Retrato del artista James Joyce, adolescente
ABSTRACT: The contrast between some lessons in Seminar XXIII of Jacques Lacan with A Portrait of the Artist as a Young Man by James Joyce, that was one of Lacan's sources, brings about how the work depicts Joyce as a young man, finding the knottings where the foreclosure of the Name of the Fath...
- Autores:
-
Ramírez Ortiz, Mario Elkin
- Tipo de recurso:
- Article of investigation
- Fecha de publicación:
- 2010
- Institución:
- Universidad de Antioquia
- Repositorio:
- Repositorio UdeA
- Idioma:
- spa
- OAI Identifier:
- oai:bibliotecadigital.udea.edu.co:10495/2859
- Acceso en línea:
- http://hdl.handle.net/10495/2859
- Palabra clave:
- A portrait of the artist James Joyce as a young man
Falo (Psicoanálisis)
Forclusión (Psicoanálisis)
Joyce, James. Retrato del artista adolescente
Síntoma (Psicoanálisis)
Joyce, James - Crítica e interpretación
Otro (Psicoanálisis)
Nombres propios
Phallus
Name-of-Father
Sinthome
Name
Other
Foreclosure
Sinthoma
- Rights
- openAccess
- License
- Atribución-NoComercial-CompartirIgual 2.5 Colombia (CC BY-NC-SA 2.5 CO)
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|
dc.title.spa.fl_str_mv |
Retrato del artista James Joyce, adolescente |
title |
Retrato del artista James Joyce, adolescente |
spellingShingle |
Retrato del artista James Joyce, adolescente A portrait of the artist James Joyce as a young man Falo (Psicoanálisis) Forclusión (Psicoanálisis) Joyce, James. Retrato del artista adolescente Síntoma (Psicoanálisis) Joyce, James - Crítica e interpretación Otro (Psicoanálisis) Nombres propios Phallus Name-of-Father Sinthome Name Other Foreclosure Sinthoma |
title_short |
Retrato del artista James Joyce, adolescente |
title_full |
Retrato del artista James Joyce, adolescente |
title_fullStr |
Retrato del artista James Joyce, adolescente |
title_full_unstemmed |
Retrato del artista James Joyce, adolescente |
title_sort |
Retrato del artista James Joyce, adolescente |
dc.creator.fl_str_mv |
Ramírez Ortiz, Mario Elkin |
dc.contributor.author.none.fl_str_mv |
Ramírez Ortiz, Mario Elkin |
dc.subject.none.fl_str_mv |
A portrait of the artist James Joyce as a young man Falo (Psicoanálisis) Forclusión (Psicoanálisis) Joyce, James. Retrato del artista adolescente Síntoma (Psicoanálisis) Joyce, James - Crítica e interpretación Otro (Psicoanálisis) Nombres propios Phallus Name-of-Father Sinthome Name Other Foreclosure Sinthoma |
topic |
A portrait of the artist James Joyce as a young man Falo (Psicoanálisis) Forclusión (Psicoanálisis) Joyce, James. Retrato del artista adolescente Síntoma (Psicoanálisis) Joyce, James - Crítica e interpretación Otro (Psicoanálisis) Nombres propios Phallus Name-of-Father Sinthome Name Other Foreclosure Sinthoma |
description |
ABSTRACT: The contrast between some lessons in Seminar XXIII of Jacques Lacan with A Portrait of the Artist as a Young Man by James Joyce, that was one of Lacan's sources, brings about how the work depicts Joyce as a young man, finding the knottings where the foreclosure of the Name of the Father did not allow him to respond and could lead to some 1 Analista practicante en Medellín. Profesor en el Departamento de Psicoanálisis de la Universidad de Antioquia. Miembro de la Asociación Mundial de Psicoanálisis y de la detachments that would trigger his psychosis. Nevertheless, with his work he was gradually building a work that was useful as Sinthome and knotting of his structure. |
publishDate |
2010 |
dc.date.issued.none.fl_str_mv |
2010 |
dc.date.accessioned.none.fl_str_mv |
2015-08-03T13:42:51Z |
dc.date.available.none.fl_str_mv |
2015-08-03T13:42:51Z |
dc.type.spa.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.hasversion.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.redcol.spa.fl_str_mv |
https://purl.org/redcol/resource_type/ART |
dc.type.local.spa.fl_str_mv |
Artículo de investigación |
format |
http://purl.org/coar/resource_type/c_2df8fbb1 |
status_str |
publishedVersion |
dc.identifier.citation.spa.fl_str_mv |
Ramírez, M. E. (2013). Retrato del artista James Joyce, adolescente. Affectio Societatis, 10(18), 2–14. |
dc.identifier.issn.none.fl_str_mv |
2215-8774 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/10495/2859 |
dc.identifier.eissn.none.fl_str_mv |
0123-8884 |
identifier_str_mv |
Ramírez, M. E. (2013). Retrato del artista James Joyce, adolescente. Affectio Societatis, 10(18), 2–14. 2215-8774 0123-8884 |
url |
http://hdl.handle.net/10495/2859 |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.rights.*.fl_str_mv |
Atribución-NoComercial-CompartirIgual 2.5 Colombia (CC BY-NC-SA 2.5 CO) |
dc.rights.spa.fl_str_mv |
info:eu-repo/semantics/openAccess |
