El conscious movement in the study of guitar technique
Some methods for guitar propose the study of the technique through the presentation of mechanical exercises, written sequentially and that must be executed repetitively in order to achieve a motor target that allows the best potential of the hands in the performance of a musical piece. This article...
- Autores:
-
Gómez González, Nelson
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2017
- Institución:
- Universidad Antonio Nariño
- Repositorio:
- Repositorio UAN
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uan.edu.co:123456789/5359
- Acceso en línea:
- http://revistas.uan.edu.co/index.php/papeles/article/view/492
http://repositorio.uan.edu.co/handle/123456789/5359
- Palabra clave:
- movement
neuroscience
guitar
technique
movimiento
neurociencia
técnica
guitarra
- Rights
- openAccess
- License
- Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
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Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)Acceso abiertohttps://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Gómez González, Nelson2021-11-10T00:52:25Z2021-11-10T00:52:25Z2017-04-12http://revistas.uan.edu.co/index.php/papeles/article/view/492http://repositorio.uan.edu.co/handle/123456789/5359Some methods for guitar propose the study of the technique through the presentation of mechanical exercises, written sequentially and that must be executed repetitively in order to achieve a motor target that allows the best potential of the hands in the performance of a musical piece. This article proposes the possibility of approaching these methods based on the conscious management of movement and on fundamental concepts related to neurological functioning and developed in studies carried out by different guitar players and neuroscience researchers.Algunos métodos para guitarra proponen el estudio de la técnica a través del planteamiento de ejercicios mecánicos, escritos en forma secuencial y que deben ser ejecutados repetitivamente con el fin de lograr un objetivo motor que permita el mejor desempeño de las manos en la interpretación de una pieza musical. Este artículo plantea la posibilidad de abordar estos métodos a partir del manejo consciente del movimiento, basado en conceptos fundamentales relacionados con el funcionamiento neuromotor y desarrollado en estudios realizados por diferentes intérpretes de guitarra e investigadores de neurociencia.application/pdfspaUniversidad Antonio Nariñohttp://revistas.uan.edu.co/index.php/papeles/article/view/492/4212346-09110123-0670PAPELES; Vol. 9 No. 18 (2017); 45-55PAPELES; Vol. 9 Núm. 18 (2017); 45-55movementneuroscienceguitartechniquemovimientoneurocienciatécnicaguitarraEl conscious movement in the study of guitar techniqueEl movimiento consciente en el estudio de la técnica para guitarrainfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85123456789/5359oai:repositorio.uan.edu.co:123456789/53592024-10-09 23:24:44.001https://creativecommons.org/licenses/by-nc-sa/4.0/Acceso abiertometadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co |
dc.title.en-US.fl_str_mv |
El conscious movement in the study of guitar technique |
dc.title.es-ES.fl_str_mv |
El movimiento consciente en el estudio de la técnica para guitarra |
title |
El conscious movement in the study of guitar technique |
spellingShingle |
El conscious movement in the study of guitar technique movement neuroscience guitar technique movimiento neurociencia técnica guitarra |
title_short |
El conscious movement in the study of guitar technique |
title_full |
El conscious movement in the study of guitar technique |
title_fullStr |
El conscious movement in the study of guitar technique |
title_full_unstemmed |
El conscious movement in the study of guitar technique |
title_sort |
El conscious movement in the study of guitar technique |
dc.creator.fl_str_mv |
Gómez González, Nelson |
dc.contributor.author.spa.fl_str_mv |
Gómez González, Nelson |
dc.subject.en-US.fl_str_mv |
movement neuroscience guitar technique |
topic |
movement neuroscience guitar technique movimiento neurociencia técnica guitarra |
dc.subject.es-ES.fl_str_mv |
movimiento neurociencia técnica guitarra |
description |
Some methods for guitar propose the study of the technique through the presentation of mechanical exercises, written sequentially and that must be executed repetitively in order to achieve a motor target that allows the best potential of the hands in the performance of a musical piece. This article proposes the possibility of approaching these methods based on the conscious management of movement and on fundamental concepts related to neurological functioning and developed in studies carried out by different guitar players and neuroscience researchers. |
publishDate |
2017 |
dc.date.issued.spa.fl_str_mv |
2017-04-12 |
dc.date.accessioned.none.fl_str_mv |
2021-11-10T00:52:25Z |
dc.date.available.none.fl_str_mv |
2021-11-10T00:52:25Z |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.version.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
dc.type.driver.spa.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.coarversion.none.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
format |
http://purl.org/coar/resource_type/c_6501 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://revistas.uan.edu.co/index.php/papeles/article/view/492 |
dc.identifier.uri.none.fl_str_mv |
http://repositorio.uan.edu.co/handle/123456789/5359 |
url |
http://revistas.uan.edu.co/index.php/papeles/article/view/492 http://repositorio.uan.edu.co/handle/123456789/5359 |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
http://revistas.uan.edu.co/index.php/papeles/article/view/492/421 |
dc.rights.none.fl_str_mv |
Acceso abierto |
dc.rights.license.spa.fl_str_mv |
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) |
dc.rights.uri.spa.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0/ |
dc.rights.accessrights.spa.fl_str_mv |
info:eu-repo/semantics/openAccess |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
rights_invalid_str_mv |
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) Acceso abierto https://creativecommons.org/licenses/by-nc-sa/4.0/ http://purl.org/coar/access_right/c_abf2 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
Universidad Antonio Nariño |
dc.source.none.fl_str_mv |
2346-0911 0123-0670 |
dc.source.en-US.fl_str_mv |
PAPELES; Vol. 9 No. 18 (2017); 45-55 |
dc.source.es-ES.fl_str_mv |
PAPELES; Vol. 9 Núm. 18 (2017); 45-55 |
institution |
Universidad Antonio Nariño |
repository.name.fl_str_mv |
Repositorio Institucional UAN |
repository.mail.fl_str_mv |
alertas.repositorio@uan.edu.co |
_version_ |
1814300437539454976 |