergente cultura de masas |
dc.title.alternative.spa.fl_str_mv |
Siegfried Kracauer and the emerging mass culture |
title |
Siegfried Kracauer y la emergente cultura de masas |
spellingShingle |
Siegfried Kracauer y la emergente cultura de masas Cultura de masas Espectáculos Cine Personalidad Autoritarismo Mass culture Spectacle Cinema Personality Authoritarism |
title_short |
Siegfried Kracauer y la emergente cultura de masas |
title_full |
Siegfried Kracauer y la emergente cultura de masas |
title_fullStr |
Siegfried Kracauer y la emergente cultura de masas |
title_full_unstemmed |
Siegfried Kracauer y la emergente cultura de masas |
title_sort |
Siegfried Kracauer y la emergente cultura de masas |
dc.creator.fl_str_mv |
Puerta Domínguez, Simón |
dc.contributor.author.none.fl_str_mv |
Puerta Domínguez, Simón |
dc.subject.none.fl_str_mv |
Cultura de masas Espectáculos Cine Personalidad Autoritarismo Mass culture Spectacle Cinema Personality Authoritarism |
topic |
Cultura de masas Espectáculos Cine Personalidad Autoritarismo Mass culture Spectacle Cinema Personality Authoritarism |
description |
ABSTRACT: 20th century begins with a great turbulence. In The Weimar Republic, Siegfried Kracauer glimpses it like no other, from a change in taste, of a new subject that emerges and appropiates himself of the reigning confusión: the mass. Massive spectacle and cinema make an aesthetization of the serial, prevailing logics, and instrumental rationality extends itself to the sphere of the quotidian in that cultural consumption. This paper pretends to present the developments and procedures of Kracauer in order to show the social state of his present, novelty and contradiction. |
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2014 |
dc.date.issued.none.fl_str_mv |
2014 |
dc.date.accessioned.none.fl_str_mv |
2015-08-10T18:43:29Z |
dc.date.available.none.fl_str_mv |
2015-08-10T18:43:29Z |
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info:eu-repo/semantics/article |
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http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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Artículo de investigación |
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Puerta Domínguez, S. (2014). Siegfried Kracauer y la emergente cultura de masas. Versiones, 2(6), 76–84. |
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2464-8026 |
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http://hdl.handle.net/10495/2910 |
identifier_str_mv |
Puerta Domínguez, S. (2014). Siegfried Kracauer y la emergente cultura de masas. Versiones, 2(6), 76–84. 2464-8026 |
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http://hdl.handle.net/10495/2910 |
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spa |
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spa |
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Atribución-NoComercial-CompartirIgual 2.5 Colombia (CC BY-NC-SA 2.5 CO) |
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info:eu-repo/semantics/openAccess |
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dc.publisher.spa.fl_str_mv |
Universidad de Antioquia |
dc.publisher.group.spa.fl_str_mv |
Grupo de Investigación Gestión sobre Patrimonio |
dc.publisher.place.spa.fl_str_mv |
Colombia |
institution |
Universidad de Antioquia |
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Puerta Domínguez, Simón2015-08-10T18:43:29Z2015-08-10T18:43:29Z2014Puerta Domínguez, S. (2014). Siegfried Kracauer y la emergente cultura de masas. Versiones, 2(6), 76–84.2464-8026http://hdl.handle.net/10495/2910ABSTRACT: 20th century begins with a great turbulence. In The Weimar Republic, Siegfried Kracauer glimpses it like no other, from a change in taste, of a new subject that emerges and appropiates himself of the reigning confusión: the mass. Massive spectacle and cinema make an aesthetization of the serial, prevailing logics, and instrumental rationality extends itself to the sphere of the quotidian in that cultural consumption. This paper pretends to present the developments and procedures of Kracauer in order to show the social state of his present, novelty and contradiction.RESUMEN: El siglo xx comienza con gran turbulencia. Siegfried Kracauer, en la Alemania de Weimar, lo vislumbra como ningún otro, a partir de un cambio en el gusto, de un nuevo sujeto que emerge y se apropia de la confusión reinante: la masa. El espectáculo masivo y el cine estetizan las lógicas seriales que predominan, y la racionalidad instrumental se prolonga al ámbito cotidiano en dicho consumo cultural. Este ensayo pretende presentar los desarrollos y procedimientos de Kracauer para exponer el estado social de su presente, su novedad y su contradicción.application/pdfspaUniversidad de AntioquiaGrupo de Investigación Gestión sobre PatrimonioColombiainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_2df8fbb1https://purl.org/redcol/resource_type/ARTArtículo de investigaciónhttp://purl.org/coar/version/c_970fb48d4fbd8a85Atribución-NoComercial-CompartirIgual 2.5 Colombia (CC BY-NC-SA 2.5 CO)info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/co/http://purl.org/coar/access_right/c_abf2https://creativecommons.org/licenses/by-nc-sa/4.0/Cultura de masasEspectáculosCinePersonalidadAutoritarismoMass cultureSpectacleCinemaPersonalityAuthoritarismSiegfried Kracauer y la emergente cultura de masasSiegfried Kracauer and the emerging mass cultureVersionesORIGINALPuertaSimon_siegfriedkracaueremergenteculturamasas.pdfPuertaSimon_siegfriedkracaueremergenteculturamasas.pdfapplication/pdf291907http://bibliotecadigital.udea.edu.co/bitstream/10495/2910/1/PuertaSimon_siegfriedkracaueremergenteculturamasas.pdfb6fcbcbaef5edd3b10f375bb8aceb810MD51CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849http://bibliotecadigital.udea.edu.co/bitstream/10495/2910/2/license_url4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_texttext/html; charset=utf-821326http://bibliotecadigital.udea.edu.co/bitstream/10495/2910/3/license_text1ade617e78c338e40f6d46981a794142MD53license_rdflicense_rdfapplication/rdf+xml; charset=utf-822295http://bibliotecadigital.udea.edu.co/bitstream/10495/2910/4/license_rdf14adda84be315bfdb071e8ae99e873e5MD54LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://bibliotecadigital.udea.edu.co/bitstream/10495/2910/5/license.txt8a4605be74aa9ea9d79846c1fba20a33MD5510495/2910oai:bibliotecadigital.udea.edu.co:10495/29102021-05-25 15:18:10.735Repositorio Institucional Universidad de Antioquiaandres.perez@udea.edu.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 |