Salas de cine en publicaciones de arquitectura de los años treinta: una mirada al caso de los cinéac

During the first quarter of the twentieth century the existing cinema halls were characterized by luxury, monumentality and capabilities to achieve capacity of thousands of spectators. In the thirties it originated in European countries as a typological variant known as cinéac (contraction of ciné et actualités). The architecture of the cinéac and the mediation of which were the subject specifically in France and Belgium are addressed by the systematic review of architectural magazines of the time and in the literature shows that portrayed advances in the architecture and theater of cinemas. This article shows cinéac history and its role in the transition to a moderate architecture and smaller scale cinemas, it highlights the work of architects Siclis and De Montaut & Gorska and ends with a review of the exterior architecture of cinéac

• Autores: Ávila-Gómez, Andrés
• Tipo de recurso: Article of journal
• Fecha de publicación: 2015
• Institución: Universidad Católica de Colombia
• Repositorio: RIUCaC - Repositorio U. Católica
• Idioma: spa
• OAI Identifier: oai:repository.ucatolica.edu.co:10983/14867
• Acceso en línea: http://hdl.handle.net/10983/14867
• Palabra clave: ARQUITECTURA COMERCIAL; TIPOLOGÍA ARQUITECTÓNICA; REVISTAS DE ARQUITECTURA; COMPONENTES DE FACHADA; ENTREGUERRAS; ARCHITECTURE; ARCHITECTURAL STYLE; ARCHITECTURE MAGAZINES; FAÇADE COMPONENTS; BETWEEN THE WARS; ARCHITECTURE COMMERCIALE; TYPOLOGIE ARCHITECTURALE; PÉRIODIQUES D’ARCHITECTURE; ÉLÉMENTS DE FAÇADE; ENTRE-DEUX-GUERRES
• Rights: openAccess
• License: Derechos Reservados - Universidad Católica de Colombia, 2015