dc.rights.uri.*.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/2.5/co/ |
dc.rights.accessrights.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.creativecommons.spa.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0/ |
rights_invalid_str_mv |
Atribución-NoComercial-CompartirIgual 2.5 Colombia (CC BY-NC-SA 2.5 CO) https://creativecommons.org/licenses/by-nc-sa/2.5/co/ http://purl.org/coar/access_right/c_abf2 https://creativecommons.org/licenses/by-nc-sa/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.mimetype.spa.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
Universidad de Antioquia |
dc.publisher.group.spa.fl_str_mv |
Grupo de Investigación Psicoanálisis, Sujeto y Sociedad |
dc.publisher.place.spa.fl_str_mv |
Colombia |
institution |
Universidad de Antioquia |
bitstream.url.fl_str_mv |
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spelling |
Ramírez Ortiz, Mario Elkin2015-08-03T13:42:51Z2015-08-03T13:42:51Z2010Ramírez, M. E. (2013). Retrato del artista James Joyce, adolescente. Affectio Societatis, 10(18), 2–14.2215-8774http://hdl.handle.net/10495/28590123-8884ABSTRACT: The contrast between some lessons in Seminar XXIII of Jacques Lacan with A Portrait of the Artist as a Young Man by James Joyce, that was one of Lacan's sources, brings about how the work depicts Joyce as a young man, finding the knottings where the foreclosure of the Name of the Father did not allow him to respond and could lead to some 1 Analista practicante en Medellín. Profesor en el Departamento de Psicoanálisis de la Universidad de Antioquia. Miembro de la Asociación Mundial de Psicoanálisis y de la detachments that would trigger his psychosis. Nevertheless, with his work he was gradually building a work that was useful as Sinthome and knotting of his structure.RESUMEN: La confrontación de algunas lecciones del Seminario XXIII de Jacques Lacan con El retrato del artista adolescente de James Joyce, que fue una de las fuentes de Lacan, da por resultado sorprendente cómo la obra plasma a Joyce adolescente, encontrando los anudamientos allí donde la forclusión del Nombre del Padre no le permitía responder y podría dar lugar a desenganches que lo harían desencadenar su psicosis. No obstante, con su obra iba construyendo poco a poco una obra que le sirvió de Sinthoma y anudamiento a su estructura.application/pdfspaUniversidad de AntioquiaGrupo de Investigación Psicoanálisis, Sujeto y SociedadColombiainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_2df8fbb1https://purl.org/redcol/resource_type/ARTArtículo de investigaciónhttp://purl.org/coar/version/c_970fb48d4fbd8a85Atribución-NoComercial-CompartirIgual 2.5 Colombia (CC BY-NC-SA 2.5 CO)info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/co/http://purl.org/coar/access_right/c_abf2https://creativecommons.org/licenses/by-nc-sa/4.0/A portrait of the artist James Joyce as a young manFalo (Psicoanálisis)Forclusión (Psicoanálisis)Joyce, James. Retrato del artista adolescenteSíntoma (Psicoanálisis)Joyce, James - Crítica e interpretaciónOtro (Psicoanálisis)Nombres propiosPhallusName-of-FatherSinthomeNameOtherForeclosureSinthomaRetrato del artista James Joyce, adolescenteAffectio SocietatisORIGINALRamirezMario_retratoartistajamesjoyceadolescente.pdfRamirezMario_retratoartistajamesjoyceadolescente.pdfArtículo de Revistaapplication/pdf404288https://bibliotecadigital.udea.edu.co/bitstream/10495/2859/1/RamirezMario_retratoartistajamesjoyceadolescente.pdf09c3971d1baec88633ea0d20a5dcc117MD51CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849https://bibliotecadigital.udea.edu.co/bitstream/10495/2859/2/license_url4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_texttext/html; charset=utf-821326https://bibliotecadigital.udea.edu.co/bitstream/10495/2859/3/license_text1ade617e78c338e40f6d46981a794142MD53license_rdflicense_rdfapplication/rdf+xml; charset=utf-822295https://bibliotecadigital.udea.edu.co/bitstream/10495/2859/4/license_rdf14adda84be315bfdb071e8ae99e873e5MD54LICENSElicense.txtlicense.txttext/plain; charset=utf-81748https://bibliotecadigital.udea.edu.co/bitstream/10495/2859/5/license.txt8a4605be74aa9ea9d79846c1fba20a33MD55TEXTRamirezMario_retratoartistajamesjoyceadolescente.pdf.txtRamirezMario_retratoartistajamesjoyceadolescente.pdf.txtExtracted texttext/plain39798https://bibliotecadigital.udea.edu.co/bitstream/10495/2859/6/RamirezMario_retratoartistajamesjoyceadolescente.pdf.txtbb6c6c8f1b5fe76e0f71328c739364e0MD5610495/2859oai:bibliotecadigital.udea.edu.co:10495/28592021-05-26 14:29:34.465Repositorio Institucional Universidad de Antioquiaandres.perez@udea.edu.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 |