El actor y el espectador. De Freud a Lacan
ABSTRACT: Taking in account Freud and Lacan works, this paper questions about what is the actor function in a theatrical performance; paraphrasing Lacan: What does the actor add to the written work? On the other hand, deeping into the mechanisms that the member of the audience uses to put in contact...
- Autores:
-
Roldán C., Carolina María
- Tipo de recurso:
- Article of investigation
- Fecha de publicación:
- 2010
- Institución:
- Universidad de Antioquia
- Repositorio:
- Repositorio UdeA
- Idioma:
- spa
- OAI Identifier:
- oai:bibliotecadigital.udea.edu.co:10495/6869
- Acceso en línea:
- http://hdl.handle.net/10495/6869
- Palabra clave:
- Actor
Obra
Goce (Psicoanálisis)
Experiencia teatral
Actor
Obra
Goce (Psicoanálisis)
Experiencia teatral
- Rights
- openAccess
- License
- Atribución-NoComercial-CompartirIgual 2.5 Colombia (CC BY-NC-SA 2.5 CO)
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|
dc.title.spa.fl_str_mv |
El actor y el espectador. De Freud a Lacan |
dc.title.alternative.spa.fl_str_mv |
The actor and the audience. From Freud to Lacan |
title |
El actor y el espectador. De Freud a Lacan |
spellingShingle |
El actor y el espectador. De Freud a Lacan Actor Obra Goce (Psicoanálisis) Experiencia teatral Actor Obra Goce (Psicoanálisis) Experiencia teatral |
title_short |
El actor y el espectador. De Freud a Lacan |
title_full |
El actor y el espectador. De Freud a Lacan |
title_fullStr |
El actor y el espectador. De Freud a Lacan |
title_full_unstemmed |
El actor y el espectador. De Freud a Lacan |
title_sort |
El actor y el espectador. De Freud a Lacan |
dc.creator.fl_str_mv |
Roldán C., Carolina María |
dc.contributor.author.none.fl_str_mv |
Roldán C., Carolina María |
dc.subject.none.fl_str_mv |
Actor Obra Goce (Psicoanálisis) Experiencia teatral Actor Obra Goce (Psicoanálisis) Experiencia teatral |
topic |
Actor Obra Goce (Psicoanálisis) Experiencia teatral Actor Obra Goce (Psicoanálisis) Experiencia teatral |
description |
ABSTRACT: Taking in account Freud and Lacan works, this paper questions about what is the actor function in a theatrical performance; paraphrasing Lacan: What does the actor add to the written work? On the other hand, deeping into the mechanisms that the member of the audience uses to put in contact with the play and the actor, arousing his/her own life experiences and emotions through the theatrical experience. |
publishDate |
2010 |
dc.date.issued.none.fl_str_mv |
2010 |
dc.date.accessioned.none.fl_str_mv |
2017-04-09T15:34:35Z |
dc.date.available.none.fl_str_mv |
2017-04-09T15:34:35Z |
dc.type.spa.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.hasversion.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.redcol.spa.fl_str_mv |
https://purl.org/redcol/resource_type/ART |
dc.type.local.spa.fl_str_mv |
Artículo de investigación |
format |
http://purl.org/coar/resource_type/c_2df8fbb1 |
status_str |
publishedVersion |
dc.identifier.citation.spa.fl_str_mv |
Roldán, C. (2010). El actor y el espectador. De Freud a Lacan. Affectio Societatis, 7(13), 1–9. |
dc.identifier.issn.none.fl_str_mv |
2215-8774 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/10495/6869 |
dc.identifier.eissn.none.fl_str_mv |
0123-8884 |
identifier_str_mv |
Roldán, C. (2010). El actor y el espectador. De Freud a Lacan. Affectio Societatis, 7(13), 1–9. 2215-8774 0123-8884 |
url |
http://hdl.handle.net/10495/6869 |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.rights.*.fl_str_mv |
Atribución-NoComercial-CompartirIgual 2.5 Colombia (CC BY-NC-SA 2.5 CO) |
dc.rights.spa.fl_str_mv |
info:eu-repo/semantics/openAccess |
dc.rights.uri.*.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/2.5/co/ |
dc.rights.accessrights.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.creativecommons.spa.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0/ |
rights_invalid_str_mv |
