Finales para Aluna : un caso de neoindigenismo literario en Colombia
ABSTRACT: In the context of Latin American literary criticism, the neo-indigenism category designates the works that meet a number of special features: depiction of Native worldviews, lyrical intensification, broad understanding of the Indian problem and enrichment of the narrative resources. Althou...
- Autores:
-
Orrego Arismendi, Juan Carlos
- Tipo de recurso:
- Article of investigation
- Fecha de publicación:
- 2014
- Institución:
- Universidad de Antioquia
- Repositorio:
- Repositorio UdeA
- Idioma:
- spa
- OAI Identifier:
- oai:bibliotecadigital.udea.edu.co:10495/7240
- Acceso en línea:
- http://hdl.handle.net/10495/7240
- Palabra clave:
- Cosmovisión
Cosmovisión indígena
Indios en la literatura
Neoindigenismo
Novela colombiana
- Rights
- openAccess
- License
- Atribución-NoComercial-SinDerivadas 2.5 Colombia
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Finales para Aluna : un caso de neoindigenismo literario en Colombia |
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Finals for Aluna : a case of literary neo-indigenism in Colombia |
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Finales para Aluna : un caso de neoindigenismo literario en Colombia |
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Finales para Aluna : un caso de neoindigenismo literario en Colombia Cosmovisión Cosmovisión indígena Indios en la literatura Neoindigenismo Novela colombiana |
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Finales para Aluna : un caso de neoindigenismo literario en Colombia |
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Finales para Aluna : un caso de neoindigenismo literario en Colombia |
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Finales para Aluna : un caso de neoindigenismo literario en Colombia |
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Finales para Aluna : un caso de neoindigenismo literario en Colombia |
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Finales para Aluna : un caso de neoindigenismo literario en Colombia |
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Orrego Arismendi, Juan Carlos |
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Orrego Arismendi, Juan Carlos |
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Cosmovisión Cosmovisión indígena Indios en la literatura Neoindigenismo Novela colombiana |
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Cosmovisión Cosmovisión indígena Indios en la literatura Neoindigenismo Novela colombiana |
| description |
ABSTRACT: In the context of Latin American literary criticism, the neo-indigenism category designates the works that meet a number of special features: depiction of Native worldviews, lyrical intensification, broad understanding of the Indian problem and enrichment of the narrative resources. Although this paradigm has been established some decades ago, it has been marginally used in the study of Colombian novel, to the point of suggesting the absence of such literature. However, careful examination of a novel recently published called “Finales para Aluna” (Finals for Aluna) (2013) by writer Selnich Vivas Hurtado from Bogotá, shows that the country has what is needed for that kind of critical applications and that kind of novels, in fact, it manages to be representative of the Latin American neo-indigenist current. |
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2017-05-18T16:49:52Z |
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Orrego Arismendi, J. C. (2014). Finales para Aluna: un caso de neoindigenismo literario en Colombia. Katharsis, (17), 29–48. |
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0124-7816 |
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http://hdl.handle.net/10495/7240 |
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2500-5731 |
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Orrego Arismendi, J. C. (2014). Finales para Aluna: un caso de neoindigenismo literario en Colombia. Katharsis, (17), 29–48. 0124-7816 2500-5731 |
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Institución Universitaria de Envigado, Facultad de Ciencias Sociales |
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Grupo de Investigación y Gestión sobre Patrimonio |
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Colombia |
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Orrego Arismendi, Juan Carlos2017-05-18T16:49:52Z2017-05-18T16:49:52Z2014Orrego Arismendi, J. C. (2014). Finales para Aluna: un caso de neoindigenismo literario en Colombia. Katharsis, (17), 29–48.0124-7816http://hdl.handle.net/10495/72402500-5731ABSTRACT: In the context of Latin American literary criticism, the neo-indigenism category designates the works that meet a number of special features: depiction of Native worldviews, lyrical intensification, broad understanding of the Indian problem and enrichment of the narrative resources. Although this paradigm has been established some decades ago, it has been marginally used in the study of Colombian novel, to the point of suggesting the absence of such literature. However, careful examination of a novel recently published called “Finales para Aluna” (Finals for Aluna) (2013) by writer Selnich Vivas Hurtado from Bogotá, shows that the country has what is needed for that kind of critical applications and that kind of novels, in fact, it manages to be representative of the Latin American neo-indigenist current.RESUMEN: En el contexto de la crítica literaria latinoamericana, la categoría de neoindigenismo designa las obras que reúnen una serie de rasgos especiales: plasmación de cosmovisiones nativas, intensificación lírica, comprensión amplia del problema indígena y enriquecimiento de los recursos narrativos. Aunque ese paradigma haya sido establecido hace varias décadas, ha sido usado de modo marginal en el estudio de la novela colombiana, al punto de sugerir la inexistencia de ese tipo de literatura. Sin embargo, el examen detenido de una novela de reciente publicación, Finales para Aluna (2013) del escritor bogotano Selnich Vivas Hurtado, muestra que en el país hay materia para esa clase de aplicaciones críticas y que ese tipo de novelas, de hecho, alcanzan a ser representativas de la corriente neoindigenista latinoamericana.application/pdfspaInstitución Universitaria de Envigado, Facultad de Ciencias SocialesGrupo de Investigación y Gestión sobre PatrimonioColombiainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_2df8fbb1https://purl.org/redcol/resource_type/ARTArtículo de investigaciónhttp://purl.org/coar/version/c_970fb48d4fbd8a85Atribución-NoComercial-SinDerivadas 2.5 Colombiainfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-nd/2.5/co/http://purl.org/coar/access_right/c_abf2https://creativecommons.org/licenses/by-nc-nd/4.0/CosmovisiónCosmovisión indígenaIndios en la literaturaNeoindigenismoNovela colombianaFinales para Aluna : un caso de neoindigenismo literario en ColombiaFinals for Aluna : a case of literary neo-indigenism in ColombiaKatharsis: Revista de Ciencias Sociales294917CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849http://bibliotecadigital.udea.edu.co/bitstream/10495/7240/2/license_url4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_texttext/html; charset=utf-80http://bibliotecadigital.udea.edu.co/bitstream/10495/7240/3/license_textd41d8cd98f00b204e9800998ecf8427eMD53license_rdflicense_rdfapplication/rdf+xml; charset=utf-80http://bibliotecadigital.udea.edu.co/bitstream/10495/7240/4/license_rdfd41d8cd98f00b204e9800998ecf8427eMD54LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://bibliotecadigital.udea.edu.co/bitstream/10495/7240/5/license.txt8a4605be74aa9ea9d79846c1fba20a33MD55ORIGINALOrregoJuan_2014_FinalesAlunaCaso.pdfOrregoJuan_2014_FinalesAlunaCaso.pdfArtículo de Revistaapplication/pdf243845http://bibliotecadigital.udea.edu.co/bitstream/10495/7240/1/OrregoJuan_2014_FinalesAlunaCaso.pdfb913a963c7e929c77374d8a90df8406dMD5110495/7240oai:bibliotecadigital.udea.edu.co:10495/72402021-05-21 10:44:54.535Repositorio Institucional Universidad de Antioquiaandres.perez@udea.edu.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 |