Visión para el futuro

BAMBOO HOUSING PROJECT IN COFFEE HARVESTING REGION RECOVERING FROM AN EARTHQUAKE IN COLOMBIA A house does not have to be built according to other patterns apart from tradition to reach acceptance inside a culture already formed. The tradition of the houses built in guadua (bamboo) is millennia in ou...

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Autores:
Caicedo, Luis Fernando
Eilas-Rojas, Campo
Tipo de recurso:
Article of journal
Fecha de publicación:
2004
Institución:
Universidad Católica de Colombia
Repositorio:
RIUCaC - Repositorio U. Católica
Idioma:
spa
OAI Identifier:
oai:repository.ucatolica.edu.co:10983/15287
Acceso en línea:
http://hdl.handle.net/10983/15287
Palabra clave:
CASAS
TRADICIÓN
GUADUA
BAMBÚ
CONSTRUIR
RESISTENTE TERREMOTOS
ESPACIOS SOCIALES
HOUSES
TRADITION
BAMBOO
BAMBOO
BUILD
SEISMIC RESISTANT
SOCIAL SPACES
Rights
openAccess
License
Derechos Reservados - Universidad Católica de Colombia, 2004
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repository_id_str
dc.title.spa.fl_str_mv Visión para el futuro
dc.title.translated.eng.fl_str_mv Visions for the future
title Visión para el futuro
spellingShingle Visión para el futuro
CASAS
TRADICIÓN
GUADUA
BAMBÚ
CONSTRUIR
RESISTENTE TERREMOTOS
ESPACIOS SOCIALES
HOUSES
TRADITION
BAMBOO
BAMBOO
BUILD
SEISMIC RESISTANT
SOCIAL SPACES
title_short Visión para el futuro
title_full Visión para el futuro
title_fullStr Visión para el futuro
title_full_unstemmed Visión para el futuro
title_sort Visión para el futuro
dc.creator.fl_str_mv Caicedo, Luis Fernando
Eilas-Rojas, Campo
dc.contributor.author.spa.fl_str_mv Caicedo, Luis Fernando
Eilas-Rojas, Campo
dc.subject.proposal.spa.fl_str_mv CASAS
TRADICIÓN
GUADUA
BAMBÚ
CONSTRUIR
RESISTENTE TERREMOTOS
ESPACIOS SOCIALES
HOUSES
TRADITION
BAMBOO
BAMBOO
BUILD
SEISMIC RESISTANT
SOCIAL SPACES
topic CASAS
TRADICIÓN
GUADUA
BAMBÚ
CONSTRUIR
RESISTENTE TERREMOTOS
ESPACIOS SOCIALES
HOUSES
TRADITION
BAMBOO
BAMBOO
BUILD
SEISMIC RESISTANT
SOCIAL SPACES
description BAMBOO HOUSING PROJECT IN COFFEE HARVESTING REGION RECOVERING FROM AN EARTHQUAKE IN COLOMBIA A house does not have to be built according to other patterns apart from tradition to reach acceptance inside a culture already formed. The tradition of the houses built in guadua (bamboo) is millennia in our lands and constitutes a sustainable way to build. This way of building is resistant against earthquakes and always survives. In this social proyect social spaces were organized on several scales to integrate a craft market into pedestrian routes of the population of Chinchiná.
