Cuestiones de método creativo: Metamorfosis y conciencia material en los procesos creativos en arquitectura

By inquiring in the art of poetry, phenomenology and studies on technological making, this article attempts to bring creative processes in architecture closer to its imaginative essence. It presents questions of creative method following a discursive sequence whose demonstrative hypothesis departs f...

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Autores:
Rueda-Plata, Carlos Iván
Tipo de recurso:
Article of journal
Fecha de publicación:
2014
Institución:
Universidad Católica de Colombia
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RIUCaC - Repositorio U. Católica
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spa
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oai:repository.ucatolica.edu.co:10983/14889
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http://hdl.handle.net/10983/14889
Palabra clave:
IMAGINACIÓN
FENOMENOLOGÍA DEL LUGAR
METÁFORA
POESÍA
TEORÍA Y CRÍTICA DE LA ARQUITECTURA
IMAGINATION
PHENOMENOLOGY OF PLACE
METAPHOR
POETRY
ARCHITECTURE THEORY AND CRITICISM
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openAccess
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Derechos Reservados - Universidad Católica de Colombia, 2014
id UCATOLICA2_c1e7d6cc299f4c63918ab472e2169715
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network_name_str RIUCaC - Repositorio U. Católica
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dc.title.spa.fl_str_mv Cuestiones de método creativo: Metamorfosis y conciencia material en los procesos creativos en arquitectura
dc.title.translated.eng.fl_str_mv Questions of creative methods Metamorphosis and Material Consciousness in the Creative Processes in Architecture.
title Cuestiones de método creativo: Metamorfosis y conciencia material en los procesos creativos en arquitectura
spellingShingle Cuestiones de método creativo: Metamorfosis y conciencia material en los procesos creativos en arquitectura
IMAGINACIÓN
FENOMENOLOGÍA DEL LUGAR
METÁFORA
POESÍA
TEORÍA Y CRÍTICA DE LA ARQUITECTURA
IMAGINATION
PHENOMENOLOGY OF PLACE
METAPHOR
POETRY
ARCHITECTURE THEORY AND CRITICISM
title_short Cuestiones de método creativo: Metamorfosis y conciencia material en los procesos creativos en arquitectura
title_full Cuestiones de método creativo: Metamorfosis y conciencia material en los procesos creativos en arquitectura
title_fullStr Cuestiones de método creativo: Metamorfosis y conciencia material en los procesos creativos en arquitectura
title_full_unstemmed Cuestiones de método creativo: Metamorfosis y conciencia material en los procesos creativos en arquitectura
title_sort Cuestiones de método creativo: Metamorfosis y conciencia material en los procesos creativos en arquitectura
dc.creator.fl_str_mv Rueda-Plata, Carlos Iván
dc.contributor.author.spa.fl_str_mv Rueda-Plata, Carlos Iván
dc.subject.spa.fl_str_mv IMAGINACIÓN
FENOMENOLOGÍA DEL LUGAR
METÁFORA
POESÍA
TEORÍA Y CRÍTICA DE LA ARQUITECTURA
IMAGINATION
PHENOMENOLOGY OF PLACE
METAPHOR
POETRY
ARCHITECTURE THEORY AND CRITICISM
topic IMAGINACIÓN
FENOMENOLOGÍA DEL LUGAR
METÁFORA
POESÍA
TEORÍA Y CRÍTICA DE LA ARQUITECTURA
IMAGINATION
PHENOMENOLOGY OF PLACE
METAPHOR
POETRY
ARCHITECTURE THEORY AND CRITICISM
description By inquiring in the art of poetry, phenomenology and studies on technological making, this article attempts to bring creative processes in architecture closer to its imaginative essence. It presents questions of creative method following a discursive sequence whose demonstrative hypothesis departs from the idea that making architecture is place-making, whether it is: built, electronically mediated or “paper architecture.” The article demonstrates that the concepts of place and poetry are analogous, by bridging from the literary and phenomenological fields. Processes of poetic imagination (metaphor and metamorphosis) subsequently are explored and exemplified with architectural works, grouped in three categories according to distinctive ways in which material imagination makes presence as metamorphosis. Developing this study required building a theoretical frame from a hermeneutic interpretative situation specific to architecture, and then applying the resulting conceptual construct to the analysis of architectural works, drawing demonstrative conclusions
publishDate 2014
dc.date.issued.spa.fl_str_mv 2014-12
