Rulfo photographer, more than a personal universe

To speak of Juan Rulfo is to exalt a literary figure, whose fame crossed borders with only two books, Pedro Páramo and El llano en llamas. In these volumes the national aspect appeared as an obligatory reference. How­ever, there is another area in Rulfo’s work where the aesthetics of photography com...

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Autores:
Tipo de recurso:
Article of journal
Fecha de publicación:
2022
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/10710
Acceso en línea:
https://revistas.uan.edu.co/index.php/nodo/article/view/1445
https://repositorio.uan.edu.co/handle/123456789/10710
Palabra clave:
fotografía
indigenismo
realidad y ficción
universo personal
literatura
fotografía
México
Juan Rulfo
photography
indigenism
reality and fiction
personal universe
Rights
License
Derechos de autor 2022 Universidad Antonio Nariño
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spelling 2022-10-172024-10-10T02:31:56Z2024-10-10T02:31:56Zhttps://revistas.uan.edu.co/index.php/nodo/article/view/144510.54104/nodo.v17n33.1445https://repositorio.uan.edu.co/handle/123456789/10710To speak of Juan Rulfo is to exalt a literary figure, whose fame crossed borders with only two books, Pedro Páramo and El llano en llamas. In these volumes the national aspect appeared as an obligatory reference. How­ever, there is another area in Rulfo’s work where the aesthetics of photography come to the fore. Despite his artistic quality, he considered himself an amateur photographer; he never wanted to share credits with the great masters of that time in Mé­xico, such as Lola or Manuel Álvarez Bravo, Nacho Ló­pez or Kati Horna. Locating his images together with his literature gives us an enriched vision of Rulfo. In this space, it is about showing a Rulfo photographer who expresses himself in images that are at the height of his books.Hablar del escritor mexicano Juan Rulfo es exaltar una fi­gura literaria cuya fama rebasó fronteras con sólo dos libros: Pedro Páramo y El llano en llamas. En estos volú­menes aparecía lo nacional como una referencia obligada. Sin embargo, hay otra zona en la obra de Rul­fo en la que la estética de la fotografía aparece en primer plano. A pesar de su calidad artística, él se conside­raba un fotógrafo aficionado; nunca quiso compartir créditos con los grandes maestros de aquel tiempo mexica­no, como Lola o Manuel Álvarez Bravo, Nacho Ló­pez o Kati Horna. Ubicar sus imágenes junto con su literatura nos da una visión enriquecida de Rulfo. En este espacio se mostrará a un Rulfo fotógrafo que se expresa en imágenes que están a la altura de sus libros.application/pdfspaUNIVERSIDAD ANTONIO NARIÑOhttps://revistas.uan.edu.co/index.php/nodo/article/view/1445/1104Derechos de autor 2022 Universidad Antonio Nariñohttps://creativecommons.org/licenses/by-nd/4.0/legalcodehttp://purl.org/coar/access_right/c_abf2REVISTA NODO; Vol. 17 Núm. 33 (2022): Estéticas emergentes; 55-682346-092X1909-388810.54104/nodo.v17n33fotografíaindigenismorealidad y ficciónuniverso personalliteraturafotografíaMéxicoJuan Rulfophotographyindigenismreality and fictionpersonal universeRulfo photographer, more than a personal universeRulfo fotógrafo, más que un universo personalinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85De Luna, Andrés123456789/10710oai:repositorio.uan.edu.co:123456789/107102024-10-14 03:46:55.871metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.en-US.fl_str_mv Rulfo photographer, more than a personal universe
dc.title.es-ES.fl_str_mv Rulfo fotógrafo, más que un universo personal
title Rulfo photographer, more than a personal universe
spellingShingle Rulfo photographer, more than a personal universe
fotografía
indigenismo
realidad y ficción
universo personal
literatura
fotografía
México
Juan Rulfo
photography
indigenism
reality and fiction
personal universe
title_short Rulfo photographer, more than a personal universe
title_full Rulfo photographer, more than a personal universe
title_fullStr Rulfo photographer, more than a personal universe
title_full_unstemmed Rulfo photographer, more than a personal universe
title_sort Rulfo photographer, more than a personal universe
dc.subject.es-ES.fl_str_mv fotografía
indigenismo
realidad y ficción
universo personal
literatura
fotografía
México
Juan Rulfo
topic fotografía
indigenismo
realidad y ficción
universo personal
literatura
fotografía
México
Juan Rulfo
photography
indigenism
reality and fiction
personal universe
dc.subject.en-US.fl_str_mv photography
indigenism
reality and fiction
personal universe
description To speak of Juan Rulfo is to exalt a literary figure, whose fame crossed borders with only two books, Pedro Páramo and El llano en llamas. In these volumes the national aspect appeared as an obligatory reference. How­ever, there is another area in Rulfo’s work where the aesthetics of photography come to the fore. Despite his artistic quality, he considered himself an amateur photographer; he never wanted to share credits with the great masters of that time in Mé­xico, such as Lola or Manuel Álvarez Bravo, Nacho Ló­pez or Kati Horna. Locating his images together with his literature gives us an enriched vision of Rulfo. In this space, it is about showing a Rulfo photographer who expresses himself in images that are at the height of his books.
publishDate 2022
dc.date.accessioned.none.fl_str_mv 2024-10-10T02:31:56Z
dc.date.available.none.fl_str_mv 2024-10-10T02:31:56Z
dc.date.none.fl_str_mv 2022-10-17
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6501
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dc.identifier.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/1445
10.54104/nodo.v17n33.1445
dc.identifier.uri.none.fl_str_mv https://repositorio.uan.edu.co/handle/123456789/10710
url https://revistas.uan.edu.co/index.php/nodo/article/view/1445
https://repositorio.uan.edu.co/handle/123456789/10710
identifier_str_mv 10.54104/nodo.v17n33.1445
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/1445/1104
dc.rights.es-ES.fl_str_mv Derechos de autor 2022 Universidad Antonio Nariño
https://creativecommons.org/licenses/by-nd/4.0/legalcode
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv Derechos de autor 2022 Universidad Antonio Nariño
https://creativecommons.org/licenses/by-nd/4.0/legalcode
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
dc.publisher.es-ES.fl_str_mv UNIVERSIDAD ANTONIO NARIÑO
dc.source.es-ES.fl_str_mv REVISTA NODO; Vol. 17 Núm. 33 (2022): Estéticas emergentes; 55-68
dc.source.none.fl_str_mv 2346-092X
1909-3888
10.54104/nodo.v17n33
institution Universidad Antonio Nariño
repository.name.fl_str_mv Repositorio Institucional UAN
repository.mail.fl_str_mv alertas.repositorio@uan.edu.co
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