publishDate 2004
dc.date.issued.spa.fl_str_mv 2004-12
dc.date.accessioned.spa.fl_str_mv 2017-12-11T18:45:19Z
dc.date.available.spa.fl_str_mv 2017-12-11T18:45:19Z
dc.type.spa.fl_str_mv Artículo de revista
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dc.type.content.spa.fl_str_mv Text
dc.type.driver.spa.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.citation.spa.fl_str_mv Caicedo, L. F., Eilas Rojas, C.(2004). Visions for the future. Revista de Arquitectura 6 (1), p. 17-19
dc.identifier.issn.spa.fl_str_mv 1657-0308 (impreso)
2357-626X (electrónico)
dc.identifier.uri.spa.fl_str_mv http://hdl.handle.net/10983/15287
identifier_str_mv Caicedo, L. F., Eilas Rojas, C.(2004). Visions for the future. Revista de Arquitectura 6 (1), p. 17-19
1657-0308 (impreso)
2357-626X (electrónico)
url http://hdl.handle.net/10983/15287
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.ispartof.spa.fl_str_mv Revista de Arquitectura, Vol. 6 (ene.-dic. 2004); p. 17-18
dc.relation.references.spa.fl_str_mv BONNARD, Andre. Poesía de los dioses. En: Revista Eco, (Julio de 1968). No 261. Bogotá: Buchhols, 1968. p. 287
MÜLLER, Werner; VOGEL, Günter, Atlas de arquitectura I. Madrid: Alianza Editorial, 1984-1999. p.151 “Los aqueos eolios son expulsados o sometidos. Los jonios pueden mantenerse en Eubea y en el Ática o repartirse por las cícladas. La oleada migratoria desencadenada alcanza Asia menor, cuya costa occidental (Eolia y Jonia) es colonizada
MARTIENSSEN, Ronald, Distin, La idea del espacio en la arquitectura griega. Witwatersrand University Press, 1958. p. 63. Trad. G. Arteaga. The earliest chthonic ceremonies, then, were held in the open air, probable in some form of enclosure suggested by the natural conformation of its surroundings or by a clearing in a grove, and such rites as were performed in sacrifice or other demonstration took place before the symbol, external to it and only in an implied (not constructed) enclosure. The substitution of an anthropomorphic symbol for a purely natural or non-representational object may be assumed in principle to be the starting point for providing a constructed protection or “house” for the deity symbol. This change-over from a chthonic symbol to an Olympian form of religion thus becomes closely associated with the deliberate creation of a formal architectural framework for the whole procedure of religious ceremony.”
LEVI-STRAUSS, Claude, El pensamiento salvaje, México: Fondo de Cultura Económica, 1964. Primera edición en francés, 1962. Quinta reimpresión en español, 1984. Ver, capítulo I, “La ciencia de lo concreto”.
MARTIENSSEN. op. cit., p. 62 “…Está más allá del propósito de esta tesis tratar acerca de los problemas extremadamente complejos que surgen de la total estructura de las creencias y los ritos griegos, pero debemos tratar de asumir que la concepción antropomórfica de los dioses fue un proceso de desarrollo que involucra un cambio que va desde el reconocimiento de las misteriosas e implacables fuerzas de la naturaleza hasta la creencia en ciertos dioses “definidos y personales”. En otras palabras, hubo un cambio del fetichismo al politeísmo que, en su lugar, se reflejó positivamente en la disposición consciente de los lugares de culto.” “…It is beyond the scope of the present thesis to comment upon the extremely complex problems arising from the whole structure of Greek ritual and belief, but we may broadly assume that the anthropomorphic conception of the gods was a developing process which involved a change from the recognition of the mysterious and implacable forces in nature, to a belief in certain `definite and personal´ gods. IN other words, there was a change from fetishism to polytheism which in turn was positively reflected in the conscious arrangement of sacred places of worship.”
dc.rights.spa.fl_str_mv Derechos Reservados - Universidad Católica de Colombia, 2004
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spelling Caicedo, Luis Fernandoa51f6189-cf99-46b5-a024-761ccdcaf90a-1Eilas-Rojas, Campoe8ba37a6-561d-40ec-b2d6-1de0847c922b-12017-12-11T18:45:19Z2017-12-11T18:45:19Z2004-12BAMBOO HOUSING PROJECT IN COFFEE HARVESTING REGION RECOVERING FROM AN EARTHQUAKE IN COLOMBIA A house does not have to be built according to other patterns apart from tradition to reach acceptance inside a culture already formed. The tradition of the houses built in guadua (bamboo) is millennia in our lands and constitutes a sustainable way to build. This way of building is resistant against earthquakes and always survives. In this social proyect social spaces were organized on several scales to integrate a craft market into pedestrian routes of the population of Chinchiná.application/pdfCaicedo, L. F., Eilas Rojas, C.(2004). Visions for the future. Revista de Arquitectura 6 (1), p. 17-191657-0308 (impreso)2357-626X (electrónico)http://hdl.handle.net/10983/15287spaRevista de Arquitectura, Vol. 6 (ene.