CIUDADELAS EN CONFLICTO. Tesis de Maestría

‘Ciudadelas en los conflictos” es una tesis de Maestría que quiere mostrar cómo el proceso conceptual de la fotografía va de la realidad a la representación por modelos, pero también cómo las representaciones de estos modelos adquieren un nuevo sig...

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Autores:
Jaramillo, Santiago Escobar
Tipo de recurso:
Article of journal
Fecha de publicación:
2015
Institución:
Universidad de Caldas
Repositorio:
Repositorio U. de Caldas
Idioma:
spa
OAI Identifier:
oai:repositorio.ucaldas.edu.co:ucaldas/13595
Acceso en línea:
https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/489
Palabra clave:
Colombia
conflict
displacement
photography
space
Colombia
conflicto
espacio
desplazamiento
fotografía
Rights
openAccess
License
Derechos de autor 2015 Revista Kepes
id UCALDAS2_eb9f232f254ebf67770327c203f9980b
oai_identifier_str oai:repositorio.ucaldas.edu.co:ucaldas/13595
network_acronym_str UCALDAS2
network_name_str Repositorio U. de Caldas
repository_id_str
dc.title.spa.fl_str_mv CIUDADELAS EN CONFLICTO. Tesis de Maestría
dc.title.translated.eng.fl_str_mv Citadels in Conflict –Dissertation Project–
title CIUDADELAS EN CONFLICTO. Tesis de Maestría
spellingShingle CIUDADELAS EN CONFLICTO. Tesis de Maestría
Colombia
conflict
displacement
photography
space
Colombia
conflicto
espacio
desplazamiento
fotografía
title_short CIUDADELAS EN CONFLICTO. Tesis de Maestría
title_full CIUDADELAS EN CONFLICTO. Tesis de Maestría
title_fullStr CIUDADELAS EN CONFLICTO. Tesis de Maestría
title_full_unstemmed CIUDADELAS EN CONFLICTO. Tesis de Maestría
title_sort CIUDADELAS EN CONFLICTO. Tesis de Maestría
dc.creator.fl_str_mv Jaramillo, Santiago Escobar
dc.contributor.author.spa.fl_str_mv Jaramillo, Santiago Escobar
dc.subject.eng.fl_str_mv Colombia
conflict
displacement
photography
space
topic Colombia
conflict
displacement
photography
space
Colombia
conflicto
espacio
desplazamiento
fotografía
dc.subject.spa.fl_str_mv Colombia
conflicto
espacio
desplazamiento
fotografía
description ‘Ciudadelas en los conflictos” es una tesis de Maestría que quiere mostrar cómo el proceso conceptual de la fotografía va de la realidad a la representación por modelos, pero también cómo las representaciones de estos modelos adquieren un nuevo significado, la realidad de virtualismo y la ilusión. Usar instalaciones o interactuar con modelos es inventar imaginarios, o llamar memorias, que podrían ser puestos sobre una base tangible para fotografiarlas después. Quiero reflexionar sobre ciudades imaginarias y la utopía de la guerra y el desplazamiento, imaginando cada foto como una ciudadela. Los modelos construidos que acompañan este texto se entienden como fortalezas, ya que incluyen, a veces al azar, todas las variables sociales, culturales y físicas que las ciudades tienen, como “imitación de la vida”. Una metáfora de las variadas e irónicas miradas de un desplazado, se podrían obtener al llegar a las ciudades o a los lugares urbanos. Por lo tanto, el ciudadano inesperado vive dentro de una ciudadela en el conflicto. El fenómeno de la guerra y el desplazamiento forzado son la cartografía de las nuevas ciudades en Colombia, que se registran en esta obra de una manera triste y satirizada.
publishDate 2015
dc.date.accessioned.none.fl_str_mv 2015-10-07 00:00:00
dc.date.available.none.fl_str_mv 2015-10-07 00:00:00
dc.date.issued.none.fl_str_mv 2015-10-07
dc.type.spa.fl_str_mv Artículo de revista
Sección Artículos
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dc.relation.references.spa.fl_str_mv ARANGO, M. (2007). Internally displaced Colombians speak out: let it be known. Geneve: International Displacement Monitoring Centre; Bogotá: Norwegian Refugee Council.
AUTHOR. (2005). Citadels in Conflict. Manizales: National University of Colombia.
