Plataforma desmaterializada en la casa Farnsworth Operación moderna estereotómica
Decomposing the Farnsworth house through its absolute elements reveals the essence of the architecture of Mies van der Rohe, showing that each device has its own universe, which, when arranged in a complete entity, achieves the compactness of a piece of universal art. Here the house is analyzed thro...
- Autores:
-
Valencia, Juan Fernando
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2018
- Institución:
- Universidad Católica de Colombia
- Repositorio:
- RIUCaC - Repositorio U. Católica
- Idioma:
- spa
- OAI Identifier:
- oai:repository.ucatolica.edu.co:10983/22908
- Acceso en línea:
- https://hdl.handle.net/10983/22908
- Palabra clave:
- COMPOSICIÓN
DISEÑO ARQUITECTÓNICO
DISEÑO DEL PAISAJE
MIES VAN DER ROHE
PAISAJE
COMPOSITION
ARCHITECTURAL DESIGN
LANDSCAPE DESIGN
MIES VAN DER ROHE
LANDSCAPE
COMPOSIÇÃO
DESENHO ARQUITETÔNICO
DESENHO DE PAISAGEM
MIES VAN DER ROHE
PAISAGEM
- Rights
- openAccess
- License
- Derechos Reservados - Universidad Católica de Colombia, 2018
Summary: | Decomposing the Farnsworth house through its absolute elements reveals the essence of the architecture of Mies van der Rohe, showing that each device has its own universe, which, when arranged in a complete entity, achieves the compactness of a piece of universal art. Here the house is analyzed through one of its most innovative devices, which evidences the lightness conferred to it by being separated from the natural floor. This is an operation that emphasizes the abstraction of a fairly recurrent device in his architecture, creating a new floor plan by erecting his buildings on podiums or platforms. This analysis deepens the study of the elements that make up this dematerialized podium based on Mies’ Baukunst, a look that has found answers in a panorama of primary sources that reveal Mies’ method of “building with art.” |
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