-dic. 2004); p. 17-18BONNARD, Andre. Poesía de los dioses. En: Revista Eco, (Julio de 1968). No 261. Bogotá: Buchhols, 1968. p. 287MÜLLER, Werner; VOGEL, Günter, Atlas de arquitectura I. Madrid: Alianza Editorial, 1984-1999. p.151 “Los aqueos eolios son expulsados o sometidos. Los jonios pueden mantenerse en Eubea y en el Ática o repartirse por las cícladas. La oleada migratoria desencadenada alcanza Asia menor, cuya costa occidental (Eolia y Jonia) es colonizadaMARTIENSSEN, Ronald, Distin, La idea del espacio en la arquitectura griega. Witwatersrand University Press, 1958. p. 63. Trad. G. Arteaga. The earliest chthonic ceremonies, then, were held in the open air, probable in some form of enclosure suggested by the natural conformation of its surroundings or by a clearing in a grove, and such rites as were performed in sacrifice or other demonstration took place before the symbol, external to it and only in an implied (not constructed) enclosure. The substitution of an anthropomorphic symbol for a purely natural or non-representational object may be assumed in principle to be the starting point for providing a constructed protection or “house” for the deity symbol. This change-over from a chthonic symbol to an Olympian form of religion thus becomes closely associated with the deliberate creation of a formal architectural framework for the whole procedure of religious ceremony.”LEVI-STRAUSS, Claude, El pensamiento salvaje, México: Fondo de Cultura Económica, 1964. Primera edición en francés, 1962. Quinta reimpresión en español, 1984. Ver, capítulo I, “La ciencia de lo concreto”.MARTIENSSEN. op. cit., p. 62 “…Está más allá del propósito de esta tesis tratar acerca de los problemas extremadamente complejos que surgen de la total estructura de las creencias y los ritos griegos, pero debemos tratar de asumir que la concepción antropomórfica de los dioses fue un proceso de desarrollo que involucra un cambio que va desde el reconocimiento de las misteriosas e implacables fuerzas de la naturaleza hasta la creencia en ciertos dioses “definidos y personales”. En otras palabras, hubo un cambio del fetichismo al politeísmo que, en su lugar, se reflejó positivamente en la disposición consciente de los lugares de culto.” “…It is beyond the scope of the present thesis to comment upon the extremely complex problems arising from the whole structure of Greek ritual and belief, but we may broadly assume that the anthropomorphic conception of the gods was a developing process which involved a change from the recognition of the mysterious and implacable forces in nature, to a belief in certain `definite and personal´ gods. IN other words, there was a change from fetishism to polytheism which in turn was positively reflected in the conscious arrangement of sacred places of worship.”Derechos Reservados - Universidad Católica de Colombia, 2004info:eu-repo/semantics/openAccessAtribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)https://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf2CASASTRADICIÓNGUADUABAMBÚCONSTRUIRRESISTENTE TERREMOTOSESPACIOS SOCIALESHOUSESTRADITIONBAMBOOBAMBOOBUILDSEISMIC RESISTANTSOCIAL SPACESVisión para el futuroVisions for the futureArtículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Textinfo:eu-repo/semantics/articlehttp://purl.org/redcol/resource_type/ARTinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a85PublicationORIGINALRevArq06 48 Riba Vision futuro.pdfRevArq06 48 Riba Vision futuro.pdfapplication/pdf651358https://repository.ucatolica.edu.co/bitstreams/bde6270a-64d6-49da-9674-933ab3188655/download9230f61c456af2e09f11198d24de6c37MD54TEXTRevArq06 18 Los Dioses GonArt.pdf.txtRevArq06 18 Los Dioses GonArt.pdf.txtExtracted texttext/plain22348https://repository.ucatolica.edu.co/bitstreams/9a6122a2-c8f6-42cb-b720-663830d5da0c/download1a20829e2d00174f8cd350c1ad1d7e5aMD52RevArq06 48 Riba Vision futuro.pdf.txtRevArq06 48 Riba Vision futuro.pdf.txtExtracted texttext/plain11328https://repository.ucatolica.edu.co/bitstreams/a14157dc-5e12-4aa8-b084-f32286b9fd2a/download339e282ceb418d98d44fa19456b2545dMD55THUMBNAILRevArq06 18 Los Dioses GonArt.pdf.jpgRevArq06 18 Los Dioses GonArt.pdf.jpgRIUCACimage/jpeg5020https://repository.ucatolica.edu.co/bitstreams/ef488443-cda4-4a8a-8e85-d48ca09569bd/downloadf1ad5fa8db3174e74cf83a47b62c7c7eMD53RevArq06 48 Riba Vision futuro.pdf.jpgRevArq06 48 Riba Vision futuro.pdf.jpgRIUCACimage/jpeg29208https://repository.ucatolica.edu.co/bitstreams/c7057040-b942-42a6-a80a-88c71630bf77/downloadde77cd39dcac47b9e0c2b40febf7ffe3MD5610983/15287oai:repository.ucatolica.edu.co:10983/152872023-03-24 17:34:17.753https://creativecommons.org/licenses/by-nc-nd/4.0/Derechos Reservados - Universidad Católica de Colombia, 2004https://repository.ucatolica.edu.coRepositorio Institucional Universidad Católica de Colombia - RIUCaCbdigital@metabiblioteca.com