Siegfried Kracauer y la emergente cultura de masas
ABSTRACT: 20th century begins with a great turbulence. In The Weimar Republic, Siegfried Kracauer glimpses it like no other, from a change in taste, of a new subject that emerges and appropiates himself of the reigning confusión: the mass. Massive spectacle and cinema make an aesthetization of the s...
- Autores:
-
Puerta Domínguez, Simón
- Tipo de recurso:
- Article of investigation
- Fecha de publicación:
- 2014
- Institución:
- Universidad de Antioquia
- Repositorio:
- Repositorio UdeA
- Idioma:
- spa
- OAI Identifier:
- oai:bibliotecadigital.udea.edu.co:10495/2910
- Acceso en línea:
- http://hdl.handle.net/10495/2910
- Palabra clave:
- Cultura de masas
Espectáculos
Cine
Personalidad
Autoritarismo
Mass culture
Spectacle
Cinema
Personality
Authoritarism
- Rights
- openAccess
- License
- Atribución-NoComercial-CompartirIgual 2.5 Colombia (CC BY-NC-SA 2.5 CO)
| Summary: | ABSTRACT: 20th century begins with a great turbulence. In The Weimar Republic, Siegfried Kracauer glimpses it like no other, from a change in taste, of a new subject that emerges and appropiates himself of the reigning confusión: the mass. Massive spectacle and cinema make an aesthetization of the serial, prevailing logics, and instrumental rationality extends itself to the sphere of the quotidian in that cultural consumption. This paper pretends to present the developments and procedures of Kracauer in order to show the social state of his present, novelty and contradiction. |
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