dc.date.accessioned.spa.fl_str_mv 2017-09-05T20:19:09Z
dc.date.available.spa.fl_str_mv 2017-09-05T20:19:09Z
dc.type.spa.fl_str_mv Artículo de revista
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dc.identifier.citation.spa.fl_str_mv Rueda-Plata, C. I. (2014). Cuestiones de método creativo. Metamorfosis y conciencia material en los procesos creativos en arquitectura. Revista de Arquitectura, 16 (1), p. 58-67 doi:10.14718/RevArq.2014.16.7
dc.identifier.issn.spa.fl_str_mv 1657-0308 (impreso)
2357-626X (electrónico)
dc.identifier.uri.spa.fl_str_mv http://hdl.handle.net/10983/14889
identifier_str_mv Rueda-Plata, C. I. (2014). Cuestiones de método creativo. Metamorfosis y conciencia material en los procesos creativos en arquitectura. Revista de Arquitectura, 16 (1), p. 58-67 doi:10.14718/RevArq.2014.16.7
1657-0308 (impreso)
2357-626X (electrónico)
url http://hdl.handle.net/10983/14889
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.ispartof.spa.fl_str_mv Revista de Arquitectura, Vol. 16 (ene.-dic. 2014); p. 58-67
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Boroditsky, L. (October, 2010). How Language Shapes Thought. Conferencia en el Cowell Theatre in Fort Mason Center in San Francisco, California. The Long Now Foundation. Recuperado de http://m.youtube.com/ watch?v=cPGpZp1pfQQ&desktop_uri= %2Fwatch%3Fv%3DcPGpZp1pfQQ
Boroditsky, L. (2001). Does language shape thought? English and Mandarin speakers’ concepttions of time. Cognitive Psychology, 43 (1), 1-22
Boroditsky, L. (2000). Metaphoric Structuring: Understanding time through spatial metaphors. Cognition, 75 (1), 1-28
Branzi, A. (2006). No-Stop City: Archizoom Associati (French Edition) [Paperback]. Orléans, France: HYX Editions
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CCA Channel (2013b). Peter Eisenman in conversation with Greg Lynn. Recuperado de http://m. youtube.com/watch?v=DUrA1Lod--g&deskto puri=%2Fwatch%3Fv%3DDUrA1Lod--g
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Frascari, M. (1989). The Sphere and the Labyrinth: Book Review. JAE, 42, 39-41
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spelling Rueda-Plata, Carlos Iván686c40d8-7e40-46a2-af3f-346ad78ea8f8-12017-09-05T20:19:09Z2017-09-05T20:19:09Z2014-12By inquiring in the art of poetry, phenomenology and studies on technological making, this article attempts to bring creative processes in architecture closer to its imaginative essence. It presents questions of creative method following a discursive sequence whose demonstrative hypothesis departs from the idea that making architecture is place-making, whether it is: built, electronically mediated or “paper architecture.” The article demonstrates that the concepts of place and poetry are analogous, by bridging from the literary and phenomenological fields. Processes of poetic imagination (metaphor and metamorphosis) subsequently are explored and exemplified with architectural works, grouped in three categories according to distinctive ways in which material imagination makes presence as metamorphosis. Developing this study required building a theoretical frame from a hermeneutic interpretative situation specific to architecture, and then applying the resulting conceptual construct to the analysis of architectural works, drawing demonstrative conclusionsAl indagar en el arte poética, la fenomenología y los estudios en teoría del hacer tecnológico, este artículo busca acercar los procesos creativos en arquitectura a su esencia imaginativa. Se presentan asuntos de método creativo siguiendo una secuencia discursiva encadenada, cuya hipótesis demostrativa inicia con la idea de que crear arquitectura es hacer lugar: sea construida, mediada electrónicamente o “de papel”. Se demuestra que los conceptos de lugar y poesía son análogos, trayendo fuentes del ámbito literario y la fenomenología. Seguidamente, se exploran procesos poéticos de la imaginación (metáfora y metamorfosis), ofreciendo ejemplos arquitectónicos agrupados en tres categorías en las que una conciencia material se hace presente en forma de metamorfosis. El desarrollo del estudio comprendió construir un marco interpretativo comparando autores y textos de diverso origen disciplinar —desde una situación interpretativa hermenéutica específica de la arquitectura—, para luego aplicar el constructo conceptual resultante al análisis de obras arquitectónicas, llegando a conclusiones demostrativasapplication/pdfRueda-Plata, C. I. (2014). Cuestiones de método creativo. Metamorfosis y conciencia material en los procesos creativos en arquitectura. Revista de Arquitectura, 16 (1), p. 58-67 doi:10.14718/RevArq.2014.16.71657-0308 (impreso)2357-626X (electrónico)http://hdl.handle.net/10983/14889spaRevista de Arquitectura, Vol. 16 (ene.