________. (2008a). One to Seventy-two. London: Goldsmiths, University of London.
________. (2008b). Soldier Inside, the fetish. Anthropology of Art II. London:Goldsmiths, University of London.
________. (2008c). Street Signs. Magazine – Autumn 2008. London: CUCR – Goldsmiths, University of London.
________. (1993). Camera Lucida: Reflections on Photography. London: Vintage.
BAUDRILLARD, Jean. (1968). Le système des objets. Paris: Editions Gallimard.
________, Jean & NOUVEL, Jean. (2006). “Interviews”. Trans. by Author. En www.ddooss.org/articulos/entrevistas/J_Baudrillard.htm
BAUMAN, Zygmunt. (2003). City of Fears, City of Hopes. London: CUCR, Goldsmiths College, University of London.
BEARDSLEY, John. (2002). Guest Curator. Senior Lecturer at Harvard Universities Graduate School of Design. En www.andover.edu/Addison/exhibition/2002- Winter/eye.htm
BELSEY, A. (1998). Journalism and ethics: Can they co-exist?. In M. KIERAN (Ed.), Media Ethics. London: Routledge.
BENJAMIN, Walter. (1925-26a). The Arcades Project: Two versions of Paris capital of the 19th Century. Convoult on the Panorama. London.
________. (1925-26b). One-Way Street In One-Way Street and Other Writings. London: Verso 1985.
BERGER, John. (1980). About Looking. London: Writers an Readers Publishing Cooperative, Ltd.
BERGER, J. and MOHR, J. (1975). A Seventh Man: migrant workers in Europe. Cambridge: Granta Books.
BLAKE, William. (1803/1863). Auguries of Innocence. rpo.library.utoronto.ca/poem/161.html. Originally published in Poems (1863), D.G ROSSETTI (Ed.). London.
BORGES, Jorge Luis. (1962/1964). Labyrinths: selected stories & other writings.New York: New Directions Publishing Corporation.
BOYLE, P., K. HALFACREE & V. ROBINSON. (1998). Exploring Contemporary Migration. Essex: Wesley Longman limited.
BURNETT, R. (2004). How Images Think. London: The MIT Press.
CABALLERO, Antonio. (2007). Revista Semana.com. En www.semana.com
CAIRNS, Stephen. (2004). Drifting: Architecture and Migrancy. London: Routledge
CALVINO, Italo. (1996). Six Memos for the Next Millenium: Visibility. Great Britain: Vintage.
________. (1997). Le città invisibili. Great Britain: Vintage.
CLARKE, Graham. (1997). The Photograph. New York: Oxford University Press.
COLEMAN, A. D. (1998). Depth of Field: Essays on Photography, Mass Media, Lens Culture. New Mexico.
DALÍ, Salvador. (1944). Dream caused by the flight of a bee around a pomegranate, a second before waking up in ‘Surrealism’. London: Taschen.
DE CERTEAU, M. (1984). The Practice of Everyday Life. Trans. S. Rendall. Berkeley: University of California Press.
ELLISON, Ralph. (1952). Invisible Man. London: Penguin Books.
ENGELS, F. (1845). The Condition of the Working Class in England. London: Penguin.
FALCONI, José. (2007). Support letter. Boston: Curator Art Forum Harvard University.
FALS BORDA, Orlando. (1969). Subversion and Social Change in Colombia. New York: Columbia University Press.
FREEDBERG, D. (1989). The Power of Images. London: The University of Chicago Press.
GAVIRIA, José Obdulio. (2008). El país según José Obdulio. Revista Cambio. Bogotá: Publicaciones Cambio. cambio.com.co/portadacambio/789/4445405- ag-3_3.html
GELL, A. (1996). Vogel’s Net: Traps as Artworks and Artworks as Traps. Journal of Material Culture, 1: 15-38.
GIBRAN, Kahlil. (1966). The Essential Kahlil Gibran. New York: Citadel Press.
GILBERT, Alan. (1994). The Latin American Cities. London: Latin America Bureau.
GOTTWALD, M. (2004). Protecting Colombian refugees in the Andean region: the fight against invisibility. Oxford: Oxford University Press.
