The Counter-Memory, the Antisocial and the Counter-image in the Last Two Juan Gabriel Vásquez Novels “The Sound of Things Falling” (2011) and “The Reputations” (2013)

Juan Gabriel Vásquez’s narrative approaches the 20th century political Colombian history. He tracks the latent past that he transforms into a vehement desire of prominent figures to forget the painful past, and abolish what they have lived. This characteristic is defined as counter memory, a hermene...

Full description

Autores:
Buitrago Ramírez, Marisella
Tipo de recurso:
Article of journal
Fecha de publicación:
2015
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/5292
Acceso en línea:
http://revistas.uan.edu.co/index.php/papeles/article/view/310
http://repositorio.uan.edu.co/handle/123456789/5292
Palabra clave:
counter-memory
antisocial
counter-image
official history of Colombia
antimemoria
antisocial
contra-imagen
historia oficial de Colombia
Rights
openAccess
License
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
Description
Summary:Juan Gabriel Vásquez’s narrative approaches the 20th century political Colombian history. He tracks the latent past that he transforms into a vehement desire of prominent figures to forget the painful past, and abolish what they have lived. This characteristic is defined as counter memory, a hermeneutic term. The counter-image corresponds to the different negative aspects that people show. Both novels in this study, “The sound of things falling” and “The reputations” become two possible interpretations of the official history. The author studies in depth the past and the need to understand it. As a consequence, the characters find themselves in unexpected contexts in diverse situations.