-dic. 2014); p. 58-67Abram, D. (2010). Becoming Animal: an Earthly Cosmology. New York: Vintage BooksAugé, M. (1995). Non-places: Introduction to an Anthropology of Supermodernity. New York: VersoAschner, J. P. (2010). Composizione ed esperienza di spazio collettivo in Rogelio Salmona. Architettura/Ricerche, 57, pp. 194-197. Contributi Di Ricerca Di Ambito InternazionaleBachelard, G. (1971). On Poetic Imagination and Reverie (trans. an introduction by Colette Gaudin). New York: The Bobbs and Merril Company, IncBachelard, G. (1971). L’eau et les rêves: Essai sur l’imagination de la matière. (5 ed.). Paris: José CortíBachelard, G. (1964). The Psychoanalysis of Fire. Boston: Beacon PressBorges, J. L. (2000). This Craft of Verse. Cambridge: Harvard University PressBoroditsky, L. (October, 2010). How Language Shapes Thought. Conferencia en el Cowell Theatre in Fort Mason Center in San Francisco, California. The Long Now Foundation. Recuperado de http://m.youtube.com/ watch?v=cPGpZp1pfQQ&desktop_uri= %2Fwatch%3Fv%3DcPGpZp1pfQQBoroditsky, L. (2001). Does language shape thought? English and Mandarin speakers’ concepttions of time. Cognitive Psychology, 43 (1), 1-22Boroditsky, L. (2000). Metaphoric Structuring: Understanding time through spatial metaphors. Cognition, 75 (1), 1-28Branzi, A. (2006). No-Stop City: Archizoom Associati (French Edition) [Paperback]. Orléans, France: HYX EditionsBranzi, A., Burkhardt, F. y Morozzi, C. (1997). Andrea Branzi. Paris: Dis VoirBronowski, J. (1965). The Abacus and the Rose. New York: Harper & RowBronowski, J. (1978). The Origins of Knowledge and Imagination. New Haven: Yale University PressCasey, E. (1993). Getting back into place. Bloomington: Indiana University PressCastro, R. L. (1998). Rogelio Salmona. Bogotá: Villegas EditoresCastro, R. L. (2008). Rogelio Salmona: a Tribute. Bogotá: Villegas EditoresCastro, R. L. (2005). Syncretism, Wonder and Memory in the Work of Rogelio Salmona. En Transculturation: Cities, Spaces and Architectures in Latin America (pp. 155-163). Amsterdam: RodopiCCA (2013). Archaeology of the Digital (Lynn Greg, curador). Montreal: CCA & Sternberg PressCCA Channel (2013a). Frank Gehry Talking with Greg Lynn. Recuperado de http://m.youtube. com/watch?v=3BTn9KW62yU&desktop_ uri=%2Fwatch%3Fv%3D3BTn9KW62yUCCA Channel (2013b). Peter Eisenman in conversation with Greg Lynn. Recuperado de http://m. youtube.com/watch?v=DUrA1Lod--g&deskto puri=%2Fwatch%3Fv%3DDUrA1Lod--gCIFA - Universidad de los Andes (2000). Cerros de Bogotá. Bogotá: Villegas EditoresCornell Way, E. (1991). Knowledge Representation and Metaphor. Boston, MA: Kluwer Academic PublishersCurtis, W. (1996). Modern Architecture Since 1900 (3 ed.). New York: PhaidonDesCamp, M. T. (2007). Metaphor and Ideology. Boston: BrillEisenman, P. (1994). Cities of Artificial Excavation: The Work of Peter Eisenman, 1978- 1988. New York: Rizzoli InternationalFrancastel, P. (2000). Art & Technology in the Nineteenth and Twentieth Centuries. Cambridge: The MIT PressFrampton, K. (2006). Materia, medida y memoria en la obra de Rogelio Salmona. En Rogelio Salmona: espacios abiertos/espacios colectivos (trans. Sally Station, pp. 15-17). Bogotá: PanamericanaFrascari, M. (1989). The Sphere and the Labyrinth: Book Review. JAE, 42, 39-41Fundación Rogelio Salmona (2013). Recuperado de http://www.fundacionrogeliosalmona. org/rogelio-salmonaGadamer, H-G. (1988). Truth and Method. New York: CrossroadGadamer, H-G (1993). Verdad y Método. Salmanca: Ediciones SíguemeHeidegger, M. (1997). Building, Dwelling, Thinking (extracts). Rethinking Architecture: a Reader in Cultural Theory (pp. 100-109). New York: RoutledgeHeidegger, M. (1977). Martin Heidegger: Basic Writings. New York: HarperHensel, M., Menges, A. y Weinstock, M. (2006). Towards self-organizational and multipleperformance capacity in architecture. Archit Design, 76: 5-11. doi: 10.1002/ad.234Holl, S. (2007). Questions of Perception. San Francisco: William Stout BooksItoh, T. (1965). 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