GROESZ, E. (1986). Language and the limits of the body: Kristeva and abjection. In E. GROSZ, T. THREADGOLD, D. NELLY, A. CHOLODENKO, E. COLLESS (Eds.), Futur*Fall: excursions into post-modernity. Sydney: Pathfinder Press and the Power Institute.
GRUNDBERG, Andy. (1990). Crisis of the Real; writing on Photography 1974-1989. West Hanover: Apertura.
HALLIDAY, Paul. (2008). MA Photography & Urban Cultures convenor. London: Goldsmiths, University of London.
HORKHEIMER, M. & ADORNO, T. (1987). Dialectic of Enlightenment. Translated by John Cumming. New Cork: Continuum.
HUMAN RIGHTS WATCH. (2005). Displaced and discarded: the plight of internally displaced persons in Bogotá and Cartagena. New York: Human Rights Watch.
JACKSON, John A. (1986). Migration. Aspects of Modern Sociology. New York: Longman Inc.
KEITH, M. (n.d.). Identity and the Spaces of Authenticity. London: Routledge.
KUSHNER, T. & KNOW, K. (1999). Refugees in an Age of Genocide. London: Frank Class.
LEFEBVRE, H. (1991). The Production of Space. Trans. D. Nicholson-Smith. Oxford: Blackwell.
LEVI-STRAUSS, Claude. (1968). The Savage Mind. Chicago: The University of Chicago Press.
LOS GAITEROS DE SAN JACINTO. (2006). Un Fuego de Sangre Pura. USA:Smithsonian Folkways Recordings.
LOZANOVSKA, M. (1997). Abjection and architecture: the migrant house in multicultural Australia. In NALBANTOGLU G. B. and THAI W. C. (Eds.), Postcolonial Space(s), 1001-129. New York: Princeton Architectural Press.
LÜBBERS, M. & AUTHOR. (2008). Attraction: ‘Operación Jaque’. London: Quickflicker Film Festival.
LYNCH, Kevin. (1960). The Image of the City. Cambridge: M.I.T. Press.
MANDANI, Mahmood. (1973). From Citizen to Refugee: Ugandan Asians Come to Britain. London: Francis Pinter. N.A.
MARCUS, S. (1973). Reading the illegible city. In DYROS, H. J. and WOLFF, M. (Eds.), The Victorian City: Images and Realities. London: Routledge.
MATISSE. French edition. New York: Simon & Schuster.
MITCHELL, W. J. T. (2005). What do pictures want? Chicago: The University of Chicago Press.
MONSALVE, Diego. (1927). Colombian cafetera. Barcelona: Artes Gráficas.
MORTON, A. L. (1969). The English Utopia. London: Lawrence & Wishart.
MUÑOZ, Manuel Ramiro. (2008). DVV International – Migration and Integration: Educational Needs and Forced Displacement in Colombia. Number 70. www.iiz-dvv. de/index.php?article_id=728&clang=1
NAGLE, Luz E. (2004). Colombian asylum seekers: what practitioners should know about the Colombian crisis. Washington: Georgetown Immigration Law Journal. NALBANTOGLU and W. C. THAI. (Eds.). Postcolonial Space(s). New York: Princeton University Press.
NERUDA, Pablo. (1969). Twenty love poems and song of despair. London: Jonathan Cape. www.neruda.uchile.cl
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RESTREPO, J. A. and SPAGAT, M. (2005). Colombia’s tipping point? London: International Institute for Strategic Studies.
