Violence in Colombia: an artistic perspective

The article is the product of a research/creation dealing with the relation between art and violence in Colombia. It begins by giving a brief description of three well-delimited violent periods according to outstanding historians, and by closely analyzing the Massacre of Trujillo as understood by Hi...

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Autores:
Tipo de recurso:
Article of journal
Fecha de publicación:
2012
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/10544
Acceso en línea:
https://revistas.uan.edu.co/index.php/nodo/article/view/75
https://repositorio.uan.edu.co/handle/123456789/10544
Palabra clave:
Arte y violencia
historia y memoria
contramonumento
Art and violence
history and memory
unmonumental art
Rights
License
https://creativecommons.org/licenses/by-nc-sa/4.0
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oai_identifier_str oai:repositorio.uan.edu.co:123456789/10544
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network_name_str Repositorio UAN
repository_id_str
spelling 2012-12-142024-10-10T02:29:15Z2024-10-10T02:29:15Zhttps://revistas.uan.edu.co/index.php/nodo/article/view/75https://repositorio.uan.edu.co/handle/123456789/10544The article is the product of a research/creation dealing with the relation between art and violence in Colombia. It begins by giving a brief description of three well-delimited violent periods according to outstanding historians, and by closely analyzing the Massacre of Trujillo as understood by Historical Memory, a group part of the National Reparation and Reconciliation Commission. Then, the author provides a breviary of the most prominent Colombian artworks in relation to violence, and proposes a meditation around the standpoint that artists should take towards this particular issue. Subsequently, it presents some art proposals originated by the Massacre of Trujillo, as well as artworks inspired on Colombian rivers for being places where tragedy and truncated mourning rituals converge. Finally, the article introduces Río, the product of the research process, an artwork articulating the landscape and the unmonumental as categories for creative exploration.El artículo, producto de una investigación-creación, aborda la relación entre arte y violencia en Colombia. Se realiza una sucinta caracterización de tres períodos de la violencia delimitados por reconocidos historiadores; y se analiza el caso de la masacre de Trujillo, con base en los resultados obtenidos por el grupo de Memoria Histórica de la Comisión Nacional de Reparación y Reconciliación. Se expone un breviario de las obras más destacadas del arte colombiano que hacen referencia a la violencia, y se reflexiona en torno a la postura que el artista debe adoptar al abordar ese tema. Se presentan algunas de las obras artísticas que han surgido a partir de la masacre de Trujillo, así como de los ríos colombianos, por ser lugares en los que convergen la tragedia que surge de la violencia y la experiencia del duelo sin solución. Finalmente, se presenta la obra que surgió del proceso de investigación: Río, que articula el paisaje y el contramonumento como categorías para la exploración creativa.application/pdfspaUNIVERSIDAD ANTONIO NARIÑOhttps://revistas.uan.edu.co/index.php/nodo/article/view/75/58https://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2REVISTA NODO; Vol. 7 Núm. 13 (2012); 43 - 562346-092X1909-3888Arte y violenciahistoria y memoriacontramonumentoArt and violencehistory and memoryunmonumental artViolence in Colombia: an artistic perspectiveLa violencia en Colombia: una perspectiva desde el arteinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículo revisado por pareshttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Silva-Cañaveral, Sandra Johana123456789/10544oai:repositorio.uan.edu.co:123456789/105442024-10-14 03:46:10.616metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.en-US.fl_str_mv Violence in Colombia: an artistic perspective
dc.title.es-ES.fl_str_mv La violencia en Colombia: una perspectiva desde el arte
title Violence in Colombia: an artistic perspective
spellingShingle Violence in Colombia: an artistic perspective
Arte y violencia
historia y memoria
contramonumento
Art and violence
history and memory
unmonumental art
title_short Violence in Colombia: an artistic perspective
title_full Violence in Colombia: an artistic perspective
title_fullStr Violence in Colombia: an artistic perspective
title_full_unstemmed Violence in Colombia: an artistic perspective
title_sort Violence in Colombia: an artistic perspective
dc.subject.es-ES.fl_str_mv Arte y violencia
historia y memoria
contramonumento
topic Arte y violencia
historia y memoria
contramonumento
Art and violence
history and memory
unmonumental art
dc.subject.en-US.fl_str_mv Art and violence
history and memory
unmonumental art
description The article is the product of a research/creation dealing with the relation between art and violence in Colombia. It begins by giving a brief description of three well-delimited violent periods according to outstanding historians, and by closely analyzing the Massacre of Trujillo as understood by Historical Memory, a group part of the National Reparation and Reconciliation Commission. Then, the author provides a breviary of the most prominent Colombian artworks in relation to violence, and proposes a meditation around the standpoint that artists should take towards this particular issue. Subsequently, it presents some art proposals originated by the Massacre of Trujillo, as well as artworks inspired on Colombian rivers for being places where tragedy and truncated mourning rituals converge. Finally, the article introduces Río, the product of the research process, an artwork articulating the landscape and the unmonumental as categories for creative exploration.
publishDate 2012
dc.date.accessioned.none.fl_str_mv 2024-10-10T02:29:15Z
dc.date.available.none.fl_str_mv 2024-10-10T02:29:15Z
dc.date.none.fl_str_mv 2012-12-14
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
dc.type.es-ES.fl_str_mv Artículo revisado por pares
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6501
dc.type.coarversion.none.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/75
dc.identifier.uri.none.fl_str_mv https://repositorio.uan.edu.co/handle/123456789/10544
url https://revistas.uan.edu.co/index.php/nodo/article/view/75
https://repositorio.uan.edu.co/handle/123456789/10544
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/75/58
dc.rights.es-ES.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
dc.publisher.es-ES.fl_str_mv UNIVERSIDAD ANTONIO NARIÑO
dc.source.es-ES.fl_str_mv REVISTA NODO; Vol. 7 Núm. 13 (2012); 43 - 56
dc.source.none.fl_str_mv 2346-092X
1909-3888
institution Universidad Antonio Nariño
repository.name.fl_str_mv Repositorio Institucional UAN
repository.mail.fl_str_mv alertas.repositorio@uan.edu.co
_version_ 1814300298755178496

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