Atribución-NoComercial-CompartirIgual 2.5 Colombia (CC BY-NC-SA 2.5 CO) https://creativecommons.org/licenses/by-nc-sa/2.5/co/ http://purl.org/coar/access_right/c_abf2 https://creativecommons.org/licenses/by-nc-sa/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.extent.spa.fl_str_mv |
9 |
dc.format.mimetype.spa.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
Universidad de Antioquia |
dc.publisher.group.spa.fl_str_mv |
Psicología, Psicoanálisis y Conexiones (PSYCONEX) |
dc.publisher.place.spa.fl_str_mv |
Colombia |
institution |
Universidad de Antioquia |
bitstream.url.fl_str_mv |
http://bibliotecadigital.udea.edu.co/bitstream/10495/6869/1/RoldanCarolina_2010_ActorEspectadorFreud.pdf http://bibliotecadigital.udea.edu.co/bitstream/10495/6869/2/license_url http://bibliotecadigital.udea.edu.co/bitstream/10495/6869/3/license_text http://bibliotecadigital.udea.edu.co/bitstream/10495/6869/4/license_rdf http://bibliotecadigital.udea.edu.co/bitstream/10495/6869/5/license.txt |
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repository.name.fl_str_mv |
Repositorio Institucional Universidad de Antioquia |
repository.mail.fl_str_mv |
andres.perez@udea.edu.co |
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spelling |
Roldán C., Carolina María2017-04-09T15:34:35Z2017-04-09T15:34:35Z2010Roldán, C. (2010). El actor y el espectador. De Freud a Lacan. Affectio Societatis, 7(13), 1–9.2215-8774http://hdl.handle.net/10495/68690123-8884ABSTRACT: Taking in account Freud and Lacan works, this paper questions about what is the actor function in a theatrical performance; paraphrasing Lacan: What does the actor add to the written work? On the other hand, deeping into the mechanisms that the member of the audience uses to put in contact with the play and the actor, arousing his/her own life experiences and emotions through the theatrical experience.RESUMEN: Teniendo en cuenta los aportes de Freud y Lacan, en este texto se trata, por una parte, de mirar cuál es la función del actor en la representación teatral o parafraseando al segundo de estos autores ¿Qué añade el actor a la obra escrita? de otro lado, profundizar en los mecanismos que en el espectador ponen en juego para conectarse con la obra y el actor, suscitando las vivencias y emociones propias de la experiencia teatral.9application/pdfspaUniversidad de AntioquiaPsicología, Psicoanálisis y Conexiones (PSYCONEX)Colombiainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_2df8fbb1https://purl.org/redcol/resource_type/ARTArtículo de investigaciónhttp://purl.org/coar/version/c_970fb48d4fbd8a85Atribución-NoComercial-CompartirIgual 2.5 Colombia (CC BY-NC-SA 2.5 CO)info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/co/http://purl.org/coar/access_right/c_abf2https://creativecommons.org/licenses/by-nc-sa/4.0/ActorObraGoce (Psicoanálisis)Experiencia teatralActorObraGoce (Psicoanálisis)Experiencia teatralEl actor y el espectador. De Freud a LacanThe actor and the audience. From Freud to LacanAffectio Societatis4407544075713ORIGINALRoldanCarolina_2010_ActorEspectadorFreud.pdfRoldanCarolina_2010_ActorEspectadorFreud.pdfArtículo de revistaapplication/pdf855605http://bibliotecadigital.udea.edu.co/bitstream/10495/6869/1/RoldanCarolina_2010_ActorEspectadorFreud.pdf5e4008480fd183cc56925cf4db23fc17MD51CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849http://bibliotecadigital.udea.edu.co/bitstream/10495/6869/2/license_url4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_texttext/html; charset=utf-80http://bibliotecadigital.udea.edu.co/bitstream/10495/6869/3/license_textd41d8cd98f00b204e9800998ecf8427eMD53license_rdflicense_rdfLicenciaapplication/rdf+xml; charset=utf-80http://bibliotecadigital.udea.edu.co/bitstream/10495/6869/4/license_rdfd41d8cd98f00b204e9800998ecf8427eMD54LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://bibliotecadigital.udea.edu.co/bitstream/10495/6869/5/license.txt8a4605be74aa9ea9d79846c1fba20a33MD5510495/6869oai:bibliotecadigital.udea.edu.co:10495/68692021-05-21 11:12:49.674Repositorio Institucional Universidad de Antioquiaandres.perez@udea.edu.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 |