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spelling Jaramillo, Santiago Escobarbe586117f64f6f3684def4e5b9133a3f5002015-10-07 00:00:002015-10-07 00:00:002015-10-071794-7111https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/4892462-8115‘Ciudadelas en los conflictos” es una tesis de Maestría que quiere mostrar cómo el proceso conceptual de la fotografía va de la realidad a la representación por modelos, pero también cómo las representaciones de estos modelos adquieren un nuevo significado, la realidad de virtualismo y la ilusión. Usar instalaciones o interactuar con modelos es inventar imaginarios, o llamar memorias, que podrían ser puestos sobre una base tangible para fotografiarlas después. Quiero reflexionar sobre ciudades imaginarias y la utopía de la guerra y el desplazamiento, imaginando cada foto como una ciudadela. Los modelos construidos que acompañan este texto se entienden como fortalezas, ya que incluyen, a veces al azar, todas las variables sociales, culturales y físicas que las ciudades tienen, como “imitación de la vida”. Una metáfora de las variadas e irónicas miradas de un desplazado, se podrían obtener al llegar a las ciudades o a los lugares urbanos. Por lo tanto, el ciudadano inesperado vive dentro de una ciudadela en el conflicto. El fenómeno de la guerra y el desplazamiento forzado son la cartografía de las nuevas ciudades en Colombia, que se registran en esta obra de una manera triste y satirizada.Abstract This dissertation Citadels in Conflict wants to show how the conceptual process of photography goes from reality to representation by models, but also how representations of these models acquire a new significance, the reality of virtualism and illusion. To use installations or interact with models is to invent imaginaries –or to call memories– that could be placed on a tangible base… and later photographed. I want to reflect on imaginary cities and the utopia of war and displacement, picturing each photo as a citadel. The constructed models accompanying this text are understood as citadels, for they include –sometimes randomly– all social, cultural and physical variables that cities have, or as “imitations of life”. A metaphor of the varied and ironic glances a desplazado could get when arriving in cities or any other urban places. Therefore, the unexpected citizen dwells inside a citadel in conflict. The phenomena of war and forced displacement are mapping new cities in Colombia in sad and iconic ways as satirized in these sixteen images.application/pdfspauniversidad de CaldasDerechos de autor 2015 Revista Kepeshttps://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/489ColombiaconflictdisplacementphotographyspaceColombiaconflictoespaciodesplazamientofotografíaCIUDADELAS EN CONFLICTO. Tesis de MaestríaCitadels in Conflict –Dissertation Project–Artículo de revistaSección ArtículosJournal Articlehttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Textinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a8524962117KepesARANGO, M. (2007). Internally displaced Colombians speak out: let it be known. Geneve: International Displacement Monitoring Centre; Bogotá: Norwegian Refugee Council.AUTHOR. (2005). Citadels in Conflict. Manizales: National University of Colombia.________. (2008a). One to Seventy-two. London: Goldsmiths, University of London.________. (2008b). Soldier Inside, the fetish. Anthropology of Art II. London:Goldsmiths, University of London.________. (2008c). Street Signs. Magazine – Autumn 2008. London: CUCR – Goldsmiths, University of London.________. (1993). Camera Lucida: Reflections on Photography. London: Vintage.BAUDRILLARD, Jean. (1968). Le système des objets. Paris: Editions Gallimard.________, Jean & NOUVEL, Jean. (2006). “Interviews”. Trans. by Author. En www.ddooss.org/articulos/entrevistas/J_Baudrillard.htmBAUMAN, Zygmunt. (2003). City of Fears, City of Hopes. London: CUCR, Goldsmiths College, University of London.BEARDSLEY, John. (2002). Guest Curator. Senior Lecturer at Harvard Universities Graduate School of Design. En www.andover.edu/Addison/exhibition/2002- Winter/eye.htmBELSEY, A. (1998). Journalism and ethics: Can they co-exist?. In M. KIERAN (Ed.), Media Ethics. London: Routledge.BENJAMIN, Walter. (1925-26a). The Arcades Project: Two versions of Paris capital of the 19th Century. Convoult on the Panorama. London.