Imago urbis: imagined cities and cities’ representation

The article deals with the issue of the city as object depicted by art throughout history, and the art of drawing and representing as essential means for capturing the city and its architecture. It examines the metamorphoses of Imago Urbis and the art representing the urban from medieval times, the...

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Autores:
Tipo de recurso:
Article of journal
Fecha de publicación:
2012
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/10546
Acceso en línea:
https://revistas.uan.edu.co/index.php/nodo/article/view/77
https://repositorio.uan.edu.co/handle/123456789/10546
Palabra clave:
Arte y ciudad
movimientos artísticos
técnicas de representación
Art and the city
art movements
representation techniques
Rights
License
https://creativecommons.org/licenses/by-nc-sa/4.0
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oai_identifier_str oai:repositorio.uan.edu.co:123456789/10546
network_acronym_str UAntonioN2
network_name_str Repositorio UAN
repository_id_str
spelling 2012-12-142024-10-10T02:29:16Z2024-10-10T02:29:16Zhttps://revistas.uan.edu.co/index.php/nodo/article/view/77https://repositorio.uan.edu.co/handle/123456789/10546The article deals with the issue of the city as object depicted by art throughout history, and the art of drawing and representing as essential means for capturing the city and its architecture. It examines the metamorphoses of Imago Urbis and the art representing the urban from medieval times, the Renaissance and the Baroque, through Mannerism, Impressionism, Cubism, Futurism and Dada, as well as twentieth century art movements like Pop Art and Action Painting, among others. It also entails to the analysis modern techniques such as photography, film, video, digital technologies and current information networks and its effect upon the perception, representation and/or simulation of the city, which, according to the author, are ever more subjective and personal.El artículo aborda el tema de la ciudad como objeto representado por el arte de todas las épocas, así como el arte del dibujo y la representación, como elementos esenciales para la creación de la arquitectura y la ciudad. Revisa la metamorfosis de la imago urbis, y del arte que la representa, desde la Edad Media, pasando por el Renacimiento, el Barroco, el Manierismo, el Impresionismo, el Cubismo, el Futurismo, el Dadá, así como algunas tendencias y movimientos artísticos del siglo XX, como el Pop art, o el Action painting, entre otros. Además, vincula al análisis fenómenos tecnológicos como la fotografía, la cinematografía, el video, junto con los programas digitales y las redes informáticas actuales, y el efecto sobre la concepción de ciudad, y la representación y/o simulación de la misma, que se deriva de ellos; que, de acuerdo a las conclusiones que esboza el autor, son cada día más subjetivas o personales.application/pdfspaUNIVERSIDAD ANTONIO NARIÑOhttps://revistas.uan.edu.co/index.php/nodo/article/view/77/60https://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2REVISTA NODO; Vol. 7 Núm. 13 (2012); 67 - 842346-092X1909-3888Arte y ciudadmovimientos artísticostécnicas de representaciónArt and the cityart movementsrepresentation techniquesImago urbis: imagined cities and cities’ representationImago Urbis: de la ciudad imaginada a la ciudad representadainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículo revisado por pareshttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85González-Victoria, Luis Manuel123456789/10546oai:repositorio.uan.edu.co:123456789/105462024-10-14 03:48:03.658metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.en-US.fl_str_mv Imago urbis: imagined cities and cities’ representation
dc.title.es-ES.fl_str_mv Imago Urbis: de la ciudad imaginada a la ciudad representada
title Imago urbis: imagined cities and cities’ representation
spellingShingle Imago urbis: imagined cities and cities’ representation
Arte y ciudad
movimientos artísticos
técnicas de representación
Art and the city
art movements
representation techniques
title_short Imago urbis: imagined cities and cities’ representation
title_full Imago urbis: imagined cities and cities’ representation
title_fullStr Imago urbis: imagined cities and cities’ representation
title_full_unstemmed Imago urbis: imagined cities and cities’ representation
title_sort Imago urbis: imagined cities and cities’ representation
dc.subject.es-ES.fl_str_mv Arte y ciudad
movimientos artísticos
técnicas de representación
topic Arte y ciudad
movimientos artísticos
técnicas de representación
Art and the city
art movements
representation techniques
dc.subject.en-US.fl_str_mv Art and the city
art movements
representation techniques
description The article deals with the issue of the city as object depicted by art throughout history, and the art of drawing and representing as essential means for capturing the city and its architecture. It examines the metamorphoses of Imago Urbis and the art representing the urban from medieval times, the Renaissance and the Baroque, through Mannerism, Impressionism, Cubism, Futurism and Dada, as well as twentieth century art movements like Pop Art and Action Painting, among others. It also entails to the analysis modern techniques such as photography, film, video, digital technologies and current information networks and its effect upon the perception, representation and/or simulation of the city, which, according to the author, are ever more subjective and personal.
publishDate 2012
dc.date.accessioned.none.fl_str_mv 2024-10-10T02:29:16Z
dc.date.available.none.fl_str_mv 2024-10-10T02:29:16Z
dc.date.none.fl_str_mv 2012-12-14
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
dc.type.es-ES.fl_str_mv Artículo revisado por pares
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6501
dc.type.coarversion.none.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/77
dc.identifier.uri.none.fl_str_mv https://repositorio.uan.edu.co/handle/123456789/10546
url https://revistas.uan.edu.co/index.php/nodo/article/view/77
https://repositorio.uan.edu.co/handle/123456789/10546
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/77/60
dc.rights.es-ES.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
dc.publisher.es-ES.fl_str_mv UNIVERSIDAD ANTONIO NARIÑO
dc.source.es-ES.fl_str_mv REVISTA NODO; Vol. 7 Núm. 13 (2012); 67 - 84
dc.source.none.fl_str_mv 2346-092X
1909-3888
institution Universidad Antonio Nariño
repository.name.fl_str_mv Repositorio Institucional UAN
repository.mail.fl_str_mv alertas.repositorio@uan.edu.co
_version_ 1814300366677737472

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