Action arts: body and urban space resignification

The article analyzes action arts such as performance, happening and body art, emphasizing on their achievements both on artists and spectators and participants, when carried out in urban spaces amid recreational purposes. The author extends, among others, on the cultural, social, psychic, urban, and...

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Autores:
Tipo de recurso:
Article of journal
Fecha de publicación:
2011
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/10526
Acceso en línea:
https://revistas.uan.edu.co/index.php/nodo/article/view/52
https://repositorio.uan.edu.co/handle/123456789/10526
Palabra clave:
Performance
arte
cuerpo
ciudad
estética
hermenéutica
juego
Performance
art
body
city
aesthetics
hermeneutics
Rights
License
https://creativecommons.org/licenses/by-nc-sa/4.0
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oai_identifier_str oai:repositorio.uan.edu.co:123456789/10526
network_acronym_str UAntonioN2
network_name_str Repositorio UAN
repository_id_str
spelling 2011-06-142024-10-10T02:28:51Z2024-10-10T02:28:51Zhttps://revistas.uan.edu.co/index.php/nodo/article/view/52https://repositorio.uan.edu.co/handle/123456789/10526The article analyzes action arts such as performance, happening and body art, emphasizing on their achievements both on artists and spectators and participants, when carried out in urban spaces amid recreational purposes. The author extends, among others, on the cultural, social, psychic, urban, andpolitical importance and reach of playfulness as an essential component of action arts: non-object-related works that provide the human body with different meanings and serve like individual and collective self recognition devices. It analyzes the city as scenario, as a non-discrimination space where artistic actions emerge as a subversive game that questions institutionalism and scrutinizes the whole apparatus accountable for theclassic and —even— modern art mystification that segregated certain audiences and artists. It points out that we are living in a time of diversity, difference and multiculturalism, hence, recognizing ourselves in artworks is getting to know something else about ourselves and conquering one truth about the world and the place we inhabit: the city.El artículo analiza las artes de acción, como el performance, el happening, el body art o el flashmob, haciendo énfasis en los múltiples efectos que logran tanto en los artistas como en los espectadores y participantes, cuando se realizan en espacios urbanos y se plantean en el marco de la lúdica. El autor profundiza en la importancia y los alcances —culturales, sociales, psíquicos, urbanos, políticos, entre otros— del juego como componente fundamental del arte de acción, de obras no objetuales que se soportan en el cuerpo humano y lo resignifican, y que actúan como factor de autorreconocimiento individual y colectivo. Analiza la ciudad como escenario, espacio inclusivo donde las acciones artísticas emergen como un juego subversivo, cuestionando la institucionalidad y poniendo a prueba todo el aparato que ha mistificado el arte clásico e incluso el arte moderno, segregando a ciertos públicos y a ciertos artistas. Señala que acudimos a una era de afirmación de la diversidad, de la diferencia y de la multiculturalidad, por eso reconocerse en la obra es conocer algo más de símismo, conquistar una verdad sobre el mundo y el lugar en que se habita: la ciudad.application/pdfspaUNIVERSIDAD ANTONIO NARIÑOhttps://revistas.uan.edu.co/index.php/nodo/article/view/52/42https://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2REVISTA NODO; Vol. 5 Núm. 10 (2011); 55 - 722346-092X1909-3888PerformanceartecuerpociudadestéticahermenéuticajuegoPerformanceartbodycityaestheticshermeneuticsAction arts: body and urban space resignificationArtes de acción: re-significación del cuerpo y el espacio urbanoinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículo revisado por pareshttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85González-Victoria, Luis Manuel123456789/10526oai:repositorio.uan.edu.co:123456789/105262024-10-14 03:47:55.801metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.en-US.fl_str_mv Action arts: body and urban space resignification
dc.title.es-ES.fl_str_mv Artes de acción: re-significación del cuerpo y el espacio urbano
title Action arts: body and urban space resignification
spellingShingle Action arts: body and urban space resignification
Performance
arte
cuerpo
ciudad
estética
hermenéutica
juego
Performance
art
body
city
aesthetics
hermeneutics
title_short Action arts: body and urban space resignification
title_full Action arts: body and urban space resignification
title_fullStr Action arts: body and urban space resignification
title_full_unstemmed Action arts: body and urban space resignification
title_sort Action arts: body and urban space resignification
dc.subject.es-ES.fl_str_mv Performance
arte
cuerpo
ciudad
estética
hermenéutica
juego
topic Performance
arte
cuerpo
ciudad
estética
hermenéutica
juego
Performance
art
body
city
aesthetics
hermeneutics
dc.subject.en-US.fl_str_mv Performance
art
body
city
aesthetics
hermeneutics
description The article analyzes action arts such as performance, happening and body art, emphasizing on their achievements both on artists and spectators and participants, when carried out in urban spaces amid recreational purposes. The author extends, among others, on the cultural, social, psychic, urban, andpolitical importance and reach of playfulness as an essential component of action arts: non-object-related works that provide the human body with different meanings and serve like individual and collective self recognition devices. It analyzes the city as scenario, as a non-discrimination space where artistic actions emerge as a subversive game that questions institutionalism and scrutinizes the whole apparatus accountable for theclassic and —even— modern art mystification that segregated certain audiences and artists. It points out that we are living in a time of diversity, difference and multiculturalism, hence, recognizing ourselves in artworks is getting to know something else about ourselves and conquering one truth about the world and the place we inhabit: the city.
publishDate 2011
dc.date.accessioned.none.fl_str_mv 2024-10-10T02:28:51Z
dc.date.available.none.fl_str_mv 2024-10-10T02:28:51Z
dc.date.none.fl_str_mv 2011-06-14
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
dc.type.es-ES.fl_str_mv Artículo revisado por pares
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6501
dc.type.coarversion.none.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/52
dc.identifier.uri.none.fl_str_mv https://repositorio.uan.edu.co/handle/123456789/10526
url https://revistas.uan.edu.co/index.php/nodo/article/view/52
https://repositorio.uan.edu.co/handle/123456789/10526
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/52/42
dc.rights.es-ES.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
dc.publisher.es-ES.fl_str_mv UNIVERSIDAD ANTONIO NARIÑO
dc.source.es-ES.fl_str_mv REVISTA NODO; Vol. 5 Núm. 10 (2011); 55 - 72
dc.source.none.fl_str_mv 2346-092X
1909-3888
institution Universidad Antonio Nariño
repository.name.fl_str_mv Repositorio Institucional UAN
repository.mail.fl_str_mv alertas.repositorio@uan.edu.co
_version_ 1814300382280548352