________. (1925-26b). One-Way Street In One-Way Street and Other Writings. London: Verso 1985.BERGER, John. (1980). About Looking. London: Writers an Readers Publishing Cooperative, Ltd.BERGER, J. and MOHR, J. (1975). A Seventh Man: migrant workers in Europe. Cambridge: Granta Books.BLAKE, William. (1803/1863). Auguries of Innocence. rpo.library.utoronto.ca/poem/161.html. Originally published in Poems (1863), D.G ROSSETTI (Ed.). London.BORGES, Jorge Luis. (1962/1964). Labyrinths: selected stories & other writings.New York: New Directions Publishing Corporation.BOYLE, P., K. HALFACREE & V. ROBINSON. (1998). Exploring Contemporary Migration. Essex: Wesley Longman limited.BURNETT, R. (2004). How Images Think. London: The MIT Press.CABALLERO, Antonio. (2007). Revista Semana.com. En www.semana.comCAIRNS, Stephen. (2004). Drifting: Architecture and Migrancy. London: RoutledgeCALVINO, Italo. (1996). Six Memos for the Next Millenium: Visibility. Great Britain: Vintage.________. (1997). Le città invisibili. Great Britain: Vintage.CLARKE, Graham. (1997). The Photograph. New York: Oxford University Press.COLEMAN, A. D. (1998). Depth of Field: Essays on Photography, Mass Media, Lens Culture. New Mexico.DALÍ, Salvador. (1944). Dream caused by the flight of a bee around a pomegranate, a second before waking up in ‘Surrealism’. London: Taschen.DE CERTEAU, M. (1984). The Practice of Everyday Life. Trans. S. Rendall. Berkeley: University of California Press.ELLISON, Ralph. (1952). Invisible Man. London: Penguin Books.ENGELS, F. (1845). The Condition of the Working Class in England. London: Penguin.FALCONI, José. (2007). Support letter. Boston: Curator Art Forum Harvard University.FALS BORDA, Orlando. (1969). Subversion and Social Change in Colombia. New York: Columbia University Press.FREEDBERG, D. (1989). The Power of Images. London: The University of Chicago Press.GAVIRIA, José Obdulio. (2008). El país según José Obdulio. Revista Cambio. Bogotá: Publicaciones Cambio. cambio.com.co/portadacambio/789/4445405- ag-3_3.htmlGELL, A. (1996). Vogel’s Net: Traps as Artworks and Artworks as Traps. Journal of Material Culture, 1: 15-38.GIBRAN, Kahlil. (1966). The Essential Kahlil Gibran. New York: Citadel Press.GILBERT, Alan. (1994). The Latin American Cities. London: Latin America Bureau.GOTTWALD, M. (2004). Protecting Colombian refugees in the Andean region: the fight against invisibility. Oxford: Oxford University Press.GROESZ, E. (1986). Language and the limits of the body: Kristeva and abjection. In E. GROSZ, T. THREADGOLD, D. NELLY, A. CHOLODENKO, E. COLLESS (Eds.), Futur*Fall: excursions into post-modernity. Sydney: Pathfinder Press and the Power Institute.GRUNDBERG, Andy. (1990). Crisis of the Real; writing on Photography 1974-1989. West Hanover: Apertura.HALLIDAY, Paul. (2008). MA Photography & Urban Cultures convenor. London: Goldsmiths, University of London.HORKHEIMER, M. & ADORNO, T. (1987). Dialectic of Enlightenment. Translated by John Cumming. New Cork: Continuum.HUMAN RIGHTS WATCH. (2005). Displaced and discarded: the plight of internally displaced persons in Bogotá and Cartagena. New York: Human Rights Watch.JACKSON, John A. (1986). Migration. Aspects of Modern Sociology. New York: Longman Inc.KEITH, M. (n.d.). Identity and the Spaces of Authenticity. London: Routledge.KUSHNER, T. & KNOW, K. (1999). Refugees in an Age of Genocide. London: Frank Class.LEFEBVRE, H. (1991). The Production of Space. Trans. D. Nicholson-Smith. Oxford: Blackwell.LEVI-STRAUSS, Claude. (1968). The Savage Mind. Chicago: The University of Chicago Press.LOS GAITEROS DE SAN JACINTO. (2006). Un Fuego de Sangre Pura. USA:Smithsonian Folkways Recordings.LOZANOVSKA, M. (1997). Abjection and architecture: the migrant house in multicultural Australia. In NALBANTOGLU G. B. and THAI W. C. (Eds.), Postcolonial Space(s), 1001-129. New York: Princeton Architectural Press.LÜBBERS, M. & AUTHOR. (2008). Attraction: ‘Operación Jaque’. London: Quickflicker Film Festival.LYNCH, Kevin. (1960). The Image of the City. Cambridge: M.I.T. Press.MANDANI, Mahmood. (1973). From Citizen to Refugee: Ugandan Asians Come to Britain. London: Francis Pinter. N.A.MARCUS, S. (1973). Reading the illegible city. In DYROS, H. J. and WOLFF, M. (Eds.), The Victorian City: Images and Realities. London: Routledge.MATISSE. French edition. New York: Simon & Schuster.MITCHELL, W. J. T. (2005). What do pictures want? Chicago: The University of Chicago Press.MONSALVE, Diego. (1927). Colombian cafetera. Barcelona: Artes Gráficas.MORTON, A. L. (1969). The English Utopia. 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